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PIX 220
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This model has been replaced by PIX
220i
Simplifying Production
Sound Devices PIX 220 and PIX 240 video recorders add Quicktime
recording using Apple ProRes or Avid DNxHD* to any HDMI-or HD-SDI
equipped high-definition video camera. The portable PIX 220
(HDMI-only) and its sibling the PIX 240 (HDMI and HD-SDI) record
Quicktime files to CompactFlash cards or removable 2.5-inch
solid-state hard drives.
Apple ProRes and Avid DNxHD video formats have emerged as industry
standards. These I-frame codecs offer the best in picture quality,
processing efficiency, and data storage requirements. They are
ideal for editing, on-the-fly color grading, and video processing.
Files recorded in the field on a PIX recorder are ready for the
most popular editorial workflows.
Superb Audio Performance
With deep expertise in production audio and hard drive-based audio
recorders, Sound Devices built the PIX recorders with the highest
audio performance. The audio circuitry on the PIX 220 and PIX 240
are based on Sound Devices award-winning 7-Series Digital Audio
Recorders. The low-noise (-128 dBu equivalent input noise),
high-bandwidth inputs are mic/line switchable and include limiters,
high-pass filters, and 48V phantom power. The audio source is
menu-selected between embedded HDMI audio, embedded HD-SDI audio
(PIX 240 only) or balanced audio connected to PIX.
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Premium microphone
preamps, on balanced XLR, mic/line selectable with 48V phantom,
limiters, high-pass
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-128 dBu input
noise, 115 dB dynamic range A/D
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AES3 digital inputs
2 x 2 channels (PIX 240)
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Two-channel, line
level balanced output on 5-pin XLR
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Embedded audio on
HDMI, 2 channels
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Embedded audio on
HD-SDI, 8 channels (PIX 240)
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High output,
low-noise headphone amp
| C931-TA-XL-2 |
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| TA3-F to XLR-M 15"
Adapter Cable |
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PIX
220
For cameras with HDMI I/O only, the PIX 220 is a great choice. It
records to the same Apple ProRes and Avid DNxHD formats as the PIX
240. The PIX 220 is perfect for smaller-format high-definition
cameras where time code workflows are not required. The PIX 220
includes the same, powerful hardware scaler as the PIX
240.
Sound
Devices Family of Audio Mixers and Recorders
While the PIX 220 and PIX 240 have capable audio on board, they
gain a significant benefit when used with a flexible audio mixer or
digital audio recorder. Using an external mixer extends the
flexibility of the recorder's on-board inputs and enhances audio
I/O and control. For more complex productions, multi-track audio is
essential. Consider Sound Devices 744T or 788T to add more record
tracks to PIX recorders.
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Video
Scalers
Both the PIX 220 offer powerful, hardware-based video
scalers. Realtime conversion among video formats, including 1080i,
1080p, and 720p, are set with a simple menu selection. Conversion
between interlaced and progressive, as well as frame rate
conversion is available in realtime. For instance, some cameras set
to record 24ps send 1080i 60 over HDMI or HD-SDI. PIX recorders can
be set to convert the 1080i 60 stream back to 24p with no loss in
quality.
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Up/Down/Cross
Conversion of 480i, 525i, 720p, 1080i, 1080p
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3:2 Pull Down
Removal to Record 24p from 60i Signal
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File
Formats
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Apple ProRes 422
(Proxy/LT/422/422HQ)
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Avid DNxHD 36, 145,
220 Mb/s, 8- and 10-bit, available as an option
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.mov Quicktime File
Wrapper
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All audio contained
within the single .mov file
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Data Storage
transfer rate over a single
cable.
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PIX 220 and PIX 240 record and play back Quicktime
files to either removable CompactFlash cards or removable 2.5-inch
SSD (solid-state drive). Both CompactFlash and SSD media are
formatted by PIX recorders as UDF volumes. UDF-formatted media are
not limited to 4 GB file sizes like FAT32-formatted media.
Additionally, UDF volumes are cross-platform, being directly
mountable, readable, and writable in Mac OS and Windows.
The flexible PIX-CADDY accessory provides triple-interface
connectivity for SSDs: FireWire 800, eSATAp, and USB 3.0 (USB 2.0
backward-compatible). eSATAp offers drive powering and 3
Gb/s |
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Controls
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Large, illuminated, tactile record controls are
easy to access with gloved hands.
PIX recorders are controlled by a side panel rotary control and
four front-panel buttons. These simple controls give quick access
to setups. The large LCD display makes navigating among available
setups fast and simple. LANC can be used with a LANC controller to
start and stop PIX recorders. |
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Display
The PIX 220 include a generous
5-inch, matte finish, 800x480 pixel LCD display (pre-production
4.3-inch screen shown in images on page). The display is essential
in the field and provides immediate confirmation of recording,
playback, audio metering, and Setup Menu selections.
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Mechanical
Construction
PIX recorders are built for field use with their durable, light
weight, metalized, molded carbon fiber chassis. Its advanced
thermal design keeps the unit cool in extreme environments like the
nasty, blowing, sandy desert environment of Las
Vegas.
Powering
PIX recorders are powered by either external DC power or two
removable Sony L-type batteries. External power uses a Hirose 4-pin
connection and accepts voltages from 10-18 VDC. Numerous PIX
cabling options are available to power the unit from external DC.
The back-side of the recorder accepts one or two Sony L-type
batteries. The PIX recorder operates as its own battery charger
when the unit is powered off and plugged into AC with the supplied
adapter. |
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