Neumann
O 300 D - Active Studio Monitor with digital inputs

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Home > Neumann > Studio Monitor Systems > O 300 D
Neumann
Studio Monitor Systems
M 52 / O 110 D / KH 120 A
O 110 / O 300 / O 300 D / KH 120 D
O 410 / O 800 / KH 810
O 810 / O 870 / KH 870

Current Microphones

BCM 104 / BCM 705
D-01 / GFM 132
KK 104 S/KK 105 S
System KM 120
System KM 130 / System KM 131
System KM 140 / System KM 143
System KM 145 / System KM 150
System KM 183 / System KM 184
System KM 185
System KM 183 A
System KM 184 A
System KM 185 A
System KM 133 D
System KM 183 D
System KM 184 D
System KM 185 D
KM A / KM D / KMR 81 i / KMR 81 D
KMR 82 i / KMS 104/105 / KU 100
KMS 104/105 D / M 147 Tube
M 149 Tube / M 150 Tube
RSM 191 A Set / Series 180
SKM 100 / SKM 140 / SKM 150
System KM 100 / TLM 102
TLM 103 D / TLM 170 R / TLM 193
TLM 49 / TLM 50 Set / TLM 67
USM 69 i / TLM 103
U 87 Ai / U 89 i

Current Accessories

AC 20 / AC 21 / AC 22
AC 23 / AC 25 / AC 26
AC 27 / AC 28 / AC 29 / AC 30
AK 20 / AK 30 / AK 31 / AK 40
AK 43 / AK 45 / AK 50
BCK / BS 48 i
BS 48 i-2 / Conn. Kit AES/EBU
Conn. Kit S/PDIF / DMI-2
USB - RS 485 Connection Set
DMI-2 portable / DMI-8 / DS 100-1
DS 120 / EA 1 (mt) / EA 170 (mt)
EA 2 (mt) / EA 2124 A mt / EA 30 A
EA 50 / EA 87 / EA 89 A
IC 3 mt / IC 4 mt / IC 5 mt / IC 6 mt
IC 7 / K 11 / K 3 x 0,08 / K 3 x 0,2
K 5 x 0,14 / K 7 x 0,14 / KA 100
KK 120 (nx) / KK 131 (nx)
KK 133 (nx) / KK 143 (nx)
KK 145 (nx) / KK 183 (nx)
KK 184 (nx) / KK 185 (nx)
KM 100 / KM A
KM D / KT 5 / KT 8 / KVF 118 KA
KVF 158 KA / KVFF 148 KA
KVG 1120 nx / KVG 130 nx
KVG 160 nx / LC 2 / LC 3 KA
LC 4 / M 210/1 / M 212 c
M 214/1 / M 252
MF 2 / MF 3 / MF 4 / MF 5 / MF-AK
MNV 100 / MNV 21 mt
MNV 87 (mt)
MTX 191 A / MZEF 8060/8120
MZGE 8000 / MZGE 8002
N 149 A / N 248
PA 100 / PS 15
PS 20 a / SBK 130 A / SG 100
SG 100-1 / SG 105 / SG 109
SG 110 nx / SG 2 / SG 21 bk
SG 5 / SG 87 / SG 89
SG-AK / SGE 100 / SMK 100 KA
SR 100 / STH 100 / STH 120
STV 4/20/40/60
TF 221 c / WJ 191 / WJ 81/WJ 82
WK 81/82 / WKD-AK
WKD-KM / WKE 191 Set
WKE 81 Set / WKE 82 Set
WNS 100 / WNS 110
WNS 120 / WS 100 / WS 191
WS 47 / WS 69 / WS 81 / WS 2
WS 82 / WS 87 / WS 89 / WSB
WSS 100 / Z 26 mt

Hist. Microphones

CMV 3 / KFM 100 / KM 253
KM 254 / KM 256
KM 53 / KM 54
KM 56 / KM 64 / KM 66 / KM 73
KM 74 / KM 75 / KM 76 / KM 83
KM 84 / KM 85 / KM 86
KM 88 / KMA / KMF 4i / KML
KMS 84 / KMS 85
KMS 140 / KMS 150
KTM / KU 80 / KU 81
M 269 c / M 49 / M 50
MM 2 / MM 3
MM 5 / QM 69 / RSM 190i
SM 2 / SM 23 c / SM 69
SM 69 fet / SRM 64
SRM 84 / TLM 127 / TLM 170
U 47 / U 47 fet / U 48
U 497 / U 64 / U 67 / U 77 / U 87
U 87 Anniversary

 
O 300 D - Active Studio Monitor with digital inputs

Product Code: O300D

General Description
The goal: accurate, absolutely uncolored sound
Our aim with the O 300 D was to strive for nothing less than perfection in developing the best compact active reference monitor possible, with accurate, uncolored sound, superb transient response, and ideally shaped waveguides.
The O 300 D is a monitor which draws upon all of our years of experience in monitor design, which has been fine-tuned through extensive computer simulations and countless listening tests. It is indeed unique in its class, for it does in fact deliver superlative sound absent of colorations, precise bass response, picture-perfect dispersion patterns, and a stunningly real soundstage with remarkable image focus and depth.
The advantages of the three-way system
To authentically re-create the sound captured in a recording-particularly a recording of the human voice-an active three-way system was chosen. In comparison with two-way monitors, the 300 D offers clear advantages that have been discussed in detail earlier in this catalog. The sophisticated three-way design employed in the O 300 D makes this loudspeaker system extremely precise and revealing of detail, and it enables the mixing engineer to make critical judgments with supreme confidence.
Exact localization and extraordinary sense of space
By utilising a dense, new, extremely low-resonance material called LRIM, we were able to mold the waveguides required for optimal dispersion directly into the baffle. The elliptical shape of the high-frequency horn makes the dispersion angle in the vertical plane more narrow thus reducing the amount of early reflections off the console surface which would otherwise interfere with the direct sound from the speakers (comb-filter effects), thereby improving spatial definition. At the same time, the effective horizontal listening area is made wider, giving the recording engineer greater freedom of movement in front of the console. The use of LRIM has also made it possible to align the acoustic centers of the two drivers exactly on one plane, parallel to the baffle, thereby preventing time and phase coherency problems at the crossover frequencies. This allows the individual drivers to work together perfectly to produce a precisely detailed soundstage.
Superb sonic qualities
For a loudspeaker system to achieve extremely flat frequency response and create an authentic reproduction of the original sound, its components need to be of very high quality, carefully manufactured, and selected for their compatibility with one another.
The 8¼” (210 mm) cone woofer is made of a special lightweight polypropylene material that has excellent self-damping properties. Its long-excursion voice coil enables this driver to produce very low frequencies at high sound pressure levels with practically no distortion. In contrast to common bass-reflex systems, which tend to blur the low end, the acoustic suspension system of the O 300 D delivers tight, articulate bass which is strikingly clear, detailed, and natural, particularly in transients.
The midrange is handled by a treated fabric dome with a diaphragm/voice coil of 3" (76 mm) in diameter. Since its mass is much lower than that of cone drivers, it has the advantage of being able to achieve superior impulse response and extremely uniform amplitude response. As a result, midrange reproduction is impressively true-to-life, especially with the human voice.
The high-frequency driver is equipped with a titanium/fabric dome that combines the transparency of a titanium dome with the low distortion of a fabric dome. This driver has been finely matched to its elliptical waveguide, ensuring exceptional directivity.
All three drivers are magnetically shielded, allowing you to place the speakers directly next to video monitors or computers.
Precise room-matching
The O 300 D includes very flexible room-matching circuitry to alter the am plitude response of the monitor as needed, depending on speaker placement, in multiple steps and in three critically relevant frequency ranges. This flexibility can be instrumental in turning less than ideal room acoustics into a favorable listening environment.
High-performance amplification
Each of the three drivers in the O 300 D is powered by a high-performance amplifier that is exactly matched to the driver’s technical requirements and which embodies our long years of audio experience. Precisely tuned electronic crossovers help provide proverbial operational reliability and high amplifier output with minimal distortion.
The monitor is equipped with effective protection circuitry designed to allow impulse peaks through and to respond with limiting only when a voice coil is in danger of thermal overload or a power amplifier runs the risk of overheating. Activation of the limiter is indicated by blinking of the illuminated logo.
Future-proof digital input
The O 300 D is equipped with switchable inputs for analog signals and digital signals in both AES/EBU and S/P-DIF formats. The D/A converter incorporates the latest technology, has a wide dynamic range, 24-bit resolution, and accommodates sampling rates from 32 to 96 kHz. The analog input of the O 300 D is tranformer-balanced and floating, utilising a superior quality transformer that, even at high volume levels and the lowest frequencies, helps achieve extremely low distortion.
The input sensitivity of +6 dBu allows you to connect all standard studio signal sources.
Unique: separate inputs for external processing
A special connector included as standard equipment on the back of the O 300 D gives you direct access to each of the three power amplifiers. This unique feature enables you to use an external digital controller Pro C 28 to modify the response to compensate for amplitude and phase anomalies resulting from the monitor’s placement in the room or the particular acoustic conditions of the studio. While this type of acoustical optimization will require the appropriate experience and equipment, it is certainly more economical than a structural renovation of the studio.
Solid enclosure, award-winning design
The monitor stands out not only for its sound but also for its attractive, modern design, and in fact received an international design award in 1998. The sides of the cabinet are constructed of low-resonance wood, and the front baffle is molded of dense LRIM. The cabinet is available in either a charcoal-gray enamel finish or any other RAL color. The attractive metal grille is the final touch.

Features

3-way system design
The most important part of the frequency spectrum is reproduced by a separate midrange driver
Extremely low-distortion reproduction
Exceptionally neutral sound stage from 40 Hz to 20 kHz
No standing waves in the enclosure and no bass driver cone break-up
Unconventional enclosure concept
Very compact enclosure constructed using ideal materials with excellent self-damping properties
Structural resonances avoided using LRIM (Low Resonance Integral Molding)
Very accurate bass reproduction due to sealed enclosure
Acoustic centers of loudspeaker positioned on one plane
Homogenous front baffle with no diffraction or acoustical discontinuities
Wider effective listening area for main monitor when horizontally installed
Modern-looking design with optional baffle cover/grill
Extensive accessories allow for a multitude of installation possibilities
Magnetically shielded for use next to CRT screens
Functional waveguide
Wide horizontal directivity gives increased freedom of movement along the mixing console
Narrow vertical directivity reduces the effect of early reflections off the console surface
Perfect directivity pattern leads to a smooth power response
Advanced Electronics
Integrated electronic limiter for each driver
Active three-way crossover with 24 dB/oct. slopes
Transformer balanced input equipped with special distortion reduction crossover function
power and overload/limiter-display integrated into the front panel logo
Controls adapt the monitor’s response to compensate for the room location
O 300 D
Additional 24-bit and 32-96 kHz digital input for AES/EBU, AES 3id and S/P-DIF
Input connector for external Pro C 28 FIR digital controller
Transformer balanced analog input

Delivery Includes

1x O 300 D
1x Power cord
1x Operation manual


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