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Model: 3204-VLZ3
32-Channel Premium FX Mixer w/USB
The 32-channel
Mackie 3204-VLZ3 combines VLZ3 low-noise, high-headroom technology
with increased channel count and superior processing that’s
perfect for real-world live gigs. 28 XDR2™ mic channels, each
with 3-band, sweepable mid EQ, offer more clean and useable gain
than the competition. Create great-sounding, professional mixes
using dedicated channel and subgroup compression, dual RMFX+™
effects processors and true 4-bus architecture. You can even
connect to your laptop to record the show, stream house music or
use your favorite plug-in live using the built-in 4x2 USB
interface. Define your sound, create your mix and record the whole
show with the 3204-VLZ3.
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LEGENDARY VLZ3 QUALITY
VASTLY SUPERIOR XDR2™ MIC PREAMPS
Our XDR2 mic preamps offer incredibly low noise, with individual
mic pre THD below 0.0007%, and overall mixer THD less than 0.0025%.
With 60dB of available gain per channel, the 3204-VLZ3 can handle
inputs ranging from a whisper to a scream, and can even take hot
line-level signals up to +22db, without any added coloration. You
simply won’t find preamps this good on any other mixer in
this price range.
Optimized 3-Band EQ
Tremendous resources went into optimizing the center points of the
channel EQ, giving VLZ3 mixers practical useful equalization,
providing not only sonic enhancement and correction, but also the
tone-shaping facility to actually improve the musical nature of the
original signal. The 3204-VLZ3 features 3-band EQ on all channels,
with a sweepable mid on channels 1-28.
More
Headroom and Less Distortion
High headroom and low noise have always been hallmarks of Mackie
mixers. Our VLZ3 mixers are a perfect example — we're able to
get even more headroom and less noise thanks to a better use of
negative summing architecture. We mix all signals in the summing
amp at -6dB, for lots of headroom right off the bat. Then we add
6dB of gain to the standard 10dB found in the fader gain stage. The
net result is the ability to mix more hot signals without
distortion.
LIVE SOUND
TOOLBOX
“Gig
Ready” Effects Dual
(as in 2) RMFX+ effects processors bring “gig-ready,”
useable effects to your mixes, including an extremely useful tap
function for delay. Basically, we’ve delivered a full rack of
gear at your fingertips that is easy to master, allowing you to
look and sound really good at your next gig. Really, really
good.
Dedicated In-Line
Compressors
Compressors are a critical tool for
both live sound and recording. The 3204-VLZ3 features eight
dedicated in-line compressors, delivering simple, sweet dynamic
control with the single twist of a knob. Use the compressors on
channels 25-28 for your most important vocals and instruments.
There is also a compressor on each of the four subgroups, which is
great for compressing common groups like drums for live or
recording applications.
Aux
Sends with Inserts
The 3204-VLZ3 houses six independent aux sends, perfect for many
standard live and recording applications. Each and every aux send
has an independent master level control and AFL (after fader
listen) solo button to quickly check what you’re sending to
that mix destination. And to top it off (and unlike the vast
majority of the competition), every aux send features a TRS insert,
allowing you to hook up a 31-band graphic EQ for each of your
monitor mixes.
4-TRACK RECORDING VIA
USB
TThat’s right…the 3204-VLZ3 has a built-in 24-bit,
48kHz USB interface that’s ideal for both live and studio
recording. The 4x2 built-in 24-bit, 48 kHz USB system goes above
and beyond what the other guys can offer, providing out-of-the-box
4-track recording straight to your Mac or PC. Perfect for recording
and archiving great live performances, true multi-track outputs
deliver real flexibility in post-production so you can create a
meaningful mix instead of being stuck with the exact stereo feed
from the show. With flexible routing, you can even route your
favorite DAW plug-in and use it live. The two-channel DAW return
can route to the mains for playback during breaks or feed into
channels 31/32 with access to EQ and aux sends.
SMALL
FOOTPRINT, BIG TIME CONSTRUCTION VLZ3 4-Bus mixers offer the best footprint-to-channel
count ratio available, delivering more features in less square
footage. After all, it can get pretty crowded up at front of
house…why mess with bulky boards that have a ton of
unnecessary real estate? Taking the time and effort to design our
boards with the engineer in mind may not be the easiest or cheapest
route, but we know that compact is where it’s at. And in true
Mackie tradition, the 2404-VLZ3 is “Built-Like-A-Tank”.
Just check out this cool video of its little brother, the 802-VLZ3.
There is no doubt that Mackie boards are road worthy, willing to
take the abuse that would simply destroy the
competition.
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32-channel 4-bus mixer
with proven VLZ3 low-noise, high-headroom design
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130dB dynamic
range\
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Distortion under
0.0007% (20Hz – 20kHz)
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Phantom power for
studio condenser mics
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4 subgroups, featuring
dedicated compressors for total dynamic control
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Dedicated inline
channel compression for critical inputs (ch. 25-28)
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3-band active EQ with
carefully selected frequency ranges for maximum
flexibility
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Dual 32-bit
RMFX+™ processors featuring 24 “Gig Ready”,
useable reverbs, choruses, and tap delay for live
applications
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Integrated 4x2 24-bit
USB interface
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Stream subgroups or
master L/R to your PC or Mac for recording
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Use your favorite
plug-in live via auxes 5/6
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Convenient stereo
return to mains for music playback or return to channel and
implement EQ, auxes and more
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6 aux sends with
inserts, pre/post fader and internal/external FX send options
available
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18dB/oct. 100Hz low cut
filter
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60mm long-wearing
logarithmic-taper faders
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All steel, classic
Mackie “Built-Like-A-Tank” chassis design
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Smallest footprint in
class saves precious desk space
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Lightweight and
portable ( 39 lbs / 17.7 kg )
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Includes Tracktion
3™ Music Production Software for Mac or PC
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General
Specifications |
Frequency
Response: |
(Mic
to any output)
20 Hz to 50 kHz: +0dB/-1dB 20 Hz to 100 kHz:
+0dB/-3dB |
Total
Harmonic Distortion (THD+N): |
(1 kHz @ 15 dB gain, 20 Hz to 20 kHz bandwidth) Mic In @ insert Send: <0.001% Mic In to Main Out:
<0.005% |
Noise
Characteristics: |
(Mic in to Insert
Send out, max gain) 150Ω termination: -129.0 dBu (20 Hz to 20 kHz
bandwidth, 1/4" Main Out, channels Gain @ unity gain, channel EQs
flat, all channels assigned to Main Mix, old channels panned left,
even channels panned right)
Main Mix knob @ unity, channel faders down: -84.5 dBu(-91 dB Signal to Noise Ratio,ref +4
dBu)
Main Mix knob @ unity, channel faders @ unity: -80.0
dBu |
Attenuation/Crosstalk: |
(1 kHz relative to +10 dBu, 20 Hz - 20 kHz bandwidth, Mic In,
1/4" Main Out, Gain @ unity) Channel Mute switch engaged:
-90 dBu
Channel Gain knob down: -88
dBu |
Common Mode Rejection Ratio
(CMRR): |
Mic In to Insert
Send out, max gain @ 1kHz: better
than -70 dB |
Maximum
Levels: |
Mic In: +21 dBu
Channel Insert Return: 2.5
kΩ All other inputs: +21 dBu Main Mix XLR Out:
+27 dBu All outputs:
+21 dBu |
Impedance: |
Mic In:
2.7 kΩ Channel
Insert Return: 2.5
kΩ
All other Inputs: 10 kΩ or
greater
Tape Out: <10 Ω
All other outputs: 120Ω |
Physical Dimensions and Weight: |
Front Height: 2.0 in
/ 50.8 mm Back Height: 6.0 in / 153 mm Depth: 19.1 in / 486 mm Width: 38.0 in / 964 mm Weight: 39 lb / 17.7 kg |
AC Power
Requirements: |
Power Consumption:
65
watts
Universal AC Power
Supply: 100-240 VAC, 50-60
Hz
Operating Temperature: 0° -
40°C, 32° -
104°F |
3-Band EQ
(mono channels): |
High: ± 15 dB @ 12
kHz Mid: ± 15 dB
sweep 100 Hz- 8kHz
Low: ± 15 dB @ 80 Hz
Low Cut Filter: 18 dB/octave, -3 dB
@ 100 Hz |
4-Band
EQ (Stereo channels): |
High:
± 15 dB @ 12
kHz
High-Mid:
± 15 dB @ 2.5
kHz
Low-Mid:
± 15 dB @ 400
Hz
Low:
± 15 dB @ 80 Hz |
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