Home
|
|
|
Sound Devices products deliver superb audio performance in extreme
locations. Whether it's multi-camera interviews, single camera
ENG-style acquisition, documentary film & video production,
sports broadcasting, feature film production, acoustical test &
measurement, sound effects gathering, or live music recording,
Sound Devices can improve your work life.
|
Cine Batteries
|
CINE VCLX
|
CINE VCLX
Sound Devices PIX 220i features an IPS (In-Plane Switching)
display. This new technology yields a brighter, sharper image with
improved color accuracy and excellent off-axis performance. This
attractive display provides immediate confirmation of recording,
playback, audio metering, and Setup Menu selections. Monitor
brightness, contrast and chroma adjustments are available for
customized viewing needs.
The PIX 220i adds Quicktime recording using Apple ProRes or Avid
DNxHD to any HDMI or HD-SDI equipped high-definition video camera.
The portable PIX 240i records Quicktime files to CompactFlash cards
or removable 2.5-inch solid-state hard drives. |
|
Sound Devices PIX 240i
|
Sound Devices PIX
240i
Sound Devices PIX 240i features an IPS (In-Plane Switching)
display. This new technology yields a brighter, sharper image with
improved color accuracy and excellent off-axis performance. This
attractive display provides immediate confirmation of recording,
playback, audio metering, and Setup Menu selections. Monitor
brightness, contrast and chroma adjustments are available for
customized viewing needs.
The PIX 240i adds Quicktime recording using Apple ProRes or Avid
DNxHD to any HDMI or HD-SDI equipped high-definition video camera.
The portable PIX 240i records Quicktime files to CompactFlash cards
or removable 2.5-inch solid-state hard drives. |
|
|
Sound
Devices PIX 260i
|
Sound Devices PIX
260i
The rack-mounted PIX 260i is a file-based video recorder/player
that seamlessly replaces tape-based video decks in production and
post-production environments.
.Using the Apple ProRes or Avid DNxHD codecs, the PIX 260i records
and plays files up to 220 Mbps in high-quality 10-bit 4:2:2 video
as well as 32 tracks of 48 kHz audio. Files from the PIX 260i are
ready for direct import into Avid and Final Cut editing
environments, eliminating time-consuming transferring and
transcoding. Files can also play out of the PIX 260i for real time
applications. |
|
AUDIO DIGITAL
RECORDER |
|
|
Sound Devices
702
|
Sound Devices
702
The two-channel 702 is a powerful
file-based digital audio recorder. The compact device records and
plays back audio to cost-effective, removable Compact Flash cards,
making field recording simple and fast. It writes and reads
uncompressed PCM audio at 16 or 24 bits with sampling rates between
32 kHz and 192 kHz. Compressed (MP3) audio playback is also
supported. |
|
Sound Devices 702T
|
Sound Devices
702T
The two-channel 702T is a powerful
two-track file-based portable, high-resolution digital audio
recorder with time code. The super-compact device records and plays
back to convenient, removable Compact Flash cards, making field
recording simple and fast. It writes and reads uncompressed PCM
audio at 16 or 24 bits with sample rates between 32 kHz and 192
kHz. Compressed (MP3) audio playback is also supported. The time
code implementation makes the 702T perfect for any dual-system
video or film production application. |
|
Sound Devices 722
|
Sound Devices
722 The
ultimate DAT upgrade. The two-track 722 breaks limitations of
16-bit DAT and opens the world of high-resolution 24 bit, 192 kHz
(sampling) audio recording. Storage is to internal 40 GB hard drive
or removable Compact Flash (or both). The sub-three pound 722 is
powered from standard Li-on camcorder batteries or external
10–18 VDC. |
|
Sound Devices 744T
|
Sound Devices 744T
AThe 744T is a compact,
high-resolution digital audio recorder with time code. It records
and plays back four tracks of 16 or 24 bit audio to its internal 40
GB hard drive or Compact Flash medium. With sample rates between 32
kHz and 192 kHz plus full read/write time code, the 744T is the
perfect tool for any critical recording environment—from
over-the-shoulder to cart-based production |
|
Sound
Devices 788T
|
Sound Devices
788T The 788T is a powerful eight input, eight-track
digital audio recorder designed for production sound. Building on
the success of the proven 7-Series architecture, the 788T offers
greatly expanded input and output connectivity while continuing the
7-Series heritage of extensive control in a compact
package. |
|
Sound
Devices 788T-SSD
|
Sound Devices 788T-SSD
Sound Devices is introducing the 788T-SSD Digital Recorder, a new
model of its popular 788T Recorder, at NAB 2009 (Booth N6129).
Based on the 788T, the 788T-SSD includes a factory-supplied 256 GB
solid-state hard drive, which allows for superior performance in
the field. The new model features enhanced data storage and
transfer speed while improving its durability to be nearly
impervious to shock.
|
|
FIELD
MIXER |
Sound Devices
664
|
Sound Devices 664
The 664 Field Production Mixer is the new flagship in Sound
Devices' line of portable audio mixers. Building on the foundation
of the popular 552 mixer, the intuitive 664 has six inputs channels
and four output buses. All inputs and outputs are recordable to
both CF and SD cards. This unprecedented amount of I/O connectivity
and recording capability makes the 664 perfect for any production
application
|
|
Sound Devices 302
|
Sound Devices 302
The 302 is stunning in size, flexibility, control and performance;
it is the most compact and cost-effective battery-powered
professional audio mixer in its class. With important features to
accommodate nearly any over-the-shoulder production, the 302
interfaces with any professional microphone, wireless system, and
camera / recorder input. |
|
Sound Devices
MixPre-D
|
Sound Devices
MixPre-D
The MixPre-D sets a new standard for compact, high-performance
portable audio mixers. Designed specifically for audio
professionals needing the most flexible connectivity, the MixPre-D
is ideal for any production application where capturing great sound
is important, but size and weight are a concern. |
|
Sound Devices
552
|
Sound Devices
552
Sound Devices presents the 552 Production Mixer, the most
technologically advanced portable audio mixer ever made. Using the
best analog and digital technologies, along with advanced
mechanical construction, the 552 gives professionals a superb
sounding, compact, lightweight and power-efficient mixer that is
equally at home in simple run-and-gun applications or in complex
multi-input, multi-output production setups. |
|
COMPUTER
AUDIO |
Sound Devices USBPre 2
|
Sound Devices USBPre 2
Sound Devices USBPre 2 is a high-resolution, portable hardware
interface for Mac- and Windows-based digital audio. The USBPre 2 is
the industry's highest performance and most flexible portable
interface, connecting professional microphones, line-level sources,
consumer audio electronics, and S/PDIF digital sources with Mac OS
and Windows computers via USB.
|
|
MICROPHONE
PREAMPLIFIERS |
Sound Devices MM-1
|
Sound Devices MM-1
The portable MM-1 combines two essential production functions
— microphone preamplification and headphone monitoring
— in one compact product. The MM-1 is a no-compromise,
studio-quality microphone preamplifier with phantom power,
high-pass filter, and built-in limiter. With its monitoring
function providing fold-back of preamp audio and external monitor
audio, the MM-1 is at home in the most complex broadcast remotes,
theatrical productions, and intercom setups. |
|
Sound Devices
MP-1
|
Sound Devices MP-1
Portable, single channel, battery powered microphone preamplifier
with 20 Hz – 50 kHz bandwidth and >120 dB dynamic range.
Features include 48-volt and 12-volt phantom power, high pass
filter, limiter, transformer-balanced input and output. Powered by
2 AA batteries. |
|
HEADPHONE
AMPLIFIERS |
Sound Devices HX-3
|
Sound Devices HX-3
Add headphone outputs to any piece
of gear with the compact HX-3 Headphone Amplifier. It quickly and
simply provides three high-current stereo headphone feeds with
individual level controls. Great for radio, television, and film
production applications |
|
|