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| Neumann TLM 
67 Switchable Studio Microphone |  
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 Product Code: TLM67
 
  
  
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| In the world of 
studio microphones, the numbers �47�, �67� and �87� have associations that 
inspire enthusiasm among professionals in the field. It is of course no 
coincidence that the name of the new TLM 67* contains the number �67�. In many 
respects, the TLM 67 is based on the �workhorse� of the 1960s, the legendary U 
67. Like the U 67, the TLM 67 incorporates the K 67 capsule. In addition, the 
special new circuit design closely reproduces the sound characteristics of the 
classic U 67, without the use of tubes. Similar Neumann circuit technology has 
already proved very successful in the TLM 49. 
 The TLM 67 is extremely versatile. Its three switchable directional 
characteristics (omnidirectional, cardioid and figure-8), selectable 10 dB 
pre-attenuation and high-pass filter permit detailed adjustments to be made, 
depending upon the specific recording situation.
 
 Exterior design
 The TLM 67 is a large-diaphragm condenser microphone in the classic Neumann 
style, with a unique dual-color design. The stylish pearl-gray of the microphone 
body combined with the classic Neumann nickel lends the microphone a touch of 
distinctive individuality.
 
 The legendary, frequently imitated design of the Neumann U 67 was the first to 
be developed by Neumann employees in collaboration with the famous German 
designer, Wilhelm Braun-Feldweg. The design of the TLM 67 represents a 
contemporary development of that of the U 67, transferring its positive impact 
to the present era. The enhanced exterior design thus links past and future 
microphone design trends.
 
 On the occasion of its 80th anniversary, the Neumann company is honoring its 
founder, Georg Neumann, with a three-dimensional metal emblem on the front of 
the TLM 67. The distinctive Neumann attraction is conveyed in every detail of 
the microphone.
 
 Applications
 Due to its extensive control features, the TLM 67 is suitable for a wide range 
of applications. In addition to its primary role as a vocal microphone for all 
types of music and spoken voice, in orchestral recordings the TLM 67 can be used 
as a main microphone and as a spot microphone for individual instruments.
 
 Acoustic features
 The microphone is addressed from the side on which the Neumann logo is located.
 
 A large wire mesh grille encloses the elastically mounted double diaphragm 
capsule. The directional characteristics omnidirectional, cardioid or figure-8 
can be selected via a switch below the grille. The selected setting is indicated 
by a symbol shown in a window above the switch.
 
 Electrical features
 The letters �TLM� stand for �transformerless microphone�. In the TLM 67, an 
electronic circuit is used rather than a conventional output transformer. Like a 
transformer, the circuit ensures good common mode rejection, effectively 
suppressing interference signals that affect the balanced modulation line. The 
microphone can operate at sound pressure levels of up to 105 dB without 
distortion, and has a dynamic range of 94 dB (A-weighted), without the use of 
the pre-attenuation switch.
 
 Filter and pre-attenuation
 The pre-attenuation switch on the back of the microphone can be used to reduce 
transmission levels by approx. 10 dB. It should be used only when there is a 
risk of overloading following devices due to very high sound pressure levels. 
Use of the switch does not increase the dynamic range of the microphone, but 
rather shifts it by 10 dB, to higher sound pressure levels. The other switch on 
the back of the microphone can be used to change the cutoff frequency of the 
built-in high-pass filter, so as to suppress the effects of impact sound and 
wind noise, or to compensate for the proximity effect.
 
 Operational reliability
 Elastic mounting of the capsule supplies protection from the transmission of 
structure-borne noise. If required, the EA 87 elastic suspension and WS 87 
windscreen are available as accessories, for further suppression of 
structure-borne and wind noise. The PS 15 or PS 20 a popscreen can be used if 
the microphone is to be addressed at close range.
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| � Sound 
characteristics based on the legendary U 67 � Three switchable directional characteristics (omnidirectional, cardioid and 
figure-8)
 � Switchable high-pass filter and pre-attenuation
 � Transformerless circuit technology
 � New dual-color exterior design
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| Acoustical operating
principle | Pressure gradient transducer |  
| Directional pattern | Omni/cardioid/figure-8 |  
| Frequency range | 20 Hz ... 20 kHz |  
| Sensitivity at 1 kHz into 1
kohm | 10/18/9 mV/Pa |  
| Rated impedance | 50 ohms |  
| Rated load impedance | 1 kohms |  
| Equivalent noise level, CCIR | 29/24/30 dB |  
| Equivalent noise level,
A-weighted | 16/11/17 dB-A |  
| Signal-to-noise ratio, CCIR (rel. 94 dB
SPL) | 65/70/64 dB |  
| Signal-to-noise ratio, A-weighted (rel. 94
dB SPL) | 78/83/77 dB-A |  
| Maximum SPL (tube characteristic)
for THD < 0.5 % | 110/105/111 dB 
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| Maximum SPL (tube characteristic)
for THD < 5 % | 130/125/131 dB 
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| Maximum output voltage | -1 dBu |  
| Dyn. range of the mic. amplifier
/A-weighted, 0.5 %) | 94 dB |  
| Dyn. range of the mic. amplifier
/A-weighted, 5 %) | 114 dB |  
| Power Supply | P48 |  
| Matching connector | XLR3F |  
| Weight | 490 g |  
| Diameter | 56 mm |  
| Length | 200 mm |  |  
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