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Model: C300z
12" Two-Way Passive Loudspeaker
Are you looking
for renowned Mackie sound quality in a portable, lightweight
package but you've already invested beaucoups cash on pro-level
power amps? Want to instantly upgrade the sound of your existing
powered mixer or amplifier without breaking the bank?
Good news for you, because our C300z 2-Way Portable Passive
Loudspeakers put the superior clarity, wide dispersion, and
legendary ergonomics of the SRM Series within reach of any serious
musician, DJ, or small club. These compact-yet-loud speakers can be
pole-mounted for use as a small full-range PA system, combined with
subwoofers as needed, and even employed as high-quality passive
floor monitors.
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PRECISION TUNED BY THE SPEAKER BRAINS AT
EAW
The new C Series passive Loudspeakers represent Mackie's first
lightweight passive speakers tuned exclusively by the EAW
loudspeaker engineering team. We're talking about the same team
with more than 25 years of high-output loudspeaker expertise,
having created loudspeaker systems for critical applications as
diverse as the Super Bowl, Iron Maiden, and the Pope. And although
loudspeakers for these mega-systems cost exponentially more than
the stalwart C300z, many of the same concepts applied, namely:
designing custom 12" LF drivers with a frequency range from 50 Hz -
3000 Hz and a 3" voice coil that can take a pounding. And a 1.75"
High-Frequency titanium Driver and Horn providing a wide,
controlled dispersion pattern and precise reproduction of the
critical 1000 Hz - 20,000 Hz upper mid-range and high
frequencies.
CROSSOVERS
TUNED TO PERFECTION
Tuning a crossover (i.e. voicing a system), involves dozens of
critical decisions that many manufacturers overlook. In the end, it
is all about balancing the design so that you get the best
subjective results from the speaker while maintaining a good
technical implementation. The crossover in the C Series is a unique
Low Impedance Compensated Crossover (LICC) design with an
asymmetrical slope. With EQ and crossover points meticulously
chosen so that beamwidth patterns match in both drivers, C Series
loudspeakers offer natural sound at all volume levels.
ULTRA-WIDE
DISPERSION
Ever been to a show where the music sounds great in front, but
craps out once you get to the back or sides of the room? We have,
and that's why we gave the C300z a multi-cell horn throat aperture.
Sure, it's hard to say, but what it does is allow for much wider
and more even dispersion of high and mid frequencies—so the
wallflowers get the same great listening experience as those up
front.
BETTER THAN
YOUR AVERAGE BOX Anyone with
a factory can build a box and stick some speakers in it (and that's
just what many do). But low-frequency transducers in square boxes
can create resonances that reflect off the rear wall and pass
through the woofer cone out of phase, and ready to mess up your
sound. The C300z enclosure is an asymmetrical monocoque design with
no parallel surfaces, causing mid and high frequency resonance's to
be reflected at angles into internal damping materials, instead of
interfering with the woofer doing its thing. Read more.
SUPERB FLOOR
MONITOR
A good floor monitor plays loudly without generating feedback
through vocal microphones. A poor floor monitor, on the other hand,
will generate feedback just about the time you turn it up to a
useable level. Floor monitor feedback is often caused by uneven
frequency response and dispersion; some frequencies arrive at the
microphone much louder than others. These "spikes" are what trigger
feedback as the floor monitor volume is increased. The C300z has
incredibly smooth, spike-free response and dispersion over a wide
range of treble frequencies. So you can increase its volume without
boosting those nasty, feedback-inducing spikes. Without extensive
tuning, no passive speaker or specialized floor wedge in this class
can even come close.
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Portable Precision
Passive loudspeaker with 1.75" HF compression driver and 12" LF
transducer
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HF compression driver
mounted on a multi-celled aperture, with a constant directivity
horn for room-wide 90° x 45° dispersion
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Precise reproduction of
critical upper mid-range and high frequencies
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Tough, impact-resistant
enclosure with sturdy handles, pole-mount, and integrated rigging
points
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Designed for optimum
performance with Mackie powered mixers and power
amplifiers
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750W peak power
handling
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Three setup
configurations: pole mount, flyable and wedge
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Passive version of the
best-selling SRM450
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General
Specifications |
Acoustic
Performance: |
Frequency Response(-3 dB): 55 Hz
- 18 kHz Frequency Response(-10 dB): 45
Hz - 20
kHz Max SPL Long-term: 123 dB @ 1m Low-Frequency Crossover
Type: 24 dB / Octave, time offset
corrected High-Frequency Crossover Type: 24 dB / Octave Crossover Point:
1800 Hz |
Audio: |
Input Type Connector Type: Speakon™-style NL 4-jack, 1/4" TS
jack Input Impedance: 8
Ω Power
Handling RMS: 300
watts Music: 550
watts Peak: 750
watts |
Low-Frequency
Transducer: |
Diameter:
12 in / 300 mm Voice Coil
Diameter: 3 in / 75 mm
Magnet Material: Ferrite |
High-Frequency Transducer: |
Diameter: 1.7 in / 44.5
mm Horn Exit Diameter: 1
in / 24.5 mm Diaphragm Material: Heat treated titanium |
Horn Design: |
Type: Conical and Exponential Mouth Size:
12 in / 305 mm (W) x 7 in / 178 mm
(H) Horizontal Coverage: 90° ( 1 kHz - 20 kHz) Vertical
Coverage: 45° ( 2.8 kHz - 20
kHz ) |
Safety
Features: |
Over-Excursion Protection: Second-order high-pass filter
Driver Protection: Dynamic
protection for compression driver |
Construction
Features: |
Basic Design:
Asymmetrical Trapezoidal
Material: Polypropylene
Finish: Black, textured
finish Handles: One on
right side, one on top Grille: Perforated metal with weather-resistant
coating Operating Temperate Range: -10°C to 45°C, 14°F to
113°F |
Physical Properties: |
Height: 26.1 in/ 663
mm Width: 16.0 in / 406
mm Depth: 14.8 in / 376
mm Weight: 46 lb / 20.9
kg |
Mounting Methods: |
Floor
mount, pole mount, or fly via integrated M10 threaded inserts ( two
each located on each side, top, bottom and rear of
enclosure) |
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