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| Yamaha Analog Mixer - PM5000 |
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Model: PM5000
Yamaha Analog Mixer
The analog alternative to the PM1D for
applications requiring uncompromised quality and performance on a
large scale. Complete with moving faders and scene
memory |
Features
Specifications |
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The Pinnacle of the PM
Series
In the 30 years or so that have elapsed since the field of "sound
reinforcement" began to evolve from the simple PA systems that were
the norm throughout the 60's and early 70's, Yamaha has made
significant strides forward. The very first PM console, introduced
way back in '72, was a front-line contender in the field with
superior performance and features. The PM1000 and then the PM2000
set new standards of quality. The PM4000 became the de-facto
industry standard. Each new model in the PM series has
traditionally built upon and augmented the strengths of its
predecessor, adding new features and functionality that became the
templates that others would follow - the matrix mix system
introduced on the PM1000 and the PM3000's VCAs are perfect
examples. In a sense, Yamaha has led the field of modern console
design and production all the way. The same can be said of the
incredible PM1D all-digital console, which has essentially defined
the role of digital technology in sound reinforcement for the
foreseeable future. The evolution continues to this day.
The PM5000 is simply the most advanced analog sound reinforcement
console in its class. It is a "pure analog" console in the audio
sense, and it borrows freely from the world of digital technology
to give you unprecedented control flexibility and efficiency. The
PM5000 is the culmination of Yamaha's extensive experience and
expertise in many areas — professional console design and
production, control interface design, and of course sound itself.
There's really only one choice if you need the best in terms of
capacity, versatility, reliability, and most importantly, unmatched
sound quality: the Yamaha PM5000
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| Features |
- Uncompromised Sound Quality
You'd Expect from the PM Series…and More
- Fully-equipped Input
Channels
- 35-bus Configuration Covers Both
FOH and Monitor Applications
- 12 VCAs and a 4-stereo + 8-mono
Matrix
- A Choice of Three
Models
- Quiet, Dependable Power
Supply
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Advanced
Features:
- Easy-access Panel Layout with
Logical Color Scheme
- New Variable Summing Gain
Control
- Digital Scene Storage and
Recall
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| General
Specifications |
| Total
harmonic distortion: |
Less
than 0.1% (THD+N) |
20Hz to
20kHz @ +14dBu, 600ohms
(Input GAIN = Max.) |
| Frequency response: |
0,
+1,-3dB |
20Hz to
20kHz @ +4dBu, 600ohms
(Input GAIN = Max.) |
Hum & noise level
20Hz to 20kHz
Rs=150ohms
InputSensitivity=-60dBu
Input GAIN = Max.
PAD=OFF |
-128dBu |
Equivalent input noise |
| -100dBu |
Residual
noise |
| -94dBu
(98dB S/N) |
STEREO
AUX Master fader at nominal level and all Ch assign SW's
off |
| -87dBu
(91dB S/N) |
GROUP/AUX Master fader at nominal level and all Ch assign
SW's off |
| -94dBu
(98dB S/N) |
STEREO,
MONO(C) Master fader at nominal level and all Ch assign SW's
off |
| -64dBu
(68dB S/N) |
STEREO
AUX, GROUP/AUX, STEREO, MONO(C) Master fader at nominal level one
Ch fader at nominal level. |
| -89dBu
(93dB S/N) |
MATRIX
Master at nominal level and all Matrix mix controls at minimum
level |
| Crosstalk |
-80dB |
@1kHz
adjacent input channels |
| -80dB |
@1kHz
input to output |
| Maximum voltage gain |
64dB |
CH IN to
CH INSERT OUT
DIRECT OUT (pre fader) |
| 80dB |
CH IN to
STEREO AUX OUT (PRE)
GROUP/AUX OUT (AUX mode & PRE) |
| 90dB |
CH IN to
STEREO AUX OUT (POST)
GROUP/AUX OUT(AUX mode & POST) |
| 84dB |
CH IN to
GROUP/AUX OUT(GROUP mode)
STEREO OUT(CH to ST)
MONO(C) OUT(CH to MONO) |
| 94dB |
CH IN to
STEREO OUT(GROUP to ST)
MONO(C) OUT(Master to MONO) |
| 90dB |
CH IN to
MATRIX OUT(GROUP to MATRIX) |
| 64dB |
ST IN to
ST INSERT OUT |
| 80dB |
ST IN to
STEREO AUX OUT(PRE) |
| 90dB |
ST IN to
STEREO AUX OUT(POST) |
| 84dB |
ST IN to
GROUP/AUX OUT(GROUP mode)
STEREO OUT(CH to ST) |
| 81dB |
ST IN to
MONO(C) OUT(CH to MONO) |
| 77dB |
ST IN to
GROUP/AUX OUT(AUX mode & PRE) |
| 87dB |
ST IN to
GROUP/AUX OUT(AUX mode & POST) |
| 10dB |
SUB IN
to Master OUT |
| 6dB |
2TR IN
to MONITOR OUT |
| Channel
input PAD: |
26dB |
| Channel
input GAIN: |
50dB variable |
| Channel
input HPF: |
12dB/octave roll off below 20 to 400Hz at -3dB
point |
| Channel input EQ |
- |
±15dB max. |
| HIGH |
1k to
20kHz(peaking/shelving, Q=0.5 to 3) |
| HI-MID |
400-8kHz(peaking, Q=0.5 to 3) |
| LO-MID |
80-1.6kHz(peaking, Q=0.5 to 3) |
| LOW |
30 to
600Hz(peaking/shelving, Q=0.5 to 3) |
| Phantom
voltage: |
+48V
DC |
Phantom
voltage ON/OFFswitch for each CH INPUT) |
| Oscillator |
100Hz, 1kHz, 10kHz, PINK |
| SWEEP/BURST |
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Off |
on(parameter) |
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| Sine
wave |
Fix |
sweep
(x0.2 to x20), ≤1% THD@4dB |
| Pink
noise |
200msec |
Interval
(1sec to 20sec) |
| OSC ON, LEVEL |
| Mute
scene memory: |
128 (8 direct recall) |
| Dimensions and Weight |
Width |
52C:
2145mm
36: 1668mm
28: 1430mm |
| Height |
349mm |
| Depth |
1113mm |
| Weight |
52C:
230kg
36: 180kg
28: 160kg |
| Power
consumption |
PM5000-52C, -36, -28 - 1100W |
| Dimensions and weight |
480(W) x 186(H) x 459(D)mm /34kg |
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Input
Terminal |
PAD |
Gain |
Input Level |
Actual Load
Impedance |
For use with
nominal |
Connector*4 |
| Sensitivity |
Nominal |
Max. before clip |
MONO IN (1-n) *1
ST IN (1-4) |
0 |
-60 |
-80dBu |
-60dBu |
-40dBu |
3kohms |
50-600ohm Mics & 600ohm Lines |
XLR-3-31 type |
| 26 |
-54dBu |
-34dBu |
-14dBu |
| 0 |
-10 |
-30dBu |
-10dBu |
+10dBu |
| 26 |
-4dBu |
+16dBu |
+30dBu |
Stereo
AUX SUB IN (1-12)[L,R]*2
GROUP/AUX SUB IN (1-8)*2
Stereo SUB IN [L,R]
MONO(C) SUB IN
Monitor SUB IN [L,R,C]
Matrix SUB IN [L,R] |
-6dBu |
+4dBu |
+24dBu |
10kohms |
600ohm
Lines |
| Talkback
IN |
-66dBu |
-50dBu |
-20dBu |
3kohms |
50-600ohm Mics |
Mono IN
Insert IN(1-n)*1
ST IN Insert IN(1-4) |
-16dBu |
+4dBu |
+24dBu |
10kohms |
600ohm Lines |
TRS phone jack |
Stereo
AUX Insert IN(1-12)[L,R]
Group /AUX Insert IN(1-8)
Stereo Insert IN [L,R]
Mono (C) Insert IN
Stereo Matrix Insert IN(1-4)[L,R]
Matrix Insert IN[1-8] |
-6dBu |
| 2TR IN
1,2[L,R] |
-2dBu |
+4dBu |
+24dBu |
10kohms |
600ohm
Lines |
XLR-3-31
type |
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Output
Terminal |
Actual Source
Impedance |
For use with
nominal |
Output Level |
Connector |
| Nominal |
Max. before clip |
STEREO
AUX OUT (1-12)[L, R]
GROUP/AUX OUT (1-8)
STEREO OUT[L,R]
MONO/C OUT
STEREO MATRIX OUT (1-4)[L,R]
MATRIX OUT (1-8)
MONITOR OUT (A,B)[L, R]
TB/OSC OUT |
150ohms |
600kohm
Lines |
+4dB |
+24dB |
XLR3-32
type |
| MONO IN
DIRECT OUT (1-n)*1 |
150ohms |
10kohm
Lines |
+4dB |
+24dB |
TRS
phone jack |
MONO IN
INSERT OUT (1-n)*1
ST IN INSERT OUT (1-4) |
150ohms |
10kohm Lines |
+4dB |
+24dB |
TRS phone jack |
STEREO
AUX INSERT OUT (1-10)[L,R]
GROUP/AUX INSERT OUT (1-12)
STEREO INSERT OUT [L,R]
MONO/C INSERT OUT |
STEREO
MATRIX INSERT OUT (1-4)[L,R]
MATRIX INSERT OUT (1-8) |
| Phones Out x 3 |
10ohms |
8ohm
Lines |
75mW |
150mW |
ST phone jack |
| 40ohm
Lines |
65mW |
150mW |
*1 n=48(PM5000-52C), 32(PM5000-36), 24(PM5000-28)
*2 Only 28ch version does not have STEREO AUX SUB IN and GROUP/AUX
SUBIN
*3 0dBu is referenced to 0.775Vrms
*4 All XLR connector are balanced, Phone jacks(TRS) are
balanced(T:hot, R:cold, S:GND) and Phone jacks (STEREO) are
unbalanced.
*5 Sensitivity is the lowest that will produce an output of
+4dBu(1.23V), or the nominal output level when the unit is set to
maximum level |
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