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Model: 402-VLZ3
4-Channel Compact Analog Mixer w/ 2 XDR2
preamps
Until now,
mixers built for low-input, two-mic or one-mic-and-a-guitar
applications really skimped on quality. With their flimsy
construction and dismal sound, they resembled and performed like
children’s toys. So we created the 402-VLZ3, the perfect
ultra-compact mixer for applications that require few inputs, but
demand full-on professional sound.
The 4-channel 402-VLZ3 delivers pure VLZ3 quality in our smallest
form factor ever, making it ideal when your input counts are low,
or when space is at a premium. In a sleek, small package, you get
the signature VLZ3 high headroom, low noise design, complete with 2
XDR2 preamps, premium EQ, and modern mix bus architecture, for the
best-sounding, mini-est pro mixer on the planet. And the price is
mini, too—in fact, it’s our lowest price in recorded
history for a VLZ3 mixer. At last, you no longer need to buy more
mixer than you need just to get the quality you
deserve.
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XDR2 preamps Extended Dynamic Range=Extended Sonic
Possibilities
Among the features that have earned the VLZ3 mixers their stellar
reputation are the XDR2 “Extended Dynamic Range” mic
preamps. That’s because serious amounts of time and energy
went into their design, and the result is phenomenal. You simply
won’t find preamps this good on any other mixer in this price
range. The XDR2 preamps deliver pure, clean, studio-grade
sound—the kind of quality you’d expect to find in
pricey boutique mic pres. They have an incredibly wide frequency
range, especially in the low end, and even at extremely high gain
settings. They offer incredibly low noise, amazing RFI rejection,
and with 60dB of available gain per channel, the 402-VLZ3 can
handle inputs ranging from a whisper to a scream. With the superior
sound of the 402-VLZ3’s two XDR2 preamps, rest assured you
will always get optimum performance out of your professional
ribbon, dynamic, and condenser mics.
Musical EQ for Your Tweaking
Pleasure
The 402-VLZ3’s ultra-musical 2-band Active EQ provides just
the right amount of sound shaping flexibility. We invested
tremendous resources into optimizing the center frequencies of our
EQs, and improved the interaction of the separate EQ bands, so your
tracks can be molded and tweaked for the perfect result. The
402-VLZ3’s low shelving at 80Hz and high shelving at 12kHz
mean you can quickly and effectively sculpt your tone for the
ultimate in punch and brilliance—and with up to 15dB
boost/cut capability per band, you get loads of latitude.
There’s also a 100Hz low cut/high pass switch for each mic
input, so you can keep the ultra-low frequency muddiness out of
your sound—and give your bass that extra punch if used in
conjunction with the Low EQ.
Small
Yet Powerfully Flexible
Though small in stature, the 402-VLZ3 provides an incredible
abundance of professional features and mission-critical tools to
enhance your mixing experience—and your creativity. In
addition to essential features like phantom power for your
condenser mics, you get a variety of user options that make the
402-VLZ3 a surprisingly versatile mixing machine. Two switchable
Hi-Z instrument inputs allow you to plug instruments like electric
guitar or bass in direct—no external gear required—or,
disengage the switch to connect line level sources such as
keyboards, or CD or mp3 players. Use the high pass filters on
channels 1 and 2 to cut the rumble with the touch of a button.
Connect line level stereo gear like DJ decks using the assignable
stereo RCA input, and either route to your phones for queuing up,
or to your main mix for overdubbing while monitoring back from your
computer on phones. Flexibly monitor and record mono and stereo
sources using the stereo pan function—when the switch is out,
a mono source will be split between the left and right of the main
mix equally, and when the switch is in, channels 1 and 2 are
hard-panned left and right (perfect for recording stereo mics).
Keep an eye on your levels with the bright 8-segment stereo meters,
as well as the responsive overload LEDs that warn you when
you’re overdoing it with the gain and/or EQ. No matter how
you use it, the 402-VLZ3 supplies everything you need to get the
job done.
Ultra-compact, sleek, rugged chassis
Now you can have your pro mixer, and
take it with you, too. The 402-VLZ3 features a tight, low-profile
design that fits the most modest—or congested—areas
perfectly, including your backpack or laptop case. Like all VLZ3
mixers, the 402-VLZ3 is built like a tank, too. Our legendary
solid-steel chassis can take the kind of abuse that would turn our
competitors’ flimsy boxes into twisted chunks of debris.
Instead of cheap, unsealed potentiometers, we use co-molded pots,
which offer substantial strain and impact relief. By design, our
control knobs ‘ride’ just above the surface of the
chassis, so if something falls onto the mixer, the impact is
transferred from the knobs to the chassis—not to the
potentiometers or circuit board. Finally, we use thick,
horizontally mounted fiberglass PC boards to eliminate the
potential for damage and brace them with a shock-absorbing support
structure. And not only is the 402-VLZ3 tough, but it can be
flexibly positioned, thanks to a bottom panel that lets you easily
mount an optional mic stand adapter with just a few screws. Attach
your 402-VLZ3 to a mic stand, and you can adjust its height and
angle to suit your unique—or weird—work style.
Applications A-Plenty
With its professional features and ultra-compact footprint, the
402-VLZ3 is ideal for a variety of applications, including home
studio and on-the-go recording, multimedia projects, field mixing,
broadcast use, and post-production work. (Check out our hookup
guide to see how you can put it all together.) And the included
Tracktion 3 Basic Bundle music production software makes it that
much easier to get right to work, and get inspired. Boot up T3,
connect the 402-VLZ3 to your computer’s sound card, and start
recording your masterpiece.
Less
Really Is More
The best-sounding, most professional ultra-compact in its class,
the 402-VLZ3 gives new meaning to the old adage, less is more.
While there are other ultra-compact mixers out in the world these
days, none provide the performance or sound quality of the
402-VLZ3. Thanks to its ultra-flexible, super-versatile,
professional design, you get the low input count you want, the
extra space you need, and the quality you deserve—all at an
unbelievably low price. Put simply, the 402-VLZ3 is the
go-anywhere, fit-anywhere professional mixer, delivering superior
sound quality—and unbeatable value.
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Ultra-compact 4-channel
mixer featuring Mackie VLZ3’s signature low noise,
high-headroom design
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2 studio-grade
XDR2™ Extended Dynamic Range mic preamps with:
- Ultra-wide 60dB gain range
- 130dB dynamic range
- +22dBu line input handling
- Extended low frequency response
- Distortion under 0.0007% (20Hz - 20kHz)
- Phantom power for studio condenser mics
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4 high-headroom line
inputs
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2 selectable Instrument
inputs – no DI box needed
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2-Band Active EQ (80Hz,
12kHz) and Lo-Cut filter on mic channels
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Phantom power for
studio condenser mics
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Dedicated Stereo Line
Input and Tape Input channels
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High-resolution
8-segment stereo meters
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Sealed rotary controls
to resist dust and grime
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Sleek, rugged steel
chassis
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Includes Tracktion
3™ Music Production Software for Mac or PC
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General
Specifications |
Frequency
Response: |
(Mic
to any output)
20 Hz to 50 kHz: +0dB/-1dB 20 Hz to 90 kHz:
+0dB/-3dB |
Total
Harmonic Distortion (THD): |
(1 kHz @ 35 dB gain)
20 Hz to 80 kHz bandwidth: <0.005% 20 Hz to 20 kHz bandwidth:
<0.003% |
Main Mix Noise: |
(20 Hz to 20 kHz
bandwidth, 1/4" Main Out, channels 1-2 Gain @ unity gain, channel
EQs flat, Stereo Pan button in)
Main Mix Knob down, channel Level knobs down: -103 dBu Main Mix knob @ unity,
channel level knobs down: -98
dBu
Main Mix knob @ unity, channel level knobs @ unity: -92 dBu
Signal-to-Noise Ratio, ref. +4 dBu: 102 dB |
Attenuation/Crosstalk: |
(1 kHz relative to 0 dBu, 20 Hz to 20 kHz bandwidth, Line In,
1/4" Main Out, Gain @unity)
Main Mix knob down: -70dBu
Channel Level knob down: -94dBu |
Common Mode Rejection Ratio
(CMRR): |
Mic In, max gain @
1kHz: better than -70
dB |
Maximum
Levels: |
Mic In: +21 dBu Tape
In: +24 dBu All other
inputs: +22 dBu All
outputs: +22 dBu |
Impedance: |
Mic In:
3.4 kΩ
All other Inputs: 10 kΩ or
greater
Tape Out: 1.0 Ω
Phones Out: 60 Ω
All other outputs: 120Ω |
Equivalent
Input Noise (EIN) |
(Mic In to Main Out, max gain)
150 Ω termination, 20 Hz to 20 kHz bandwidth: -129.5 dBu |
AC Power
Requirements: |
Power Consumption:
8
watts
US, JP: 100-120 VAC, 50 - 60
Hz EU, UK, AU, CN: 200 -
240 VAC, 50 - 60 Hz
External Power Supply AC Connector:
2-pin IEC 250 VAC
Operating Temperature: 0° -
40°C, 32° -
104°F |
Physical
Dimensions and Weight: |
Height: 7.3 in / 186
mm Width: 8.8 in / 222
mm Depth: 4.3 in / 108
mm Weight: 3.8 lb / 1.7
kg |
External Power
Supply: |
US Adapter(18.5
VAC x 2,350 mA, US): P/N
0028090-00 EU Adapter(18.5 VAC x 2,350 mA, EU):
P/N 0028090-01
JP Adapter(18.5 VAC x 2,350 mA, JP): P/N 0028090-02
UK Adapter(18.5 VAC x 2,350 mA, UK): P/N 0028090-03
AU Adapter(18.5 VAC x 2,350 mA, AU): P/N 0028090-04
CN Adapter(18.5 VAC x 2,350 mA, CN): P/N 0028090-05 |
EQ: |
High Shelving: ± 15 dB @ 12
kHz
Low Shelving: ± 15 dB @ 80
Hz |
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