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For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in
all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation,
the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles,
including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.
With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty
channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of
these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.
• 10-Channel Mixing Console
• Max. 4 Mic / 10 Line Inputs (4 mono + 3 stereo)
• 1 Stereo Bus
• 1 AUX (incl. FX)
• “D-PRE” mic preamps with an inverted Darlington circuit
• 1-Knob compressors
• PAD switch on mono inputs
• +48V phantom power
• XLR balanced outputs
• Metal chassis
• Dimensions (W×H×D): 244 mm x 71 mm x 294 mm (9.6"x 2.8"x 11.6")
• Net Weight: 1.9kg (4.19 lbs.)
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D-PRE
This is where it all starts. Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG
Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power
with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from
any audio source without overly amplifying any specific elements of the sound. Having such a pure sonic platform to build on will ultimately save you time and effort by eliminating the need for excessive EQing or
additional effects processing in order to "fix" your mix. |
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High Quality Sound Op-amp
The head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we
developed in cooperation with the semiconductor manufacturer. Although many other Op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound
quality first. MG01 op-amps feature redesigned circuitry in which even the internal components and wiring have been optimized, and use materials such as high-quality silicon wafers and copper wire to achieve
superb resolution.
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Switchable Phantom Power & PAD Switch
With phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level
of inputs, PAD Switch attenuates high input signals that often accompany mic'ed instruments during performance, avoiding the clippingthat can seriously affect your mix. |
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1-Knob Compressors
Compression plays an essential role in just about any recording or sound reinforcement environment by altering the level of dynamics of an audio signal when you need livelier guitars, punchier bass lines, a tighter
snare, or a cleaner vocal sound. However, it can take countless hours to master the complexities of even the most basic outboard compression units and use them effectively. Originally a Yamaha innovation, 1-knob
compressors are now an industry standard that gives you instant access to optimized compression settings via a single rotary control. |
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EQ and High-pass Filters
There's nothing more useful than reliable equalization when you need nuanced management of your tone. The MG Series benefits from Yamaha's unparalleled experience in designing pro audio gear, featuring 3-band
equalizers on all mono channels for precise control of your sound. High-pass filter allows you to eliminate unwanted low-frequency noise, for a smoother, cleaner mix.
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AUX / Effect Sends / Group
MG Series mixers feature up to AUX sends for expanding your sound reinforcement or recording setup, allowing you to incorporate additional effects, output to external recording devices, or feed to an monitoring
system. Master send controls are also provided. The MG06 / 06X and MG10 / 10XU have a single stereo bus. All other models additionally feature one or two stereo group buses and outputs that can be used for
convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader. |
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LED level metering
Easy-to-read LED level metering allows output levels to be monitored with precision. |
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Metal Chassis
Built to last, MG Series mixers feature a rugged, impact-resistant, powder-coated metal chassis, offering an unrivalled level of durability. With a sleek design contoured for optimal convection cooling, the
internal layout separates the power supply from the analog circuitry for superior noise reduction, and further extends the life of the components inside. To further ensure reliable performance, knob control placement
above the surface of the chassis diverts any impact or pressure on the knobs to the chassis itself and not the circuit board or components underneath. |
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XLR connector
The main stereo outputs feature XLR type connectors that lock to prevent accidental disconnection. Rugged and dependable, these professional connectors ensure providing stable signal transmission even in the most
demanding environments.
The MG Series features the same digital connectivity that is used to streamline the recording process on Yamaha’s professional-level mixing consoles. Take advantage of state-of-the-art digital technology that
makes it easier than ever to plug-in, play, record, and then listen to your creations. |
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| Outline |
MG10XU |
| Mixing capability |
On-board processors |
SPX algorithm: 24 programs |
| I/O |
Phantom power |
+48 V |
| Digital I/O |
USB Audio Class 2.0 compliant, Sampling Frequency: Max 192 kHz, Bit Depth: 24-bit |
| Input Channels |
Mono[MIC/LINE] |
4 |
| Stereo[LINE] |
3 |
| Output Channels |
STEREO OUT |
2 |
| MONITOR OUT |
1 |
| PHONES |
1 |
| AUX SEND |
1 |
| Bus |
Stereo: 1, AUX[FX]: 1 |
| Input Channel Function |
PAD |
26 dB (Mono) |
| HPF |
80 Hz, 12 dB/oct (Mono) |
| COMP |
1-knob compressor Threshold: +22 dBu to -8
dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB, Attack time: approx. 25 msec, Release time: approx. 300 msec |
| EQ HIGH |
Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving |
| EQ MID |
Gain: +15 dB/-15 dB, Frequency: 2.5kHz peaking |
| EQ LOW |
Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving |
| PEAK LED |
LED turns on when post EQ signal reaches 3 dB below clipping |
| Level Meter |
2 x 7 -segment LED meter [PEAK, +10, +6, 0, -6, -10, -20 dB] |
| General specifications |
| Total harmonic distortion |
0.02 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min, 0.003 % @ +24dBu (1kHz), GAIN knob: Min |
| Frequency response |
+0.5 dB/-1.0 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min |
| Hum & noise level |
Equivalent input noise |
-128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max) |
| Residual output noise |
-102 dBu (STEREO OUT, STEREO LEVEL knob: Min) |
| Crosstalk |
-83 dB |
| Power requirements |
PA-10 (AC 38 VCT, 0.62A, Cable length = 3.6 m) or equivalent recommended by Yamaha |
| Power consumption |
22.9 W |
| Dimensions |
W |
244 mm (9.6") |
| H |
71 mm (2.8") |
| D |
294 mm (11.6") |
| Net weight |
2.1 kg (4.63 lbs.) |
| Accessories |
Included Accessory: AC Adaptor, Owner’s
Manual, Cubase AI Download Information, Technical Specifications, Optional Accessory: Mic Stand Adaptor BMS-10A, Foot Switch FC5
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| Others |
Operating Temperature: 0 to +40˚C |
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