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Model: PPM1012
12-Channel, 1600W, Ultra-Light Professional Powered
Mixers
Ultra-light and
rack-mountable, the Mackie PPM1012 professional powered desktop
mixer features two ridiculously robust power amps for mains and/or
monitors (800W + 800W). With 1600 watts of system power, this mixer
provides all the raw power that you need. Things can get pretty
intense out there, and your gear needs to be able keep up the pace.
We custom designed the PPM1012 with Class-D amps, which are
cool-running and boast maximum efficiency, keeping your sound
pumping until they start kicking people out. We had to include
Mackie’s proven Fast Recovery circuitry, eliminating the risk
of pesky amp latching. The result is a distortion free mix even
when pushing peak levels. The built-in limiter can go toe-to-toe
with the most popular outboard stereo limiters used in live sound
today, protecting your speakers from damage. The limiter’s
attack and release times are specifically selected to address
full-bandwidth music and will not muddy things up by adding any
unwanted pumping. PPM mixers are surprisingly lightweight, but
tremendously powerful. You can push the PPM1012 to its maximum
output, distortion free!
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The Right Tools For The
Job
Most powered mixers out there have either a limited set of mixing
tools—keeping your mix decidedly average—or they cram
in a mind-boggling amount of lame effects that you would never use.
Every professional carries the right tools for the job, so the
PPM1012 comes with a great-sounding, highly useable toolkit:
- Premium Mackie preamplifiers ensure transparent,
low-noise/high-headroom characteristics right at the front of the
mixer. The PPM608 offers 8 mic/line channels with trusted Mackie
preamplifiers.
- True 48V phantom power allows every condenser mic to
perform at its full potential.
- Legendary 3-band active EQ straight off the tremendously
popular VLZ3 mixer series. Sweetening any channel is a breeze.
- Individual channel inserts (ch. 1-6) allow compressors and
other outboard processing on critical instrument or voice channels.
Don’t leave the lead singer hanging!
- Dedicated in-line compressors on channels 1-4 bring simple
but sweet dynamics to our PPM mixers.
- Dual graphic EQs are provided for use with mains and
monitors. These EQs feature tight, constant-Q Filters that effect
only the frequency range you’ve intended, unlike many
inexpensive built-in graphic EQs that will remain nameless.
- Simple stuff like useable main and monitor output metering
make a huge difference in your mix. Sorry, but 5 LED meters at the
output doesn’t tell you that you’re about to clip. Our
high-resolution 12-segment meters enable more visibility of your
signal, and the super quick response of the meters allows what you
see to translate quickly and easily to what you hear.
“Gig Ready”
Effects
Dual (as in 2) all-new RMFX+ (Running Man FX) effects processors
bring “gig-ready,” useable effects to your mixes. Why
scroll through hundreds of bizarre effects, like “ghost
ambience?” Yeah, like anyone even knows what that means. Or
how about winners like “delay+phaser2,” which
you’ll never use in a million years. Those other mixers will
leave your fingers raw from all the scrolling you have to do. The
RMFX+ processor features 24 solid FX that are known for their
utility and usability. Small, medium and large room reverbs with
the choice of a warm or bright characteristic put your mix in the
right space. Simple, rich choruses and an array of practical delays
with common amounts of repeats enable you to create professional
mixes without requiring a two-hour sound check. Also, the RMFX+ is
the first onboard processor to feature a user tap function. So if
you want to use a delay, but our preset delay time doesn’t
work, you can tap it in instantly! Basically, we’ve delivered
a full rack of gear at your fingertips that is easy to master,
allowing you to look and sound really good at your next gig.
Really, really good.
Absolutely Armored
Armored and ready for action, the PPM1012 is encased in solid
metal, protecting it from years of abuse and one too many spilled
beers (seriously, spilled beer makes us sad). The integrated front
handle allows you to easily pick it up and get going, and it is
rack-mountable for added rigidity and security.
Matching Made
Easy Look, we want to make
things as easy for you as possible. Matching speakers to amps can
suck the fun out of an otherwise pleasant trip to the music store.
Keeping that in mind, PPM mixers and Mackie passive speakers were
made for each other. From our popular C series (C300/200) to our S
series (S200/S400), we designed our mixer to match the power
requirements of our passive speakers perfectly. Try driving a pair
of S225 15” speakers off someone else’s mixer. You can
almost smell the smoke now! Yet this is child’s play using a
PPM and a pair of our S225’s. We easily provide enough power
for a complete system. In fact, we’ve got the bollocks to
drive two of our S215 15” 2-way speakers off the mains AND a
pair of C300s as monitors without needing outboard amps. Others may
try but, ultimately, don’t provide the necessary power.
So if you want a truly professional set of tools for your next gig,
including a Mackie mixer, onboard compressors, Fast Recovery
amplification, twin graphic EQs, and “gig-ready”
effects, pair up a PPM1012 and any Mackie Precision Passive
loudspeakers for the ultimate, portable, professional P.A.
system.
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Full-featured
12-Channel, 1600W Powered Desktop Mixer with 4-segment LEDs and
solo PFL on every channel
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800W + 800W Mackie
designed Class-D, Fast Recovery™ power amplifiers
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32-bit dual
RMFX+™ processor featuring 24 “Gig Ready”,
useable reverbs, choruses, and tap delay for live
applications
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8 mic/line mono inputs
and 2 stereo line inputs for flexible connectivity
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Mackie high-headroom,
low-noise mic preamps with RF rejection for pristine
signal
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New Dedicated In-line
Compression provides increased presence and punch for vocals and
instruments
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Mackie’s 3-Band
Active channel EQ with a Mid sweep (100Hz-8kHz) on mono channels
& 4-band active EQ on stereo line channels 7 & 8
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2 built-in DI boxes for
direct instrument connections on channels 7 & 8
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4 Aux sends—2 FX
& 2 Mon
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Dual 9-Band graphic EQ
on the Mains and Monitor outputs for tuning rooms and monitor
mixes
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Mono output with level
control & low pass filter selectable from 75Hz-100Hz
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3-Mode Amplifier for
ultra-flexible routing, switchable as Mains Stereo L/R, Mono
Mains/Monitor 1, or Mon 1 & Mon 2
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Precision Passive EQ
for enhanced clarity and LF response with Mackie passive
loudspeakers
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48v Phantom power
available for all mic inputs
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Headphone output with
level control
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12v BNC lamp
Jack
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Built-like-a-tank metal
chassis with a handle built into the front of the mixer for easy
transport
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Rack ears
included
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Lightweight and
portable (29lbs/ 13kg)
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General
Specifications |
Frequency
Response: |
Mic
Mono Input(+0 / -3 dB): <10 Hz to
100 kHz Line Mono Input(+0 / -3 dB): <10 Hz to 32 kHz Line Stereo
Inputs(+0 / -3 dB): <10 Hz to 80
kHz |
Total
Harmonic Distortion (THD+N): |
(1 kHz, 30 kHz bandwidth) Mic mono: <0.003% Line mono: <0.005% Line Stereo: <0.003% at main out |
Noise
Characteristics: |
Equivalent
Input Noise (EIN)
Mic Input, 20 Hz to 20 kHz, 150Ω Source Impedance:
-128 dBu (1 kHz, 30 kHz
bandwidth)
Main mix level down, all channel levels down: -95 dBu
Main mix level 0 dB, all channel levels down: -89 dBu
Main mix level 0 dB, all channel level 0 dB: -84 dBu Gain Mic mono
input: 0 dB to +50 dB
Line Mono inputs:-20 dB to
+30dB Line Stereo Inputs: -20 dB to +20 dB |
Maximum
Levels: |
Mic mono input: +21 dBu minimum
gain Line mono inputs: +21 dBu Line Stereo iutputs:
+21 dBu |
Impedance: |
Mic Mono Input:
3.6 kΩ balanced Line
mono input: 20 kΩ
balanced Line mono input, Ch 5, 6 Hi-Z: 500 kΩ unbalanced Line Stereo
Inputs: 20 kΩ
balanced Main and monitor preamp outputs: 240 Ω balanced/ 120Ω
unbalanced |
Physical Dimensions and Weight: |
Height: 5.2 in / 133
mm Depth: 19.2 in / 487
mm Width: 17.4 in / 442
mm
Net Weight: 29.0 lb / 13.2
kg |
AC Power
Requirements: |
US:
100 - 120 VAC, 50 - 60 Hz, 160W EU:
200 - 240 VAC, 50 - 60 Hz, 160W AC
Connector: 3-pin IEC 250
VAC
Operating Temperature: 0° -
40°C, 32° -
104°F |
Equalization: |
High Shelving (all channels): ± 15 dB @ 12 kHz
Mid Mono Channels
Mid Peaking, sweepable: ± 15
dB Mid sweep range: 100
Hz to 8 kHz Mid
Stereo Channels Hi Mid Peaking: ± 15 dB @ 2.5 kHz Lo Mid
Peaking: ± 15 dB @ 400 kHz
Low Shelving(all channels): ± 15 dB @ 80 Hz 9-Band Graphic
EQ Main and Monitor 1: ± 15 dB
@ 63, 125, 250, 500, 1k, 2k, 4k, 8k and 16
kHz |
Loudspeaker
Output: |
(Both
Channels loaded and driven at 1 kHz)
Peak output power @ 4 Ω: 2 x
800 W peak RMS output power @ 4 Ω: 2 x 400 W rms, 1% THD/ 2 x 500 W rms, 3%
THD RMS output power @ 8 Ω: 2 x 250 W rms, 1% THD/ 2 x 300W rms, 3%
THD Recommended load impedance: 4 - 8 Ω per channel |
Digital Effects: |
Processor: 32-bit
I/O: Mono Input/Stereo
Input Number of Presets: 24 |
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