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DAW-FRIENDLY DOESN’T EVEN BEGIN TO COVER
IT
Mackie-designed gear is more often than not, the result of customer
interaction and suggestion. After all, we are making gear for you.
For years, our customers have been asking for the freedom to work
with any DAW they choose. So when we designed the Onyx-i series, we
took this suggestion to heart. We are very proud that Onyx-i mixers
are more DAW-friendly than any other interface ever. Onyx-i mixers
are qualified by Mackie for use with all major DAWs, including Pro
Tools® M-Powered™ 8*, Logic©, SONAR™,
Cubase© and more. Now, dedicated Mackie customers can enjoy
using their Mackie mixer with the world’s most popular DAW.
And Pro Tools® M-Powered™ 8 users now have a variety of
new, and different, tools to use with their favorite DAW.
It’s a win-win situation.
DEEP
FIREWIRE INTEGRATION
The Onyx 1640i is the flagship mixer of the series, boasting a full
16x16 FireWire interface, allowing for something that a DAW could
never do alone: A true tape-style mixdown.
If you are doing a real analog mixdown, you will surely benefit
from the premium features that the 1640i provides. Send all
channels simultaneously to your DAW, get them recorded and apply
your plug-ins. Once you have everything edited and ready, you can
simply route up to 16 streams straight back into the 1640i’s
channel strips. You can choose to apply some of that lovely Perkins
EQ if you wish. All of these signals hit our premium, high-headroom
custom summing bus. It combines the best of both the digital and
analog realm to create seamless workflow that makes your sessions
faster, easier and better sounding than ever possible before.
Wet or Dry? — Every channel on the mixer can be
routed pre or post EQ to the computer, allowing you to choose
whether to implement ‘EQ to tape’ or not.
Studio Quality Effects —All aux sends are
routable to the computer, allowing you to utilize your computer as
a powerful FX engine by implementing your favorite plug-ins in a
live scenario.
Preserve Your Mix — Master L/R is routable to
the computer for recording your analog mix. Burn and sell CDs of
the mix at the end of the gig!
Mix Integration — Stereo return from the
computer can be routed to either the control room for instant
monitoring or to a stereo channel for mix integration.
Latency-Free Overdubs — Having a
“real” mixer has its benefits. Latency-free overdubs
are simple since you are using an analog mixer. No more wasted time
dealing with the complicated “DSP” mixers commonly used
on standalone interfaces.?
Most DAWs also support device aggregation, allowing you to use
multiple 1640i’s in any given session. Imagine 32 or 48
channels, streaming effortlessly to and from your DAW, with all the
power right in your hands. It’s the ideal combination of
modern technology and classic mixing style.
PREMIUM ANALOG MIXER
When it comes to the high pressure environment of a recording
session or live performance, you simply cannot beat the stability
and reliability of an analog mixer. With features honed over 20
years of design by some of the legends in the industry, the Onyx-i
Series mixers are simply the best sounding full-featured analog
mixing boards available to the modern sound engineer.
The 1640i has a plethora of analog features that are sure to
please. Sixteen full-featured channels each feature Onyx mic
preamps, with a reputation as some of the best boutique quality
preamps available today. Every channel features 48V phantom power,
a low-cut switch and dedicated 4-band, dual-sweep Perkins EQ,
offering a highly musical Q filter without sacrificing the precise
control the Mackie EQs are known for. Six aux sends provide
pre/post control over additional dedicated mixes, including monitor
mixes and effects loops. The 1640i features true 4-bus
architecture, offering four subgroups that are perfect for managing
your mix or for zone control of multiple PA setups. There are
built-in DIs on the first two channels for direct connection of
guitars or bass and a dedicated talkback section with a built-in
mic that lets you easily communicate with band members while on
stage or recording. With all these proven, great-sounding analog
features, it is easier than ever to create a memorable mix.
ULTIMATE LIVE
EXPERIENCE WITH WAVE’S MULTIRACK The Onyx 1640i is an ideal mixer for live sound,
with plenty of inputs to get the whole band hooked up and tons of
premium analog features like flexible EQ, aux sends and subgroups
to properly mix the show. Then there’s the built-in 16x16
FireWire interface, allowing you to create easy multi-track
recordings for later mixdown…completely independent of the
house mix. But, when integrated with Waves’ MultiRack plug-in
platform (available separately), the 1640i becomes a live sound
superbeast, with talons of awesomeness and teeth of solid power.
Ok, maybe that’s a stretch, but it will change the way you
think about live sound. You can read more about MultiRack on their
site, but here’s the down and dirty:
Your favorite plug-ins: Use your favorite Waves plug-ins in a
live environment in a convenient user interface that offers the
look and functionality of a full rack of outboard gear
Ultra-low latency: Tested in real world applications with
latency equal to standalone digital consoles
Clear the clutter: Just your Onyx 1640i, a FireWire cable
and a laptop running MultiRack
Snapshot Recall: From individual plug-in settings to full
recall of racks and sessions, without turning a thousand knobs
The Onyx 1640i is uniquely capable of unleashing the full potential
of this software, with powerful processing available on each and
every channel, not to mention auxes, groups and the master L/R. You
can forget about cheap digital mixers with inferior effects.
Premium analog mixer. Premium processing capability. Unparalleled
DAW support, including groundbreaking support for Pro Tools®
M-Powered™ 8. All of this is available now with the Onyx
1640i and Waves MultiRack software.
SMACKS OF QUALITY
The Onyx 1640i offers a tremendous collection of professional
analog features and extremely deep DAW integration, but it is so
much more than that. The sleek, modern design might even tempt you
build a museum quality display for your engineer friends to admire.
Plus, since it’s a Mackie, you can be sure that it is
“Built-Like-A-Tank” and will survive years of
abuse.
Any audio company can cram a bunch of inferior components into a
chassis and, believe us, a lot of them do. This is never the case
with a Mackie mixer. Everything about the Onyx-i Series smacks of
quality, because only the most quality, high-end components are
used throughout the entire signal path. At the front end, you have
the pristine signal boost offered by the Onyx mic preamps, which
will likely get routed through the legendary Perkins EQ. The signal
then passes through a series of sealed rotary knobs, which keep
dust and grime out of the potentiometer. Then your mix hits the
summing bus, which has been custom-designed to offer the highest
possible headroom while preserving the sonic quality offered by the
aforementioned components. Maybe you assigned the signal to stream
across the FireWire outputs. If so, your signal will glide
effortlessly out of (and back through if your returning streams)
the ridiculously high-end Cirrus converters. These converters are
the best Mackie has ever specified, and can be found in some of the
most esoteric (and expensive) interfaces out there today. From
start to finish, no matter how you use it, the 1640i offers the
quality demanded by industry
professionals.
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16-channel premium
analog mixer with integrated 24-bit/96kHz FireWire I/O
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Qualified by Mackie for
use with all major DAWs, including:
» Pro Tools® 9
» Pro Tools® M-Powered™ 8*
» Logic®
» SONAR™
» Cubase®
» Ableton® Live
» Final Cut Pro®
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16 Onyx
boutique-quality mic preamps
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4-band Perkins EQ with
sweepable mids on mic/line channels
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Full 16x16 FireWire
channel streaming for ultimate DAW integration
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Flexible FireWire
routing, including aux sends, groups and pre/post EQ assignment for
all channels
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6 aux sends with
pre/post assignment and solo
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Smooth 60mm channel and
master faders
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Built-in DI on first
two channels for direct connection of guitars, bass,
etc.
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Individual 48V phantom
power switches on all mic inputs
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4-segment metering on
every channel
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4-bus architecture for
flexible sub-grouping of channels
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Talkback section with
built in mic and flexible routing
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Rotating I/O pod for
desktop or rackmount operation – rack ears
included
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“Planet
Earth” switching power supply for worldwide use
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Includes Tracktion
3™ Music Production Software for Mac or PC
*Requires driver
upgrade download
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General
Specifications |
Frequency
Response: |
Mic
Input to main output (all gain
stages at unity, +0/ -1 dB)
<10 Hz to 80 Hz / <10 Hz to >100 kHz Channel
line input to any output (all gain
stages at unity, +0/ -1 dB)
20 Hz to 20 kHz Firewire in and out(mic input to FireWire send,returned to
Control Room,all gain stages at unity): 44.1kHz Sample
rate (+0/-0.5dB): 20Hz to 20kHz,
-3dB at 21kHz 96 kHz Sample rate(+0/-0.5dB):
20Hz to 20kHz, -3dB at
45kHz |
Distortion
(THD+N): |
(20 Hz to 20kHz bandwidth) Mic input at insert(+4 dBu in, 0 dB
gain, +4 dBu Out): 0.005%
Mic input at insert(-10 dBu in, +20 dB gain, 20 Hz to 20 kHz
bandwidth): 0.007% Stereo
channel line input to any output(+4 dBu in, all gain stages at
unity, +4 dBu out): 0.005% FireWire in and out (+4
dBu in, mic input to FireWire send, returned to Control Room, all
gain stages at unity):
44.1 kHz Sample Rate: 0.02%, 10 Hz
to 2 kHz 96 kHz Sample Rate: 0.02%, 10Hz to 10 kHz
0.05%, 10 kHz to 47 kHz |
Noise
Characteristics: |
Equivalent Input
Noise (EIN), mic input at insert 150Ω
source impedance, 20 Hz to 20 kHz
60 dB (max) gain: -129 dBu 40 dB gain: -128dBu
Output Noise (1/4" Main out, all channels assigned to
main, Gain knobs at unity, 20 Hz to 20 kHz)
Main Mix Knob down, channel Level knobs down: -100 dBu(-104 dB SNR, ref +4 dBu)
Main Mix Knob unity, channel Level knobs down: -93 dBu(-97 dB SNR, ref +4 dBu) Main
Mix Knob unity, channel Level knobs unity: -91 dBu(-95 dB SNR, ref +4 dBu)
FireWire Through(Record + Playback) Dynamic Range(0 dBu
in, mic input to FireWire send, returned to Control Room, all gain
stages at unity, 20Hz to 20kHz)
All Sample Rate: -105
dB |
Attenuation
and Crosstalk (@1 kHz): |
Main Mix knob down: -80dBu
Channel Alt/Mute switch engaged: -96dBu
Channel Level knob down: -96dBu |
Common Mode Rejection Ratio
(CMRR): |
Mic Input to
insert, max gain, 1kHz: <70
dB |
Maximum
Input Levels: |
Mic Input, gain at min(0 dB): +21 dBu Mic Input, gain at max(60
dB): -38dBu Line Input,
gain at -20dB: +30 dBu
Instrument input, gain at -20dB: +21
dBu Tape Input: +21
dBu Aux Return: +21
dBu |
Maximum Output Levels: |
All Outputs:
+21dBu |
Equalization: |
All Channels:
Low: ± 15 dB @ 80Hz
Lo-Mid Frequency: 100 Hz to 2
kHz
Lo-Mid gain: ± 15
dB
Hi-Mid Frequency: 400 Hz to 8
kHz
Hi-Mid gain: ± 15
dB
High: ± 15 dB @ 12
kHz |
FireWire: |
Sample Rates
Available: 44.1kHz, 48kHz, 88.2kHz,
96 kHz Buffer Size: 32
(44.1kHz and 48kHz only), 64, 128, 256, 512, 1024, 2048
samples Resolution: 24-bit |
Meters: |
2-segment Pre-fader channel meters: OL(+18 dBu), +10, 0, -20dBu
12-segment Pre-fader Control Room meters: OL(+20 dBu), +15, +10, +6, +3, 0, -2,
-4, -7, -10, -20, -30, (0 dB = dBu) |
Input Impedance: |
Mic Input:
2.7 kΩ balanced
Hi-Z Input: 1 MΩ
unbalanced
Mono channel line input: 30 kΩ
balanced, 15 kΩ unbalanced
Stereo aux returns: 20 kΩ
balanced, 10 kΩ unbalanced
Tape in: 20 kΩ
unbalanced |
Output
Impedance: |
Main XLR output: 150Ω
balanced Phones Output: 25Ω unbalanced Channel Inserts:
150Ω unbalanced
Tape Output 2 kΩ unbalanced
All other outputs: 300Ω
balanced |
AC Power
Requirements: |
Power Consumption:
80
watts
Universal AC Power Supply:
100 - 240 VAC, 50-60 Hz
Operating Temperature: 0° -
40°C, 32° -
104°F |
Physical
Dimensions and Weight: |
Height: 7.6 in / 193
mm Width: 17.5 in / 445
mm Depth: 26.2 in / 667
mm Weight: 35.0 lb / 15.9
kg |
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