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Model: HR824mk2
8" High Resolution Studio Monitor
Up until the
mid ’90s, there was no such thing as an affordable
professional studio monitor. Even as more people began recording in
homes and project studios, great sounding studio monitors remained
cost-prohibitive. Home and project recordists resorted to using
hi-fi speakers—some even cobbled together their own monitors
using parts from consumer speakers and the local electronics
store—with less than stellar results. We didn’t think
this was fair—why should great sound be reserved for only
those with a fat wallet?
We decided it was time to level the playback field. Our audio gurus
got to work, combining their hard-won expertise to design a monitor
that would at last make great sound accessible to the masses. After
many long days—and late nights—the HR824 Active studio
reference monitor was born. With its signature Active architecture
and passive radiator design, the HR824 monitor delivered
performance that impressed studio veterans and hobbyists
alike—and was in reach of all their budgets. Soon HR824s were
perched atop speaker stands in professional control rooms, project
studios and bedroom studios all over the world. Following the
success of the HR824, we developed the HR624, a compact version of
our world-renowned original. Like its “big brother,”
the HR624 earned a large and loyal following, and it, too,
populated a wide range of studios. With their impeccable sound,
enviable reputation and affordability, our HR Series changed what
people expected of studio monitors, and challenged how our
competitors designed theirs. Simply put, the HR Series became the
new industry standard.
Since the release of the original HR Series in 1996, audio
recording—and the studio environment—has changed by
leaps and bounds. The greater bit depth and higher sampling rates
afforded by digital audio mean recordings are more accurate than
ever. Recording technology along every step of the signal chain has
advanced, too, from microphones to DAWs, allowing for mixes with
massive numbers of precisely captured tracks and huge amounts of
processing. With these changes have come new challenges
for—and expectations from—a studio monitor.
Today’s studio demands a monitor that can reproduce sound as
precisely as it is recorded. The same innovation that launched our
pioneering HR Series has led to the birth of just such a
monitor—as well as a new studio standard. Meet the
HRmk2.
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Zero Edge Baffle
The new one-piece cast aluminum Zero Edge Baffle™ features
precisely engineered curvature that minimizes diffraction for a
crystal clear image of your mix, and effectively controls sound
waves so you get detailed lows, full, articulate mids, and
shimmering highs. The integrated Optimized Waveguide accurately and
efficiently controls dispersion characteristics of the sound on and
off axis, resulting in a wide sweet spot with smooth transitions
from lows to highs. More inert than a wood or plastic baffle, the
Zero Edge Baffle’s cast metal surface reduces surface
vibrations during playback, thereby minimizing distortion to the
sound’s waveforms; the result is improved time-domain
characteristics, which equates to dramatically enhanced depth of
field.
Thanks to the design of the Zero Edge Baffle, the HRmk2’s
imaging is stunningly accurate, with wide, even dispersion, and
three-dimensional sound, delivering a much broader sweet spot than
any other studio monitor on the market—so broad, in fact,
that we like to call it a sweet zone.
Passive Radiator
When you mount a loudspeaker in a box, there are two things that
you can do with the radiation from the rear of the cone: use it to
enhance the low-frequency performance of the speaker system (bass
reflex system) or soak it up (acoustic suspension system). A bass
reflex system uses the rear radiation to extend the low-frequency
response; most systems provide holes (ports) in the front or back
of the cabinet to release the rear wave. The HRmk2 is a bass reflex
6th-order system. Rather than use ports, the vent takes the form of
a passive radiator, a mass-loaded flat piston coupled to the air
trapped within the enclosure. You can’t see the passive
radiator because it is located at the rear of the cabinet, behind
the power amplifier assembly.
The passive radiator replaces the port found on most speaker
systems. Simple ports or ducts must have sufficient surface area to
prevent the velocity of the air within them from exceeding 5% of
the speed of sound, which keeps the vent from becoming audible
(breathing and wheezing sounds) at high signal levels. This
requirement for sufficient surface area creates a design problem
when using ports—finding enough space in the enclosure for
them to fit.
One primary advantage of a passive radiator is that it can
reproduce low frequencies with lower distortion and at a higher
sound pressure level (SPL) than a simple port or duct. Our unique
passive radiator design uses a flat diaphragm, providing
exceptional stiffness to the radiating surface. The elliptical
shape of the passive radiator takes up nearly the entire surface
area available on the rear of the enclosure, allowing the passive
radiator to move more air than a port. And as a result of this
design, our HRmk2s deliver superior bass response, with virtually
no distortion.
Amplifiers
The HRmk2 Series monitors are a true Active design, meaning they
contain separate onboard amplifiers for each driver, plus onboard
active crossovers and time-correction circuitry, which helps ensure
highs and lows reach your ears at the same time. The HRmk2s also
have protection circuitry built in to protect from damaging input
levels. With the same class A/B amplifier design as the original HR
Series, the HRmk2s retain the much-loved character of our classic
monitor, and carry on the Acoustic Space circuitry of the classic
HRs, which allows you to tune the monitors to your room.
Designed into the heart of the amplifier circuits are EQ and filter
sections that allow each amplifier to be precisely factory-tuned,
ensuring that what we designed in our labs is what you end up with
in your studio. Before assembly, we first hand-trim the amplifiers
to exactly match the amplifiers in our Golden Reference Unit. (See
"Unparalleled Quality" for more on the Golden Reference Unit.)
During final assembly and testing, the amplifiers are voiced to
match the rest of the components in the entire monitor system;
they’re hand-trimmed to compensate for very slight
manufacturing tolerances between the drivers. This meticulous
process results in each monitor being within exacting references of
the Golden Reference Unit.
Woofer/Tweeter Selection Each HRmk2 monitor features a high-precision,
low-distortion woofer—8.75-inch for the HR824mk2 and 6.7-inch
for the HR624mk2—and a 1-inch ferrofluid cooled titanium dome
tweeter. An exhaustive process, the selection of the new HRmk2
drivers consumed considerable engineering resources. Our team spent
countless hours in their quest to find drivers that met our
stringent criteria, including the ability to be manufactured in
volume with virtually no variability between units, the ability to
produce the desired frequency response, and the ability to meet the
tight price goals that allow us to make our monitors affordable.
After having rejected multiple candidates, the team eventually
narrowed down the field. With further engineering input, we sourced
drivers that met our standards, and successfully managed to
fine-tune a system that delivers unparalleled results.
Cabinet Design
The HRmk2 monitors feature a wood cabinet, with custom internal
bracing to increase its strength and rigidity in desired locations.
To absorb internal reflections and dampen standing waves inside the
cabinet, an open-cell adiabatic foam material is placed
strategically inside the box. While an all-metal cabinet had been
considered as a potential design strategy, in the end our design
team used their ears to make their choice of cabinet material. And
what they heard from an all-metal cabinet was a sound that was
accurate, but overly sterile. Combining a wood cabinet with our
metal Zero Edge Baffle adds that unquantifiable “bit of
warmth,” producing sound that’s true—and never
lifeless.
Paint
it Black
With the potential for the speakers to be used in settings from
home theatres to gaming rooms to studios, we opted for a look that
would be universally appealing. The high-gloss, piano black finish
of the cabinet complements the deep charcoal grey of the Zero Edge
Baffle, and gives the HRmk2 a modern, professional look that suits
just about any environment. All HRmk2s ship with peelable,
protective film on each side to ensure that they look as brilliant
in your studio as they do when they leave the factory.
LED Power
& Overload Our LED power
indicator is a tasty shade of white—a cool, refreshing change
from your typical red. We took care to make sure the brightness is
just right, too. The light shines bright enough so you can see it
just fine in a well-lit room, and in a dark environment, it
won’t distract—or blind you. We saved the red for when
you’re overdoing it—you’ll see the scarlet HRmk2
overload LED when your input levels are too high.
Rotating Mackie Logo
Along with Acoustic Space Controls that allow you to adjust low
frequency response to compensate for placement next to the wall, in
corners, or in the center of a room, the HRmk2s come with other
features that enable versatile setup. Due to their ultra-wide sweet
zone, our HRmk2 monitors can be oriented vertically or
horizontally, so we made our Mackie logo rotate-able. (Yes, we
thought of everything.) No matter which way you orient your HRmk2s,
they’re always right-side up! Each HRmk2 also supplies
Omnimount capability, so you aren’t forced to screw
into—and damage—the enclosure’s surface in order
to mount to the wall or from the ceiling.
Unparalleled
Quality We go to elaborate
lengths to ensure each HRmk2 sounds as good as our experts
intended. Each one we manufacture is subject to rigorous testing
and pre-screening during the production process, then calibrated
and tuned with an environmentally controlled test chamber before
final packaging. Our Golden Reference Unit serves as the reference
point for calibration; there is one of each model in the HRmk2
family. Hand-engineered in the US, the Golden Reference Unit is the
“master” for HRmk2 production units—it is the
final design arrived at and approved by the HRmk2 team. The Golden
Reference Unit and the test chamber are calibrated as a system
every few hours, to compensate for temperature and humidity
variations, and the resulting measurements are used to calibrate
each HRmk2 production unit. Each HRmk2 monitor is tuned to be
within 1.5 dB across the entire frequency range of the Golden
Reference Unit, and gets its own “birth certificate”
with a chart plotting the frequency difference between it and the
Golden Reference Unit. The birth certificate is then verified and
signed by a Mackie Acoustic Technician.
Our strict quality control means all our HRmk2s meet our published
specifications, and that there is little-to-no variability between
units. No matter if you get your first HRmk2 pair now and add
another pair for your surround setup months later, you can be
confident you have a precisely tuned system that has been designed
to work in unison, and that every HRmk2 pair is a true
“matched pair.”
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High resolution Active
studio reference monitor
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Ultra-linear frequency
response for accurate mix translation
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8.75-inch
high-precision, low-distortion LF transducer
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1-inch titanium dome,
ferrofluid cooled tweeter
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Optimized Waveguide for
wide, even sweet zone
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Twin FR Series amps
— 150W for LF / 100W for HF
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Cast aluminum Zero Edge
Baffle™ minimizes diffraction
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Full internal damping
eliminates midrange artifacts
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Passive radiator
provides tight, articulate bass extension down to 35Hz
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Acoustic Space, LF
roll-off, and HF controls
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Balanced XLR, TRS, and
unbalanced RCA inputs
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OmniMount™ ready
for easy wall/ceiling placement
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THX pm3™
certified for surround sound applications
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Perfect for
High-Definition audio, cinema and gaming systems
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General
Specifications |
Acoustic
Performance: |
Free-Field Frequency Response: ±1.5 dB, 37 Hz to 20 kHz Lower
Cutoff frequency: -3 dB @ 35
Hz Upper Cutoff frequency: -3 dB @ 22 kHz Sound pressure level@
1meter
-7.5 dBu into balanced input: 100
dB Max peak SPL per pair: 120 dB
Max short term SPL on axis: 111 dB Residual noise(max gain,
600Ω source, 20 Hz - 20 kHz bandwidth): <8 dB |
Enclosure: |
Materials & Construction
3/4-inch(19mm) thick MDF cabinet construction with internal bracing
to add to cabinet stiffness
Piano Black gloss finish
Die-cast aluminum exponential wave guide for controlled, wide
dispersion from high-frequency driver and Zero Edge Baffle™
to minimize diffraction around the cabinet edges.
Open cell adiabatic "foam fill" acoustical damping material absorbs
internal reflections, preventing delayed sound coloration.
Flush-mount connector system allows monitor to be placed against a
wall without need for connector clearance. |
Power Amplifier: |
Low-Frequency
Power Amplifier Rated Power (at 1kHz with 1% THD):
150watts Rated Load
Impedance: 4 Ω Burst
Power Output: 350 watts
Rated THD(1 W to -1 dB of rated power): 0.1% Slow Rate: 35V/µS Distortion: (THD, SMPTE IMD, DIM 100): <0.035% Signal-to-Noise(20 Hz - 20
kHz, unweighted, referenced to 150W into 4Ω): >102 dB Cooling: Convection Design: Class AB, Parametric Servo Feedback
High-Frequency Power
Amplifier Rated Power(@ 1 kHz with 1% THD): 100 watts Rated Load Impedance:
6Ω Burst Power
Output: 210 watts Rated
THD(1W to -1 dB of rated power): 0.1% Slow Rate: 35 V/µS Distortion (THD, SMPTE
IMD, DIM 100): <0.035%
Signal-to-Noise(20 Hz - 20 kHz, unweighted, referenced to 150W into
4Ω): >102 dB
Cooling: Convection
Design: Convectional Class
AB |
Transducer: |
Low-frequency driver
Diameter: 8.75 in/ 222 mm
Sensitivity (2.83V, 1m): 91 dB
SPL Nominal Impedance: 4Ω Voice Coil Diameter:
1.6 in/ 40 mm Frame:
Die-cast magnesium Magnet
Material: Ferrite Fully
shielded: Ferrite opposing
magnet High-frequency Driver
Sensitivity (2.83V, 1m): 91 dB
SPL Nominal Impedance: 6
Ω Power Handling (Long Term/Program): 20/50watts Frequency Range:
1.6 kHz to 22 kHz
Diaphragm/Suspension: Titanium with
polymer suspension Voice Coil Diameter: 1.0 inch (25.4 mm) Magnet:
Neodymium Bucking Magnet:
Ferrite Opposing magnet
Passive Radiator: 6-inch x 12-inch
(152mm x 305mm) mass-loaded elliptical flat piston with variable
thickness filleted edge rubber surround |
Rated Line Input Voltage and
Power: |
Power
Consumption Standby mode: 8
watts Quiescent (idle): 18 watts Musical Program, Loud Mix:
135 watts
US: 120 VAC, 60
Hz Europe: 240 VAC, 50
Hz Korea: 220 VAC, 60
Hz Japan: 100 V, 50-60
HZ Rated Power(For UL-6500, CSA-E65-94, EN-60065):
150watts |
Crossover Section: |
Crossover Type: Modified Linkwitz-Riley, 24 dB/octave @ 1900
Hz |
System
Specification: |
Input type: Balanced
Differential (XLR and 1/4" TRS) / Unbalanced (RCA) Input
Impedance: 20 kΩ Balanced / 10
kΩ Unbalanced Input Protection: RFI and Level Protected Maximum Input
Level: +20 dBu Low
Frequency Filter: -3 dB @ 37 Hz,
2nd-order transitional high-pass filter
-3 dB @ 47 Hz, 4th-order Chebyshev high-pass filter
-3 dB @ 80 Hz, 4th-order Butterworth high-pass filter HF
Equalization: ±2 dB @ 10 kHz,
shelving Acoustic Space A position:
-4 dB @ 50 Hz, shelving B
position: -2 dB @ 50 Hz,
shelving C position: Flat
Compressor: Independent
high and low frequency overload detection Low Line
Voltage Shut Down: 60% of Nominal
Line Thermal Protection: Amplifier Shut-Down, Auto Reset
Muting: 5 second at
turn-on Driver Protection: Independent LF and HF Detection Overall
Compression |
Physical Properties: |
Height: 16.8 in/ 42.5
cm Width: 10.8 in / 305
cm Depth Enclosure: 11.4
in / 29.0 cm Depth Overall: 13.8 in / 35.1 cm Weight:
34.6 lb / 15.7 kg |
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