|
|
|
|
Model: SRM150
Compact Powered PA System
The SRM150
combines Mackie's proven mixer and SRM Active loudspeaker
technologies to create a powerful, great-sounding 3-channel PA
system that is ultra-compact, versatile and expandable. The Mackie
SRM150 Compact Active PA System is ideal for a wide variety of
applications ranging from boardroom A/V to live musical performance
in coffee houses, piano bars, or rehearsals, just to name a
few.
Don't be fooled by the small size. The SRM150 is big on features
and sound quality. The built-in three-channel mixer features two
combo XLR/line inputs (with true 48V phantom power), a stereo
channel for CD/MP3 players, and Mackie's powerful 3-band Active EQ.
The SRM150 can even be mounted on a mic stand, making it the ideal
personal monitor. Put simply, with its tremendous feature set and
150-watts of world-class sound, the Mackie SRM150 is the perfect
solution for any application requiring superior sound
quality.
|
|
|
|
| |
|
BUILT-IN MACKIE MIXER
At the very heart of the SRM150 is a Mackie mixer, with all the
versatility and features you've come to expect from the
manufacturer of the world's best selling compact mixers. Channels 1
and 2 can be used for mic/line sources, thanks to the handy combo
jack, which accepts either ¼" TRS or XLR connections. True 48V
phantom power is supplied, so you can use even the most finicky
condenser mics with confidence.
Channel 1 also has an added feature. Simply plug in your guitar,
bass (or any other Hi-Z instrument), press the CH1 Instrument
switch and you get all the benefits of a DI box, without the hassle
and added expense.
DEDICATED STEREO INPUTS
Channel 3 is reserved for stereo devices, such as an MP3, CD or
tape player. Just connect to the dual RCA jacks from your device
and use the Channel 3 Level control to balance the gain with your
other inputs. This is a truly handy feature for performers working
with backing tracks, MIDI sequencers or drum machines.
GLORIOUS MACKIE 3-BAND
EQ
We invested tremendous resources optimizing the center frequencies
of our 3-band active EQs. By selecting 100Hz, 2.5kHz and 12kHz, for
the Lows, Mids and Highs, respectively, we created an equalization
scheme of a highly musical nature. And SRM150's EQ bands work very
independently of each other, allowing you to cut or boost a
specific band without affecting the others. With up to 15dB
boost/cut capability per band, the onboard active EQ provides more
tone-sculpting latitude and feedback control than you'll find in
any other product in its class.
HIGH OUTPUT,
PREMIUM QUALITY SOUND
All
the "bells and whistles" in the world are completely worthless if
you can't crank out world class sound! That's why we matched the
SRM150's powerful 150-watt Class-D amplifier with an equally
impressive 5.25" full range, weather-resistant neodymium driver,
which was developed by the speaker gurus at EAW. The SRM150 puts
out a blistering 120dB SPL @ 1 meter, far more than the competition
offers. And the SRM150 sounds great, whether you're accompanying a
vocalist with your acoustic at the coffee house or making an A/V
presentation to the board of directors.
THE
ULTIMATE PERSONAL MONITOR
Not only is the SRM150 an excellent loudspeaker system for compact
PA applications, but it also offers unparalleled performance as a
personal monitor. The onboard 3-band EQ facilitates feedback
suppression and offers the same great tone-shaping capabilities as
our legendary compact mixers. Mic stand ready with an included boom
arm adapter, the SRM150 puts total control right at your
fingertips. In addition to stand mounting, the SRM150 was designed
to provide the proper monitoring angle when used in traditional
floor wedge and tabletop placement. Let's face it, putting high
output, quality sound right where you want it is what monitors are
all about!
REAR
PATCHBAY
Want to use a second SRM150 or an SRM450? The rear panel Thru jack
provides connectivity for an extra powered monitor, or for sending
a mic level output to the front of house system( by activating the
mic/line switch. The Main input also has a dual purpose. It can
obviously be used to receive monitor mixer signals, but can also be
used to link more SRMs.
APPLICATIONS
GALORE
Uses for the SRM150
are virtually limitless. Below is a short list of some obvious, as
well as not-so-obvious applications.
- Compact, portable performance PA system
- Executive boardrooms
- A/V presentations
- Tradeshow demonstration booths
- Classroom instruction
- Aerobics instructors
- Live music performance monitors
- Personal practice with stereo tracks
- PA system expansion for "Cry" or "Green" rooms
- Recording studio playback to remote rooms
- Anywhere high quality audio is required but space is
limited
|
-
Extremely portable
active loudspeaker system
-
Built-in Mackie mixer
for superior sound quality with:
- 3-channel mixer with 3-band active EQ
- Two high-headroom Mackie Mic/line preamps with 48V phantom
power
- Instrument-ready input (no DI required)
- Dedicated stereo channel for keyboards, CD, MP3, iPods,
etc.
- Combo "line in" for linking or adding inputs
- XLR "thru" with mic/line switch for linking more SRM150s or
direct send to main PA
-
150-watts of high
output, Class-D power
-
5.25”
premium-quality, full-range neodymium driver
-
Frequency Response:
100Hz to 17.5kHz
-
Complete system
protection with built-in limiter
-
120 dB Maximum
SPL@1meter
-
Built-in top carry
handle
-
Integral aluminum heat
sink
-
Mic stand integration
system for use with stand and boom
-
Tough,
impact-resistant, polypropylene enclosure
|
|
General
Specifications |
| Acoustic
Performance: |
Frequency Response(-3 dB): 100
Hz - 17.5 kHz
Frequency Range(-10 dB): 60 Hz- 22 kHz
Max SPL Long-term:
110 dB @ 1 m
Max SPL
peak: 120 dB @ 1
m |
| Mixer
Section: |
Frequency Response(-3 dB)
(Mic Input to Line Out, Gain at 0 dB): 5 Hz - 40 kHz( +0, -1 dB)
Input Impedance
Mic: 3 kΩ balanced
Hi-Z: 20 kΩ balanced
Instrument: 1 mΩ
Line: 10 kΩ balanced
Stereo: 10 kΩ
balanced
Maximum Voltage Gain
Mic
Input1/2: 51 dB
Stereo
Input: 9 dB
Maximum Input Level
Mic:
-28 dBu, gain at +50 dB/ +15 dBu,
gain at +6 dB
Line: -8
dBu, gain at +30 dB/ +35 dBu, gain at -15 dB
Stereo:
+20 dBu, gain at 0 dB
3-band
Equalization
High: ±15 dB @ 1.2 kHz
Mid:
±15 dB @ 2.5 kHz
Low: ±15 dB @ 100 Hz
Thru Out Mic Level Pad: -30 dB
Common Mode Rejection
Ratio(CMRR)
1 kHz, gain at unity: 55 dB
Noise(20 Hz to 20 kHz BW, 150Ω
source impedance)
Equivalent Input Noise(EIN):
-129 dBu
Residual Output
Noise(Line out, channel and master levels off): -85 dBu |
| Power Amplifier: |
Rated Power:
100 watts
Maximum Power:
150 watts peak
Rated THD:
<0.05%
Cooling:
Convection Extrusion
Design: Class D |
| Transducer: |
Diamter: 5.25 in/134
mm
Voice Coil Diamter: 1.0 in/ 25.4 mm
Magnet Material:
Neodymium |
| Line Input Power: |
Universal Power
Supply: 100 VAC - 240 VAC, 50 - 60
Hz, 35 VAC
AC Connector: 3-pin IEC 250 VAC |
| Safety Features: |
Overload Protection: Limiter
Thermal Protection:
Amplifier shutdown,
auto-reset |
| Construction
Features: |
Material: Polypropylene
Finish: Grey, Textured finish
Handles:
One on Top
Grille:
Perforated metal with weather
resistant coating
Display LEDs: Power On, and Phantom Power ON
Operating Temperature: 0° -
40°C, 32° - 104°F |
| Physical Properties: |
Height: 8.0 in/ 203
mm
Width: 12.0 in / 305
mm
Depth: 6.8 in / 173
mm
Weight: 7.6 lb / 3.4
kg |
| Mounting Methods: |
Mic
stand mountable with the supplied adapter via the built-in socket
on the bottom of the cabinet |
|
| |
|
|
|
|
