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| Mackie - MIXER - SR24•4 VLZ
PRO |
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Model: SR24•4 VLZ
PRO(Discont.)
24 Channel Mixing Consoles
We designed the original SR24•4 and SR32•4 to be the
best value 4-bus live sound mixers ever offered. But being
basically insecure, we decided to make them even better. The VLZ
Pro versions include:
- XDR mic preamps with 60dB gain
range, 130dB dynamic range, 192kHz bandwidth, 0.0007%
THD
- Best RFI resistance of any
compact SR mixer in the galaxy thanks to advanced DC-pulse
transformers.
- New ultra-high-performance 2068
op amps for incredibly low noise and distortion
- Improved cooling for even
greater thermal protection in hot environments.
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On stage (or in the studio), XDR microphone preamps and
VLZ® give these mixers fantastic headroom, astonishing
fidelity and an absolutely subterranean noise floor. The
SR24•4-VLZ PRO and SR32•4 VLZ PRO also have main and
submix amplifiers that use our distinctive negative gain mix
architecture, which provides double the mix headroom of
conventional designs.
Four buses make live mixing a breeze because you can submix groups
of inputs and then control them with one fader – for example
all of your background vocals or all your drum mics.
The SR24•4-VLZ PRO has 20 mono mic/line channels with XDR mic
preamps PLUS two special line level channel strips. The
SR32•4 VLZ PRO has 28 XDR-equipped mic/line channels plus two
special line level channels.
Equalization on the SR-VLZ PRO Series mixers is very versatile.
Besides the fact that our Hi and Lo shelving EQ are centered at
useful frequencies – 12kHz and 80Hz, respectively – the
SR24•4-VLZ PRO and SR32•4-VLZ PRO have sweepable
midrange EQ (on mono channels). You can center the midrange
anywhere from 100Hz to 8kHz, low enough to use as a second low
frequency EQ, and high enough to use in the high frequency range.
(Stereo channels on both mixers have 4-band EQ, with 12kHz and 80Hz
Hi and Lo shelving EQ, and two fixed mids at 3kHz and 800Hz.).
And a low cut filter (on mono channels) centered at 75Hz allows you
to cut out mic thumps and wind noise that can enter your mix and
rob you of amplifier power.
The SR-VLZ PRO Series mixers have six aux sends per channel, with
the flexibility to handle multiple chores at once. Two of the aux
sends are pre-fader, so you can use them for monitor sends during a
live session. Two other aux sends are post-fader, which you would
want for effects during studio tracking and mixdown. But get this:
the final two aux sends are switchable to pre- or post-fader! So
you can have 4 pre-fader aux sends, or 4 post-fader aux sends,
whenever you need them.
Along with great channel EQ, SR-VLZ PRO mixers come with factory
"Air." This peaking EQ circuit, centered at 16kHz, enhances
guitars, vocals, percussion, whatever, giving a gentle "lift" to
the extreme high end. The result is extra detail and fidelity in
the high end. Sound On Sound magazine said about Air: "[The] Air
controls turned out to be far more effective in adding top-end
clarity than you might first imagine – it's almost an
'exciter' kind of effect, but without the harshness."
When you put all of the SR-VLZ PRO Series' features and
enhancements together, you'll have two highly-affordable sound
reinforcement mixers with what it takes for both live and small
studio applications.
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Features |
- Premuim XDR mic preamps (20 on
the SR24•4 VLZ PRO, 28 on the SR32•4 VLZ
PRO)
- 4 submix buses
- 6 aux sends (2 pre, 2 post, 2
switchable pre/post)
- 3-band EQ with sweepable mids
(4-band fixed EQ on stereo channels)
- 75Hz Low cut filter on all mono
channels
- "Air" EQ on sub
buses
- Talkback section with level
control, LED, and separate rear XLR input
- "Double-bused" sub outs for
eight track recording without repatching
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- Inserts on all mono channels and
subs
- AFL/PFL solo on all channels
(globally switchable)
- 60mm log-taper faders for
consistent fades
- Balanced XLR and 1/4" main
outputs
- Additional mono XLR main out
with level control
- Balanced inputs and outputs
(except phones, inserts, RCAs)
- Built-in power
supply
- 12V BNC lamp
socket
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