| DPA d:dicate™ 4006E Omni Microphone, Active
Cable |
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4006-ER |
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Omni Microphone, Rear Cable |
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4006-ES |
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Omni Microphone, Side Cable |
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• Ultra-compact
recording mic for hanging applications
• Full-bodied sound with minimal visual impact
• Acoustic Modification Accessories
• Legendary recording reference capsule
When small, lightweight and hardly visible microphones for
top-quality recordings are required, the active cable design and
clean, transparent sound of our ultra-compact 4006E makes them the
perfect choice. They are particularly popular as A-B stereo or
Decca Tree pairs in concert halls where clean looks may not be
compromised by quality recordings.
The 4006E can be mounted, hung or concealed to create clean,
transparent recordings. With the SM4000-C suspension mount, which
is included in the package, the 4006E to be hung in its own
integrated cable from the ceiling and create precise and repeatable
positioning.
It is ideal in theatres, operas and concert halls or places of
worship and for film applications, both in the studio and on
location. These mics are also popular for ambience miking on
soundstages, in sports stadiums and other environments where
ambient sound needs to be recorded.
An optional selection of acoustic modification accessories,
including nose cone and interchangeable protection grids, allows
the 4006E to be acoustically transformed into different microphone
versions, making it the most multifaceted mic in your collection
and a tremendous value. By simply changing a grid, it is possible
to gain several unique frequency responses and directional
characteristics from a single mic. Furthermore, these grids and
elements will not produce any phase shift, noise or distortion that
would otherwise be introduced by an electrical filter.
With a length of only 3,5 cm, the low-key appearance of the 4006E
goes well together with its modular nature, making it possible to
quickly combine the capsule with another pre-amp or boom pole or
choosing another capsule with the active cable.
At any time and with no tools necessary it is possible to transform
the basic 4006E microphone into a new configuration by combining it
with another DPA microphone capsule or preamp. |
| Directional pattern: |
Omnidirectional |
| Principle of operation: |
Pressure |
| Cartridge Type: |
Pre-polarized
condenser |
| Frequency range: |
10 Hz to 20
kHz |
| Frequency range, ± 2 dB: |
20 Hz to 20
kHz |
| Sensitivity, nominal, ± 2 dB at 1 kHz: |
40 mV/Pa; -28 dB re. 1
V/Pa |
| Equivalent noise level, A-weighted: |
Typ. 15 dB(A) re. 20
µPa (max. 17 dB(A)) |
| Equivalent noise level, ITU-R BS.468-4: |
Typ. 27 dB (max. 29
dB) |
| S/N
ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL): |
Typ. 79
dB(A) |
| Total Harmonic Distortion (THD) at 1 kHz: |
< 1 % up to 134 dB SPL
peak |
| Minimum load impedance: |
2 kohm |
| Dynamic range: |
Typ. 117
dB |
| Max. SPL, peak before clipping: |
132 dB |
| Output impedance: |
100 ohm |
| Minimum load impedance: |
2
kΩ |
| Cable drive capability: |
100 m (328
ft) |
| Output balance principle: |
Impedance
balancing |
| Common Mode Rejection Ratio (CMRR): |
> 40
dB |
| Power supply (for full specifications): |
48 V Phantom power (± 4
V) |
| Current consumption: |
3.5
mA |
| Connector: |
XLR-3M. Pin 1: shield, Pin
2: signal + phase, Pin 3: - phase |
| Color: |
Matte
black |
| Weight: |
114 g (4
oz) |
| Diameter: |
16 to 19 mm (0.63 to 0.75
in) |
| Capsule diameter: |
16 mm (0.6
in) |
| Microphone Length: |
35
mm (1.38
in) |
| Output voltage, RMS: |
2.2V |
| Polarity: |
+V at Pin 2 for positive
sound pressure |
|
Relative Humidity (RH): |
Up to 90% |
| Temperature range: |
-40 °C to 45 °C
(-40 °F to 113 °F) |
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Matching tolerance: |
± 0.5
dB |
| Phase deviation for kit: |
<
5° |
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