Yamaha M7CL-32 Digital Mixer |
Product Code:M7CL32
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The Yamaha M7CL-32 is a digital live-sound console that carries on the digital evolution from the acclaimed PM1DV2 and PM5D consoles. It includes an impressive array of advanced concepts such as the "Centralogic™" control interface that makes it as easy and intuitive
to use as an analog console, and in-depth access management facilities that will be particularly appreciated in installations.
The Yamaha M7CL-32 is familiar and comfortable to use, offering a level of convenience that overturns the
preconception that "digital is diffic.3lt". A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built
in, and all of this is provided in a space that is dramatically less than an analog console of similar scope. The M7CL is the ideal digital mixing console for medium size live sound applications that have previously been handled by analog gear. |
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StageMix provides remote control of M7CL functions
StageMix provides remote control of M7CL functions via a simple, intuitive graphical interface from anywhere within wireless range. The software has been specifically designed to allow engineers to adjust
monitor mixes from the performers' positions on stage, directly controlling mix parameters via the iPad rather than having to rely on verbal directions to a second engineer.
The result is better mixes in less time: a huge advantage during high-pressure pre-show setup. StageMix does not provide remote control of all M7CL parameters, but is focused on the requirements for adjusting monitor mixes on stage. |
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Virtual Effect and GEQ Rack
Just touch the RACK button on the M7CL display, and the virtual effect and EQ rack pops right up for instant, easy access. A few quick touches on the screen and you can easily patch effects or graphic EQ into any
channel and output. Another touch or two and you can get right inside the effects for detailed editing. The M7CL lets you use up to 8 signal processors simultaneously - normally that's up to 4 effects and 4
graphic EQ units. But since the effect units can also function as graphic EQs, you can use more EQ units if you don't need all 4 effects.
Built-in effects range from ambience and echo to modulation and distortion, plus Yamaha's superlative REV-X package for some of the most natural-sounding ambience effects available anywhere. The standard 31-band graphic EQ modules are directly adjustable via physical
controllers, and Flex15GEQ modules allow GEQ to be applied to up to 16 channels at once! More effect and GEQ details are provided on the following page.
VCM Effects Deliver Analog Smoothness and Warmth
Version 3.0 brings a selection of previously optional VCM effects to the M7CL platform, providing truly musical performance and subtleties that simple digital simulations cannot even approach. These compressor and EQ
effects, now standard features of all Version 3 M7CL consoles, faithfully capture the unique sound and saturation of analog circuitry with VCM technology that actually models individual analog circuit
components, right down to the last resistor and capacitor. All VCM effects are sonically fine-tuned by leading engineers, and feature carefully selected parameters that can be precisely controlled via a
simple, refined interface.
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Multi-level Access Control
In many applications it is desirable to prevent unauthorized access to the console, or restrict access to a limited set of functions. The M7CL's access management features can be a significant advantage for overall system administration.
USB Key Access
User access can be controlled via USB memory keys with passwords. The administrator can assign specific functions to each unique key, so the user only has to log onto the console with the USB key containing the
password to begin operation at the assigned level.
USB Memory for Convenient Data Management and Portability
Standard USB memory sticks can be plugged into the M7CL USB port for convenient storage and recall of a range of data: scenes, patches, user libraries, channel names, preferences... essentially all system data. In
addition to providing a secure backup, this makes it easy to transfer data between the console and the M7CL Editor application running on your personal computer, or directly between M7CL consoles. |
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Sends on Fader in M7CL V3 Editor
[V3.5] Output Port window added.
- Output Port settings could previously only be made from the console. Now they can be made from the M7CL V3 Editor as well.
[V3.5] Mix to Matrix control now possible in Sends on Fader mode.
[V3.5] Mix Name display provided in the Selected Channel window.
[V3.5] Added shortcut functions:
- Right click to switch Post/Pre for all MIX Sends.
- Double-click in the Dynamics or EQ area of the Overview display to open the Selected Channel window.
[V3.5] Tab to move to the next entry field of ch name.
[V3.0] Sends on Fader in M7CL V3 Editor
- Sends on Fader functionality in the M7CL V3 Editor software provides remote console-independent Sends on Fader operation so that, for example, an engineer could make stage monitor adjustments from a tablet
PC while standing in front of the monitors. |
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| Outline |
M7CL-32 |
| Mixing capability |
Mixing channels |
32 Mono + 4 Stereo |
| GROUP |
16 MIX (Group/AUX) busses |
| AUX |
16 MIX (Group/AUX) busses |
| MAIN |
Stereo, Mono |
| MATRIX |
8 (Can be used as AUX by "Input to Matrix" function) |
| DCA/VCA |
8 |
| Input channel functions |
HPF, Attenuator, 4-band PEQ, 2x Dynamics, Pan (LR or LCR with CSR) |
| Output channel functions |
Attenuator, 4-band PEQ, Dynamics |
| On-board processors |
4x GEQ, 4x GEQ/SPX (GEQ: 31-band or 2x Flex15), 68x Output port delay |
| I/O |
Mic inputs |
32 (Recallable) |
| Line inputs |
4x Stereo (Compliant with mic input) |
| AD converter |
24-bit; 128-time over sampling |
| Line outputs |
16 Omni output |
| DA converter |
24-bit; 128-time over sampling |
| Digital I/O |
2tr out |
| Expansion slots |
3x Mini-YGDAI (16-in/16-out) |
| Control and others |
Ethernet, MIDI, Remote (HA remote), USB (Storage/Key), Word clock I/O, Lamp (12V) |
| Phantom power |
+48V DC; ON/OFF per channel |
| General specifications |
| Internal processing |
32bit, Accumulator: 58bit |
| Sampling frequency rate |
Internal |
44.1kHz, 48kHz |
| External |
44.1 kHz (-10%) to 48 kHz (+6%) |
| Signal delay |
Less than 2.5 ms (@48kHz) |
| Total harmonic distortion |
Less than 0.05% (20Hz-20kHz) |
| Frequency response |
0, +0.5, -1.5dB 20Hz-20kHz |
| Dynamic range |
DA: 110dB; AD+DA: 108dB |
| Hum & noise level |
Equivalent input noise |
-128dBu |
| Residual output noise |
-86dBu |
| Crosstalk |
-80 dB Adjacent Input Channels, Input to Output |
| Power requirements |
AC100-240V 50/60Hz, and/or Use PW800W |
| Power consumption |
250W, 310W (When use with PW800W) |
| Dimensions |
W |
1060mm; 41-3/4in |
| H |
286mm; 11-1/4in |
| D |
701mm; 27-5/8in |
| Net weight |
42kg; 92.6lbs |
| Accessories |
Owner’s Manual, AC power cord, Dust cover |
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