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Home > Matrox > Matrox MojitoMax

Matrox MojitoMax

Matrox MojitoMax
Matrox Mojito MAX give you broadcast-quality input and output for your favorite editing app, it also turbocharges your H.264 encoding for deliveries to the web, mobile devices, and Blu-ray – in a single ¾-length PCIe card.

If you’re delivering H.264 content for the web, mobile devices, Apple TV, and Blu-ray discs, you know how painful it can be to wait for the long encoding times needed to create high-quality video files using software only. You might even be tempted to sacrifice quality for speed. With Matrox Mojito Max, you no longer need to even consider making that trade off.

Matrox Mojito MAX amplifies your productivity with all the industry’s leading editing and content creation software for Mac and PC, as well as a wide variety of H.264 encoding, Blu-ray authoring, and streaming applications.

Matrox Mojito MAX gives you a full range of professional audio and video inputs and outputs, genlock, RS-422 machine control and 5.1/7.1 surround sound monitoring on the HDMI output

Deliver projects in all the formats your clients demand. Matrox Mojito Max provides high-quality up/down/cross conversion on capture and output.

The unique Matrox HDMI Calibration Utility lets an HDMI monitor perform like a broadcast HD/SD monitor with 10-bit 4:2:2 color precision.

A variety of free software tools are included with every Matrox Mojito MAX card. Matrox Vetura Capture and Vetura Playback for Mac and Matrox A/V Tools for PC support tape-based workflows. These apps let you quickly and easily capture and playback video and still frames for use with any NLE. Matrox MAX H.264 Capture for PC lets you capture directly to H.264 files for the web, mobile devices, and Blu-ray.

The Matrox RT engine provides full-resolution, full-frame rate, full-quality, multi-layer, realtime video editing for Adobe Premiere Pro editors on the PC. It provides many of the benefits of GPU acceleration but works with any system, even laptops. You also get realtime Matrox Flex CPU effects such as primary and secondary color correction, smooth speed changes, and many more. A high-quality, highly-efficient
MPEG-2 I-frame intermediate codec streamlines working with CPU-taxing footage such as AVCHD and XDCAM.

Matrox Mojito Max is a convenient capture device for streaming live events. Choose your favorite app – Adobe Flash Media Live Encoder, Microsoft Expression, QuickTime Broadcaster, or Telestream Wirecast. Connect to any HD or SD video source via HDMI or analog

Product Code: MojitoMax

Technical Specifications

MAX H.264 Encoding Acceleration
Resolutions	Even frame sizes from 64 x 64 to 1920 x 1080
Bit rates	100 Kb/s to 50 Mb/s
Frame rates	15, 23.98, 24, 25, 29.97, 30, 50, 59.94, and 60 frames per second
Encoding profiles	Baseline (CAVLC) and main (CABAC) profiles
Encoding controls	2.0, 3.0, 3.1, 4.0, 4.1, and 4.2 level support GOP structure Constant bit rate (bit rate remains stable, quality varies depending on complexity of each frame) Constant quality (each video frame is analyzed to deliver the targeted quality, bit rate varies while keeping the lowest possible bit rate) Variable bit rate (squeezes out the highest possible quality at the average target bit rate ) Noise filtering (saves bits by reducing high frequencies in the video) De-interlacing (ensures high-quality encodes of interlaced SD and 1080i source material) Data rate slider (produces smoother or more abrupt transitions) Sample rate monitoring (verifies compliance with targeted data rate) Scene detection (provides multi-pass quality in a single pass with Apple Compressor)
Video
Supported video formats	NTSC/PAL/NTSC-EIAJ 720P 50/59.94 1080I 50/59.94 1080P 23.98/24/25/29.97/30 1080PsF 23.98/24/25/29.97/30
HDMI input	1 HD input HDMI Y,Cb,Cr 4:2:2 (10-bit)/RGB (10-bit) 8 channels of embedded audio Standard Type A HDMI connector (19 pins)
HDMI output	1 HD or SD output HDMI Y,Cb,Cr 4:2:2 (10-bit)/RGB (10-bit) 8 channels of embedded audio HDMI 1.4a flag setting through control panel for 3D monitoring
SDI input	1 SD or HD input 16 channels of embedded audio on Mac 8 channels of embedded audio on the PC Compliant with SMPTE 259M, SMPTE 272M, SMPTE 292M, SMPTE 299M BNC connector (75 Ω), terminated Equalized input for maximum cable length support
SDI output	1 SD or HD output 16 channels of embedded audio on Mac 8 channels of embedded audio on the PC Compliant with SMPTE 259M, SMPTE 272M, SMPTE 292M, SMPTE 299M BNC connector (75 Ω)
Composite input	PAL/NTSC/NTSC-EIAJ 12-bit ADC 2x oversampling Anti-aliasing filtering Automatic gain control BNC connector (75 Ω), terminated
Composite output	PAL/NTSC/NTSC-EIAJ 12-bit DAC 8x oversampling BNC connector
S-Video input	PAL/NTSC/NTSC-EIAJ 12-bit ADC 2x oversampling Anti-aliasing filtering Automatic gain control 4-pin mini-DIN S-Video connector (75 Ω), terminated (via third-party adapter purchased separately)
S-Video output	PAL/NTSC/NTSC-EIAJ 12-bit DAC 8x oversampling 4-pin mini-DIN S-Video connector (via third-party adapter purchased separately)
Component input	Switchable between SD and HD EIA-770.3 compliant 12-bit ADC Anti-aliasing filtering BNC connector (75 Ω), terminated
Component output	Switchable between SD and HD EIA-770.3 compliant 12-bit DAC 2x oversampling BNC connector
HD analog component video passthrough performance	Frequency response Y: +/- 1.0 dB max to 28 MHz Frequency response Pb, Pr: +/- 1.0 dB max to 12 MHz Component channel delay: < 8 ns Component S/N (Y, Pb, Pr): > 50 dB, unified weighted
SD analog component video passthrough performance	Amplitude error: < 4% Frequency response: +/- 0.5 dB max to 5 MHz 2T pulse response: 1.0% max Diff. Gain: < 2%, Diff. Phase: < 1 degree S/N: > 58 dB, unified weighted

Audio
Analog inputs	2 channels balanced audio via XLR connectors Nominal levels: +4 dBu (+4 dBm) Input impedance: Hi-Z Headroom (max level): 18 dB
Analog outputs	2 channels unbalanced audio via RCA connectors Output impedance: 100 Ω Line level with 18 dB headroom (max level) 4 channels balanced audio via XLR connectors Nominal levels: +4 dBu (+4 dBm) Output impedance: 50 Ω Headroom (max level): 18 dB
AES/EBU inputs	2 channels unbalanced 1 x BNC connector (75 Ω), terminated Maximum input level: 5 Vp-p
AES/EBU outputs	2 channels unbalanced 1 x BNC connector (75 Ω), terminated Nominal output level: 1Vp-p
SDI audio input	16 channels embedded audio on the Mac 8 channels embedded audio on the PC 24-bit, 48 kHz
SDI audio output	16 channels embedded audio on the Mac 8 channels embedded audio on the PC 24-bit, 48 kHz
HDMI audio input	8-channels embedded audio 24-bit, 48 kHz
HDMI audio output	8-channels embedded audio 24-bit, 48 kHz
Balanced analog audio performance	Sampling frequency: 48 kHz (using 64x oversampling) Quantization: 24 bits S/N: > 85 dB THDN at 1 kHz, nominal level: < 0.05%
Genlock
Reference input and output	HD analog tri-level sync or SD analog bi-level black burst BNC connector (75 Ω), terminated
Scaling
Dedicated hardware scaler	Multi-tap 10-bit realtime processing HD to SD downscaling - Proper conversion of the HD color space to the SD color space and proper aspect ratio conversion to anamorphic, letterbox, and center cut are provided. You can monitor or record an SD master of an HD project in real time. SD to HD upscaling - Proper conversion of the SD color space to the HD color space is performed. Footage with a 4:3 aspect ratio will be "pillarboxed". SD 16:9 footage will be scaled to full screen. Cross conversions from 720 to 1080 and 1080 to 720 All scaling operations can be accompanied by frame rate conversion with 2:3:2:3 and 2:3:3:2 cadences to facilitate monitoring 23.98 fps footage on a monitor that does not support the specific frame rate.

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