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Model: ProFX16
16-Channel Professional Effects Mixer with
USB
The ProFX16 is
the clear solution for any midsized venue or band that needs great
sound, but doesn’t have the budget or space for tons of
outboard gear. To lose the rack, built-in tools like compression
and graphic EQ are crucial. The ProFX16 has everything needed to
make your gig sound great and is really easy to operate. Plus, USB
I/O lets you record the show or stream music straight from a
laptop. The “Pro” in ProFX stands for Pro. Professional
tools, rugged build quality, space-saving
footprint…everything you need.
The ProFX16 is loaded with 10 Mackie low-noise mic preamps, 3-band
EQ with sweepable mid, integrated “Gig-Ready” effects,
precision 7-band GEQ and more. It has all the right tools, each and
everyone designed to sound great. Perfect for portable
applications, the ProFX16 is housed in an ultra-tough enclosure
with impact-resistant sidecheeks. Plus, road warriors can simply
rack-mount the ProFX16 for additional protection.
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Live Sound Toolbox
Smaller performing acts typically play in places that may not have
an engineer on hand. In fact, someone from the band might have
double-duty as “The Sound Guy” for the group. If you
are reading this, chances are that’s you. Let us pander to
your obviously higher intellect… you are a professional and
you need the tools to get the job done perfectly each and every
show. High-headroom mic preamps with great-sounding effects,
channel EQ, a built-in DI, plus precision GEQ to tune-up the room
or monitor mix. Sounds good, right? The ProFX12 comes with all
these features—it is truly the perfect live sound
toolbox.
“Gig-Ready” RMFX™
Effects
The all-new RMFX™ (Running Man FX) 32-bit effects processor
brings “Gig Ready,” useable effects to your mixes. Why
scroll through hundreds of bizarre effects, like “ghost
ambience?” Yeah, like anyone even knows what that means. Or
how about winners like “delay+phaser2”, which
you’ll never use in a million years. Those other mixers will
leave your fingers raw from all the scrolling you have to do. The
RMFX™ processor features 16 solid FX that are known for their
utility and usability. Small, medium and large room reverbs with a
mix of warm and bright characteristics puts your mix in the right
space. Simple, rich choruses and an array of practical delays
enable you to create professional mixes without requiring a
two-hour sound check. Basically, we’ve delivered the choicest
parts of a full rack of gear, right at your fingertips, that is
easy to master, allowing you to look and sound really good at your
next gig. Really, really good.
Smooth, Simple
Compression
Compressors are a critical tool for both live sound and recording.
The ProFX16 features four dedicated in-line compressors, delivering
simple, sweet dynamic control with the single twist of a knob. Use
the compressors on channels 5-8 for vocals, bass or anything
that’s dynamic and needs to sit a little better in the mix.
Finally, you can stop obsessing about the vocal level and riding
the fader like it’s going out of style.
Record and Stream via
USB
With all the right tools for the job, the ProFX12 allows you to
create memorable mixes, but even with all those features,
portability is paramount and you can’t be burdened with
lugging around additional equipment. No worries, integrated USB I/O
takes the pain out of recording. Just connect the ProFX12 to a
laptop, start up your included copy of Tracktion 3 Music Production
Software (or almost any DAW software out there) and you can record
the whole mix. You can even stream music from your laptop during
breaks. Once you get home, record more tracks or use the ProFX12 to
playback some tunes during your next party. Unless you’re
anti-social, don’t have the right kind of place for a party
or are just sick of buying food and beverages for everyone. In that
case, you can play back whatever talk-radio show you listen to when
alone.
Not only that, the innovative “USB Thru” switch allows
for an impressive live/recording setup when using performance
software like Ableton Live or Reason. When gigging, stream the
output of your performance software (or iTunes, for that matter)
into the ProFX12. Combine that signal with anything plugged into
the mixer, and send the whole thing back to the computer for
recording. Archiving your integrated live performances has never
been easier!
Legendary
Mackie Durability Mackie is
known for building mixers that are “Built-Like-A-Tank”
and the ProFX8 is no exception. All of its tender bits are securely
encased in a solid steel chassis. No only that, the
impact-resistant side pieces are made of ultra-tough ABS, adding
extra protection where it is most likely to fall…not that you
drop things.
PA
Made Painless
Simple is better. A utility mixer
like the ProFX8 is an integral part of a ludicrously simple Mackie
PA system that sounds great. The only choice is whether to go
“active” or “passive” with your loudspeaker
setup.
Active— Just add Mackie SR, SA, SRM Series Active
Loudspeakers or SWA Series Active Subwoofers
Passive — Add a Mackie FR or FRS Series Stereo Power
Amplifier and S200 or C Series Precision Passive Loudspeakers
The legendary quality of Mackie loudspeakers combined with the
utility of the ProFX8 is a lethal combination that will suit just
about any size venue. Just add enough speakers, and you’re
golden.
Budget Friendly
The ProFX Series Compact Effects Mixers strike the perfect balance.
They offer all the right tools to get the job done well, sport the
popular compact footprint that Mackie is known for and are also the
most budget-friendly of all the Mackie sound reinforcement mixers.
Our competition either doesn’t have the expansive feature set
of the ProFX Series, or they simply will not survive the test of
time. You are investing in your mixer and the ProFX will be there
for you at every gig, ready to roll.
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Professional 12-channel
Compact Mixer with onboard effects and USB I/O
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6 low-noise,
high-headroom Mackie mic preamps with easy LED metering
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32-bit RMFX™
processor with 16 “Gig-Ready” reverbs, choruses and
delays
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Precision 7-band
graphic EQ for tuning Mains or MonitorsUSB I/O for recording shows
and music playback via Mac or PC
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4 full stereo channels
plus extra stereo return for keyboards, external effects or stereo
playback devices
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60mm faders for input
channels, returns and Main/Monitor masters
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3-band active EQ (80Hz,
2.5kHz and 12kHz) on all channels
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Hi-Z input for direct
connection of guitar, bass and other instruments
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Insert, 100Hz low cut
filter, and 48V phantom power on all mic channels
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Stereo RCA tape I/O
with input level control
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Headphone output with
separate rotary level control
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Balanced XLR and
balanced/unbalanced ¼-inch Main outputs
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FX mute with remote
control via footswitch
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Break switch mutes all
channels for music playback between sets
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Built-like-a-tank steel
chassis with rugged, yet stylish ABS sidecheeks
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"Planet Earth"
switching power supply for worldwide use
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Includes Tracktion
3™ Music Production Software for Mac or PC
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General
Specifications |
Frequency
Response: |
(Mic
to any output, gain at unity)
20 Hz to 40 kHz: +0dB/-1dB |
Total
Harmonic Distortion (THD+N): |
(20 Hz to 20 kHz bandwidth) Mic in to Main Out(+4 dBu Output):
<0.01% |
Noise
Characteristics: |
Equivalent Input
Noise (EIN)
(20 Hz to 20 kHz, 150Ω Source Impedance Equivalent Input
Noise)
Mic In to Insert Send out, max gain: -128 dBu (Residual Output Noise)
All Outputs, master levels off, all channel levels off:
-95 dBu
All Outputs, master levels unity, all channel levels off:
-85 dBu
All Outputs, master levels unity, one channel level unity:
-85 dBu |
Attenuation/Crosstalk: |
Adjacent Inputs, 1 kHz: -90
dB Fader Off, 1 kHz: -75
dBu
Mute Switch/Break Switch Mute, 1 kHz: -100 dBu |
Common Mode Rejection Ratio
(CMRR): |
(Mic In to Main
out, max gain 1 kHz) 1kHz: 70 dB
gain |
Maximum
Levels: |
All inputs: +22 dBu
Main Mix XLR: +28 dBu All
outputs: +22 dBu |
Impedance: |
Mic In:
3.3 kΩ Channel
Insert Return: 10 kΩ
All other Inputs: 20
kΩ
Tape Output: 1 kΩ
Phones Output: 25 kΩ
All other outputs: 120Ω |
Physical Dimensions and Weight: |
Front Height: 1.7 in
/ 44 mm Rear Height: 3.8
in / 97 mm Depth: 16.0 in
/ 407 mm Width: 18.7 in /
475 mm
Net Weight: 13 lb / 5.9
kg |
AC Power
Requirements: |
Power Consumption:
40
watts
Universal AC Power Supply: 100-240
VAC, 50-60 Hz
Operating Temperature: 0° -
40°C, 32° -
104°F |
Equalization: |
Mono
Channels Low: ± 15 dB @ 80 Hz
Mid: ± 15 dB 100 Hz - 8 Hz
High: ± 15 dB @ 12 kHz
Low Cut Filter: 18 dB/octave @ 100 Hz |
Stereo
Channels Low: ± 15 dB @ 80 Hz
Mid: ± 15 dB @ 2.5 kHz
High: ± 15 dB @ 12 kHz |
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Maximum Voltage
Gain: |
Mic Input
Channel to:
Insert Output: 50 dB
Tape Output: 60 dB
USB Output: 50 dB
1/4" Main Output: 70 dB
XLR Main Output: 76 dB
Monitor Send: 85 dB
FX Send: 90 dB |
Mono Line Input Channel to:
Insert Output:
30 dB
Tape Output:
40 dB
USB Output:
40 dB
XLR Main Output:
56 dB
Monitor Send:
65 dB
FX Send:
70 dB |
Stereo
Line Input Channel
to:
Tape Output: 30 dB
USB Output: 30 dB
XLR Main Output: 46 dB
Monitor Send: 55 dB
FX Send: 60 dB |
Tape Input to:
XLR Main Output:
36
dB |
USB
Input
to:
XLR Main Output:
36
dB |
Stereo
Return to:
Monitor
Output:
30 dB
XLR Main Output:
26
dB |
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Digital Effects: |
I/O: Mono
Input/Stereo Input Number of Presets: 16 |
Phantom
Power: |
48
VDC to all Mic channels at once |
Meters: |
Main L/R Mix Two Columns of 12 segments
each:
OL (+20 dBu), +15, +10, +6, +3, 0 (0 dBu), -2, -4, -7, -10, -20,
-30 |
7 Band Graphic EQ: |
Frequency Centers: 125, 250, 500, 1k, 2k, 4k, 8k Gain:
± 15 dB Assignable
to Main or Monitor Bypassable |
USB: |
Format: USB
1.1 I/O: Stereo
Input/Stereo Output A/D/A: 16 Bit, 44.1 kHz / 48 kHz |
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