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Model: 1202-VLZ3
12-Channel Compact Analog Mixer w/ 4 XDR2
preamps
Sure it’s
cute, but the Mackie 1202-VLZ3 is a serious professional compact
mixer, with features that belie its small footprint. The ideal
compact mixer for home and project studios, the 1202-VLZ3 is
equally at home on the road, on the stage, or in the recording
studio. Here at Mackie, we can never leave “well
enough” alone. After all, the VLZ Pros are the best-selling
mixers of all time, so we knew it would be tough to improve on what
many devoted owners already consider perfection… and yet we
were driven to do it anyway.
While it keeps all the features and functionality of its
predecessor, the Mackie 1202-VLZ3 offers even greater headroom
versus the original. We could have stopped right then and there,
but we’re obsessed with perfection. So we redesigned the Mix
Bus, tweaked the EQs, and created a mixer with a highly intuitive,
musical feel.
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VASTLY SUPERIOR XDR2™ MIC
PREAMPS
Our new XDR2 (Extended Dynamic Range) second-generation mic preamps
are better than ever. These new pres offer incredibly low noise,
with individual mic pre THD below 0.0007%, and overall mixer THD
less than 0.0025%. With 60dB of available gain per channel, the
1202-VLZ3 can handle inputs ranging from a whisper to a scream, and
can even handle hot line-level signals up to +22db, without any
added coloration. You simply won’t find preamps this good on
any other mixer in this price range.
EQUALIZATION
We invested tremendous resources optimizing the center frequencies
of our 3-band Active EQs. By selecting 80Hz, 2.5kHz and 12kHz, for
the Lows, Mids and Highs, respectively, we created an even more
musical EQ than on previous VLZs. With up to 15dB boost/cut
capability per band, VLZ3’s Active EQ provides more
tone-sculpting latitude than any other mixer in its class.
PROFESSIONAL FEATURES
The Mackie 1202-VLZ3 is packed with premium features on every mic
channel: 75Hz Low-Cut filters, two Aux Sends, inserts, phantom
power, constant-loudness Pan controls and Pre Fader Solo. And since
you can never have too many output options, we provided a Control
Room/Phones source matrix, Master Aux section with EFX to Monitor,
tape outputs, a high-volume headphone amplifier and balanced XLR
and TRS outputs.
NEED EVEN
MORE FLEXIBILITY? Greg
Mackie's mind was working overtime when he originally came up with
this—instead of sending muted signals into the vacuum of
space, why not do something useful with them? So, when you press
the mute button on the 1202-VLZ3, the signal is indeed
muted—but it also appears at the ALT 3-4 output jacks and ALT
3-4 stereo bus. This is an ideal way to create additional Aux Sends
and mixes for cry rooms, green rooms, or assistive listening, etc.
And with a press of a button, the ALT 3-4 mix can be assigned to
the Main output—which means ALT 3-4 can act very much like a
mixer within a mixer.
BUILT
MACKIE TOUGH
All VLZ3 mixers are built tough-as-a-tank. Our legendary
solid-steel chassis can take the kind of abuse that would turn our
competitors’ flimsy boxes into twisted chunks of debris.
Instead of cheap, unsealed potentiometers, we use co-molded pots,
which offer substantial strain and impact relief. By design, our
control knobs “ride” just above the surface of the
chassis, so if something falls onto the mixer, the impact is
transferred from the knobs to the chassis—not to the
potentiometers or circuit board. Finally, we use thick,
horizontally mounted fiberglass PC boards to eliminate the
potential for damage and brace them with a shock-absorbing support
structure. They’ve survived earthquakes, hurricanes and
typhoons, so Mackie mixers can certainly handle whatever you throw
at them.
VERSATILITY
You'll find Mackie mixers everywhere you go—from video
post-production facilities, to major artist tour buses, to duty as
field mixers for news departments of all the major networks.
Drummers and keyboardists use them to send submixes to front of
house and monitor consoles. VLZ3 compact mixers are the ideal
choice for any situation requiring superior audio mixing,
especially where space and/or budget constraints are an issue.
Leave it to the innovative minds at Mackie to produce the
1202-VLZ3, an even perfecter version of the best-sounding mixer in
its class.
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New ultra-low noise
VLZ3 design with highest possible headroom
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4 studio-grade
XDR2™ Extended Dynamic Range mic preamps with:
- Ultra-wide 60dB gain range
- 130dB dynamic range
- +22dBu line input handling
- Extended low frequency response
- Distortion under 0.0007% (20Hz - 20kHz)
- Phantom power for studio condenser mics
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12 high-headroom line
inputs
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Advanced DC pulse
transformer RF rejection
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2 Aux send, level, pan
and PFL solo on each channel
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2 stereo Aux returns +
EFX to Monitor
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3-Band Active EQ (80Hz,
2.5kHz, 12kHz)
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18dB/oct. 75Hz Lo-Cut
filter on Mic input channels
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ALT 3/4 stereo bus for
added versatility
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Control Room/Phones
source matrix
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Rack-mountable design
using optional rack ears
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Sealed rotary controls
to resist dust and grime
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New Multi-Voltage power
supply for worldwide use
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Sleek, rugged steel
chassis
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Includes Tracktion
3™ Music Production Software for Mac or PC
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General
Specifications |
Frequency
Response: |
(Mic
to any output @60 dB gain)
20 Hz to 60 kHz: +0dB/-1dB 20 Hz to 200 kHz:
+0dB/-3dB |
Total
Harmonic Distortion (THD+N): |
(1 kHz @ 35 dB gain, 20 Hz to 20 kHz bandwidth) Mic pre @ insert: <0.0007% |
Noise
Characteristics: |
(Mic in to Insert
Send out, max gain) 150Ω termination: -129.5 dBu (20 Hz to 20 kHz
bandwidth, 1/4" Main Out, channels 1-4 Gain @ unity gain, channel
EQs flat, all channels assigned to Main Mix, channels 1 and 3
panned left, 2 and 4 panned right) Main Mix Knob down,
channel Level knobs down: -100
dBu
Main Mix knob @ unity, channel level knobs down: -86.5 dBu
Main Mix knob @ unity, channel level knobs @ unity: -84.5 dBu
Signal-to-Noise Ratio, ref. +4 dBu: 90 dBu |
Attenuation/Crosstalk: |
(1 kHz relative to 0 dBu, 20 Hz to 20 kHz bandwidth, Line In,
1/4" Main Out, Gain @unity)
Main Mix knob down: -75
dBu Channel Alt/ Mute switch engaged: -85 dBu
Channel Level knob down: -87
dBu |
Common Mode Rejection Ratio
(CMRR): |
Mic In to Insert
Send out, max gain @ 1kHz: better
than -70 dB |
Maximum
Levels: |
Mic In: +22 dBu Tape
In: +16 dBu All other
inputs: +22 dBu Main Mix
XLR Out: +28 dBu All
outputs: +22 dBu |
Impedance: |
Mic In:
2.5 kΩ Channel
Insert Return: 2.5
kΩ
All other Inputs: 10 kΩ or
greater
Tape Out: 1.1 Ω
All other outputs: 120Ω |
Physical Dimensions and Weight: |
Height: 11.2 in / 284
mm Width: 11.9 in / 303
mm Depth: 3.0 in / 75
mm Weight: 6.5 lb / 3.0
kg |
AC Power
Requirements: |
Power Consumption:
25
watts
US, JP: 100-120 VAC, 50 - 60
Hz Fuse rating: 500 mA
slo blo, 5 x 20 mm EU: 200 - 240 VAC, 50 - 60 Hz Fuse
rating: 250 mA slo blo, 5 x 20
mm
Operating Temperature: 0° -
40°C, 32° -
104°F |
EQ: |
High Shelving: ± 15 dB @ 12
kHz Mid Peaking: ±
15 dB @ 2.5 kHz
Low Shelving: ± 15 dB @ 80
Hz Low Cut Filter: 18
dB/octave, -3 dB @ 75 Hz |
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