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Model: ProFX22
22-Channel Professional Effects Mixer with
USB
The ProFX22 is
the clear solution for any medium/large venue that needs great
sound, but doesn’t have the budget or space for tons of
outboard gear. To lose the rack, tools like compression and graphic
EQ are crucial. The ProFX22 has everything needed to make your gig
sound great and all the necessary channels to rock a large band.
Plus, USB I/O lets you record the show or stream music straight
from a laptop. The “Pro” in ProFX stands for Pro.
Professional tools, rugged build quality, space-saving
footprint…everything you need.
The ProFX22 is loaded with 16 Mackie low-noise mic preamps, 3-band
EQ, integrated “Gig-Ready” effects, precision 7-band
GEQ and more. It has all the right tools, each and everyone
designed to sound great. Plus, everything is housed in an
ultra-tough enclosure with additional impact-resistant sidecheeks,
protecting your investment from the rigors of the
road.
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Live Sound Toolbox
Let's face it. Audio gear is heavy. Getting a fully-loaded rack in
and out of a van is not only arduous, it downright hurts. And
it’s likely that you drag around a ton of gear that rarely,
if ever, gets used. For most gigs, you just want it to sound good,
but get done as easily as possible. Enter Mackie's ProFX Series,
delivering a live sound toolbox that does just that. High-headroom
mic preamps, great-sounding effects, smooth compression, flexible
channel EQ, a built-in DI, plus precision GEQ to tune-up the room
or monitor mix. Sounds good, right? Leave that extraneous gear at
home. The ProFX22 comes with all these features – it is truly
the perfect live sound toolbox.
“Gig-Ready” RMFX™
Effects
The all-new RMFX™ (Running Man FX) 32-bit effects processor
brings “Gig Ready,” useable effects to your mixes. Why
scroll through hundreds of bizarre effects, like “ghost
ambience?” Yeah, like anyone even knows what that means. Or
how about winners like “delay+phaser2”, which
you’ll never use in a million years. Those other mixers will
leave your fingers raw from all the scrolling you have to do. The
RMFX™ processor features 16 solid FX that are known for their
utility and usability. Small, medium and large room reverbs with a
mix of warm and bright characteristics puts your mix in the right
space. Simple, rich choruses and an array of practical delays
enable you to create professional mixes without requiring a
two-hour sound check. Basically, we’ve delivered the choicest
parts of a full rack of gear, right at your fingertips, that is
easy to master, allowing you to look and sound really good at your
next gig. Really, really good.
Record and Stream via
USB
With all the right tools for the job, the ProFX12 allows you to
create memorable mixes, but even with all those features,
portability is paramount and you can’t be burdened with
lugging around additional equipment. No worries, integrated USB I/O
takes the pain out of recording. Just connect the ProFX12 to a
laptop, start up your included copy of Tracktion 3 Music Production
Software (or almost any DAW software out there) and you can record
the whole mix. You can even stream music from your laptop during
breaks. Once you get home, record more tracks or use the ProFX12 to
playback some tunes during your next party. Unless you’re
anti-social, don’t have the right kind of place for a party
or are just sick of buying food and beverages for everyone. In that
case, you can play back whatever talk-radio show you listen to when
alone.
Not only that, the innovative “USB Thru” switch allows
for an impressive live/recording setup when using performance
software like Ableton Live or Reason. When gigging, stream the
output of your performance software (or iTunes, for that matter)
into the ProFX12. Combine that signal with anything plugged into
the mixer, and send the whole thing back to the computer for
recording. Archiving your integrated live performances has never
been easier!
Legendary
Mackie Durability
Mackie is
known for building mixers that are “Built-Like-A-Tank”
and the ProFX8 is no exception. All of its tender bits are securely
encased in a solid steel chassis. No only that, the
impact-resistant side pieces are made of ultra-tough ABS, adding
extra protection where it is most likely to fall…not that you
drop things.
Budget Friendly
The ProFX Series Compact Effects Mixers strike the perfect balance.
They offer all the right tools to get the job done well, sport the
popular compact footprint that Mackie is known for and are also the
most budget-friendly of all the Mackie sound reinforcement mixers.
Our competition either doesn’t have the expansive feature set
of the ProFX Series, or they simply will not survive the test of
time. You are investing in your mixer and the ProFX will be there
for you at every gig, ready to roll.
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Professional 22-channel
4-bus mixer with onboard effects and USB I/O
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16 low-noise,
high-headroom Mackie mic preamps with +50dB gain range
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Dedicated inline
compression for critical inputs (ch. 11-14)
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32-bit RMFX™
processor with 16 “Gig-Ready” reverbs, choruses and
delays
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Precision 7-band
graphic EQ for tuning Mains or Monitors
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USB I/O for recording
shows and music playback via Mac or PC
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Stream subgroups 1-2 or
main L/R to your computer for recording
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Stereo USB/tape I/O
with input level control to main
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Convenient USB return
to stereo channel for implementation of EQ, auxes and
more
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3-band EQ with
sweepable midrange on mono channels
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22 high-headroom line
inputs (14 mono, 4 stereo)
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Individual channel mute
switches and overload (OL) indicators
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18dB/octave 100Hz low
cut filters on all mic channels
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Inserts on mono
mic/line channels (ch. 1-10) for connecting outboard
processors
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60mm faders for input
channels, subgroups and mains
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48V phantom power with
LED for use with condenser mics
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FX mute button also
controllable via footswitch
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Break switch mutes all
channels for music playback between sets
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Control room /
headphone outputs with rotary level control
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Balanced XLR and
balanced/unbalanced ¼-inch main outputs
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Rugged steel
chassis
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Switching multi-voltage
power supply for worldwide use
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Includes Tracktion
3™ Music Production Software for Mac
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General
Specifications |
| Frequency
Response: |
(Mic
to any output, gain at unity)
20 Hz to 40 kHz: +0dB/-1dB |
| Total
Harmonic Distortion (THD+N): |
(20 Hz to 20 kHz bandwidth)
Mic in to Main Out(+4 dBu Output):
<0.01% |
| Noise
Characteristics: |
Equivalent Input
Noise (EIN)
(20 Hz to 20 kHz, 150Ω Source Impedance Equivalent Input
Noise)
Mic In to Insert Send out, max gain: -128 dBu
(Residual Output Noise)
All Outputs, master levels off, all channel levels off:
-95 dBu
All Outputs, master levels unity, all channel levels off:
-85 dBu
All Outputs, master levels unity, one channel level unity:
-85 dBu |
| Attenuation/Crosstalk: |
Adjacent Inputs, 1 kHz: -90
dB
Fader Off, 1 kHz: -75
dBu
Mute Switch/Break Switch Mute, 1 kHz: -100 dBu |
| Common Mode Rejection Ratio
(CMRR): |
(Mic In to Main
out, max gain 1 kHz) 1kHz: 70 dB
gain |
| Maximum
Levels: |
All inputs: +22 dBu
Main Mix XLR: +28 dBu
All
outputs: +22 dBu |
| Impedance: |
Mic In:
3.3 kΩ
Channel
Insert Return: 10 kΩ
All other Inputs: 20
kΩ
Tape Output: 1 kΩ
Phones Output: 25 kΩ
All other outputs: 120Ω |
| Physical Dimensions and Weight: |
Front Height: 1.7 in
/ 44 mm
Rear Height: 3.8
in / 97 mm
Depth: 16.0 in
/ 407 mm
Width: 25.1 in /
639 mm
Net Weight: 18 lb / 8.2
kg |
| AC Power
Requirements: |
Power Consumption:
45
watts
Universal AC Power Supply: 100-240
VAC, 50-60 Hz
Operating Temperature: 0° -
40°C, 32° -
104°F |
| Equalization: |
Mono
Channels
Low: ± 15 dB @ 80 Hz
Mid: ± 15 dB 100 Hz - 8 Hz
High: ± 15 dB @ 12 kHz
Low Cut Filter: 18 dB/octave @ 100 Hz |
Stereo
Channels
Low: ± 15 dB @ 80 Hz
Mid: ± 15 dB @ 2.5 kHz
High: ± 15 dB @ 12 kHz |
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| Maximum Voltage
Gain: |
Mic Input
Channel to:
Insert Output: 50 dB
Tape Output: 60 dB
USB Output: 50 dB
1/4" Main Output: 70 dB
XLR Main Output: 76 dB
Monitor Send: 85 dB
FX Send: 90 dB |
Mono Line Input Channel to:
Insert Output:
30 dB
Tape Output:
40 dB
USB Output:
40 dB
XLR Main Output:
56 dB
Monitor Send:
65 dB
FX Send:
70 dB |
Stereo
Line Input Channel
to:
Tape Output: 30 dB
USB Output: 30 dB
XLR Main Output: 46 dB
Monitor Send: 55 dB
FX Send: 60 dB |
Tape Input to:
XLR Main Output:
36
dB |
USB
Input
to:
XLR Main Output:
36
dB |
Stereo
Return to:
Monitor
Output:
30 dB
XLR Main Output:
26
dB |
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| Digital Effects: |
I/O: Mono
Input/Stereo Input
Number of Presets: 16 |
| Phantom
Power: |
48
VDC to all Mic channels at once |
| Meters: |
Main L/R Mix
Two Columns of 12 segments
each:
OL (+20 dBu), +15, +10, +6, +3, 0 (0 dBu), -2, -4, -7, -10, -20,
-30 |
| 7 Band Graphic EQ: |
Frequency Centers: 125, 250, 500, 1k, 2k, 4k, 8k
Gain:
± 15 dB
Assignable
to Main or Monitor Bypassable |
| USB: |
Format: USB
1.1
I/O: Stereo
Input/Stereo Output
A/D/A: 16 Bit, 44.1 kHz / 48 kHz |
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