Mackie Professional Audio
 SRM350v2, Portable Powered Loudpseakers

Homepage

 Clear Com Azden Sound Devices DPA Sennheiser SHURE Steinberg Tascam Yamaha  JBL  Mackie Data video Monitor E-Shop Email us Visit Us
< Home < Main Page < LoudSpeaker < Portable Powered < SRM350v2
 Products
  SPEAKERS
  Portable Powered
  SRM150
  SRM350v2
  SRM450v2
  TH-12A
  TH-15A
  SRM1801
  High-def Powered
  HD1221
  HD1521
  HD1531
  HD1501
  HD1801
  HDA
  Portable Passive
  C200
  C300z
  MIXERS
  4-Bus Sound Mixers
  ONYX-i Ser Mixers
  VLZ3 Compact Mixers
  CFX mkII Live Sound Mixers
  ON-Stage Mixers
  PPM Powered Mixers
  DIGI. RECORDING & MIXING
  Compact Mixers
  Recording Interfaces
  Control Surfaces
  Software
  STUDIO MONITORS
  Active Monitors
  Monitor Controls
  AMPLIFIERS
  Powered Mixers
  SOFTWARE
  Music Prod Software
  d8b Plugs-Ins
  ACCESSORIES
  Loudspeaker Bags
  Loudspeaker Covers
  Loudspeaker Hardware
  Mixer Bags
  Mixer Covers
  Mixer Hardware
 
Mackie SRM350v2

Model: SRM350v2
10" Two-Way Powered Loudspeaker

Sharing the same new technology that makes the SRM450v2 the breakthrough live performance powerhouse that it is, the ultra-compact SRM350v2 is perfect for when space is at a premium. The SRM350v2 whips live sound into complete submission, giving you more control over your shows than ever. Thanks to its all-new design—from adding new amps and transducers to a new switching power supply—the SRM350v2 surpasses the performance of the original SRM350 to deliver pure studio monitor sound at more powerful, full-on loudspeaker levels. It’s even more lightweight than before, making it ultra-portable. We kept it ultra-affordable, too—even though the SRM350v2 is a complete redesign from inside out, we retained the musician-friendly price tag. With the SRM350v2, live never sounded so good …or behaved so well.


 

The “SRM” Stands for Sound Reinforcement Monitor
Over a decade ago, Greg Mackie and a dedicated team of engineers set out to create a portable loudspeaker that could deliver studio monitor sound quality. Unlike a relatively small, acoustically controlled studio where the “sweet spot” is well defined, live venues vary greatly, and most are far from acoustically balanced. Despite the challenges, after two years of extensive research and development, the first Sound Reinforcement Monitor was born—a loudspeaker that truly lived up to its name. The SRM350v2 continues the SRM350’s tradition of studio monitor sound quality—and trumps it—to deliver sound that makes any venue seem like a well-tuned studio.

Ultra-Wide Dispersion
Undoubtedly you’ve been to a show where the sound is all over the map—stand in front of the band, it sounds okay, but move a little to your left or right and all of a sudden you’ve got mud in your ears. When the SRM350v2 loudspeakers are on stage, no matter where you stand, you hear sound with impeccable stereo imaging, depth of field and definition—at full-on loudspeaker levels. This is due to the SRM350v2’s wide dispersion pattern, which is achieved through its High Frequency waveguide.

Professional Grade Transducers
The SRM350v2 has sounds even better than the original, in part, because of it’s premium transducers. The new 10” neodymium woofer has less mass and quicker response providing incredibly punchy response from such a small loudspeaker. Not to mention it is much lighter than a traditional ceramic magnet based transducer. Additionally, it’s titanium compression driver provides sparkle and clarity beyond the original design keeping it’s characteristic sound in-line with it’s big brother, the SRM450v2. The acoustic gurus out at EAW spent months and months tweaking these custom designed transducers so that the SRM350v2 would deliver the best sound possible in a small format box.

Super low distortion thanks to Mackie’s own Class-D, Fast Recovery Amplification
With its combination of Class D topology and Fast Recovery circuitry, the SRM350v2 operates with incredible efficiency, and delivers much more power and clarity. With this “Class D Fast Recovery amplification,” as we’ve lovingly (and creatively) dubbed the technology, the SRM350v2 handles maximum volume—and associated heat—with ease, so there’s no unwanted noise, and no thermal problems. Even after hours of sustained use at near-peak levels, your sound remains clean and your SRM350v2 keeps cool.

Legendary Active Electronics
In a passive loudspeaker setup, an external amplifier is connected to a passive crossover inside the speaker, which distributes frequencies to the transducers. Because power amps and transducers vary widely in sound and quality, trying to match the right power amp with the right speaker can be challenging, especially if you’re not a professional acoustic technician—or rolling in cash so you can hire one. Our proven Active design does all the work for you. With our SRM350v2, you get a complete loudspeaker system, with complex electronics and carefully chosen components, all precisely tuned and tweaked to work together. The result is a loudspeaker with phenomenal sound quality and power, that’s completely plug-and-play—no EQ needed.

Built-in Protection Circuitry for Long Life
We know our Active loudspeakers are pushed hard—often to, or beyond, the limit. That’s why we have reliable protection circuitry built in to every one. The SRM350v2 employs a built-in limiter for less distortion at peak levels. And thanks to the advanced technology of its power supply and Class-D amp topology, the SRM350v2 is greater than 90 percent efficient—more of the power from your outlet goes straight to the transducer, without the power supply and amp giving off loads of heat. Less heat means better performance, and longer life.

Versatile, Portable, Tough—And They Look Good, Too
When designing the SRM350v2, we considered every angle. From every angle is just how you can position it, too—pole-mount it from the bottom, fly it vertically or horizontally via its optional hanging bracket, or use it as a wedge monitor. With all this flexibility, it’s the most versatile portable Active loudspeaker around. And now moving it into place is easier than ever. Weighing in at just 26 pounds—now that’s light!—you’ll have more than enough strength left over to deliver an electrifying performance after loading in. Plus, the SRM350v2 retains its rugged, Mackie “built-like-a-tank” durability, thanks to the polypropylene cabinet—now in a tasty hue of Midnight Blue. So not only do you get a portable loudspeaker that sounds phenomenal, you get one that’s tough and portable for the road, and handsome enough for the show.

  • 2-way bi-amplified, optimized Active loudspeaker system

  • High-output, titanium dome compression driver

  • 10" Neodymium long-throw low frequency transducer

  • 165W class-D, Fast Recovery LF amp / 30W HF amp

  • Ultra-wide, smooth dispersion via HF waveguide

  • Built-in phase accurate 24dB Linkwitz-Riley electronic crossover

  • Electronic time correction, phase alignment and EQ for studio quality sound

  • Mic/line input and pass-thru connector

  • Lightweight for ultimate portability (26 lbs)

  • Flyable, Pole mountable, Floor wedge-able

General Specifications
Acoustic Performance: Frequency Response(-3 dB): 83 Hz - 18.5 kHz
Frequency Range(-10 dB): 61 Hz- 22 kHz
Max SPL Long-term: 118 dB @ 1 m
Max SPL peak: 121 dB @ 1 m
Crossover Point: Linkwitz-Riley,24 dB/octave @ 2400 kHz
Input/ Output: Input / Thru Type: Balanced Differential
Input Impedance: 94 kΩ
Sensitivity: Line: +4 dBu (center detent)
Mic: -36 dBu
Maximum Input Level: + 22 dBu
Acoustic Contour Equalization (Peaking): +3 dB @ 100 Hz, +3 dB @ 12 kHz
Low-Frequency Power Amplifier: Rated Power: 165 watts
Rated THD: <0.03%
Cooling: Convection Extrusion
Design: Class D
High-Frequency Power Amplifier: Rated Power: 30 watts
Rated THD: <0.03%
Cooling: Convection Extrusion
Design: Class AB
Low-Frequency Transducer: Diameter: 10 in / 250 mm
Voice Coil Diameter: 2 in / 51 mm
Magnet Material: Neodymium
High-Frequency Transducer: Diaphragm Diameter: 1.4 in / 36 mm
Diaphragm Material: Heat treated titanium
Horn Design: Type: Conical and Exponential
Mouth Size: 11.1 in / 283 mm (W) x 6.1 in/ 154 mm (H)
Horizontal Coverage: 90°(1 kHz - 20 kHz)
Vertical Coverage: 80°(1 kHz - 20 kHz)
Line Input Power: US, JP: 100 VAC - 240 VAC, 50 - 60 Hz
EU, UK, AU, CN: 100 VAC - 240 VAC, 50 - 60 Hz
AC Connector: 3-pin IEC 250 VAC
Power Consumption: 120 watts with musical program and LIMIT LED blinking
Safety Features: Control System Function
Electronic Crossover, Phrase Alignment, Equalization, Parametric EQ
Features
Low-frequency Dynamic Bass Protection, Power Supply, Amplifier, Thermal Protection
Construction Features: Basic Design: Asymmetrical Trapezoidal
Enclosure Alignment: Sixth-Order
Material: Polypropylene
Finish: Black, Textured finish
Handles: One on right side, One on Top
Grille: Perforated metal with weather resistant coating
Display LEDs: Signal Present, Power On, Limit
Operating Temperature: -10° - 45°C, 14° - 113°F
 Physical Properties: Height: 20.8 in/ 527 mm
Width: 13.1 in / 333 mm
Depth: 12.3 in / 311 mm
Weight: 24.0 lb / 10.9 kg
Mounting Methods: Floor mount, pole mount, or fly via optional bracket

     
   

WW_Mackie 190811  Link  Link1   Link2

Mixers - Onyx 4-Bus | Onyx 24.4 | Onyx 32-4 | Onyx-i Series - Onyx 820i | Onyx 1220i | Onyx 1620i | Onyx 1640i |
VLZ3 Compact Mixers - 402-VLZ3 | 802-VLZ3 | 1202-VLZ3 | 1402-VLZ3 | 1642-VLZ3 | 1604-VLZ3 | 2404-VLZ3 | 3204-VLZ3 |
CFX.mkII Mixers - CFX12.mkII | CFX16.mkII | CFX20.mkII | On-Stage Mixers - ProFX8 | ProFX12 | ProFX16 | ProFx22 |
PPM Powered Mixers - PPM 608 | PPM1008 | PPM1012 |
Loudspeakers | PortablePowered - SRM150 | SRM350v2 | SRM450v2 | TH-12A |
TH-15A | SRM1801 | High-Def Powered - HD1221 | HD1521 | HD1531 | HD1501 | HD1801 | HDA | PortablePassive - C200 | C300z |

Studio Monitors
- Active Monitor - HR824mk2 | HR624mk2 | MR8mk2 | MR5mk2 | MR8 | MR5 | Monitor Control - Big Knob |
Digital Recording- Compact Mixers - Onyx 820i | Onyx 1220i | Onyx 1620i | Onyx 1640i | ProFX8 | ProFX12 | ProFX16 | ProFx22 |
Recording Interfaces - Onyx Blackjack | Onyx Blackbird | Software - Tracktion3 | Control Surfaces - MCU Pro & Extender Pro |

Amplifiers - Powered Mixers - PPM608 | PPM1008 | PPM012 | Software - Music Production Software - Tracktion 3 | C4 Commander |
d8b Plug-Ins - d8b v5 | Pro Audio Lab | DSR-1 | Final Mix | Saturated Fat | Real Time Analysis 31 | Delay Factor | Filter Machine | Time Pak |
Auto Tune | ADX100 | MDW2x2 | Accessories - Loudspeaker Bags - SRM450/C300z Bag | SRM350/C200 Bag | TH-15A Bag | TH-12A Bag |
Loudspeaker Covers - HD1221 Cover | HD1521 Cover | HD1531 Cover | SRM1801 Cover | HD1501 Cover | HD1801 Cover |
Loudspeaker Hardware - SPM200 | SRM350/C200 Bracket | PA-A1 | PA-A2 | FB221 | ACC-R280S | ACC-CK100 | HDA Rigging Kit L |
HDA Rigging Kit R | HDA Rigging Pin Kit | Mixer Bags - ProFX8 Bag | ProFX12 Bag | ProFX16 Bag | ProFX22 Bag | 402-VLZ Bag | 802-VLZ Bag |
1202-VLZ Bag | 1402-VLZ Bag | 1604 -VLZ Bag | PPM Bag | Onyx 820i Bag | Onyx 1220i Bag | Onyx 1620i Bag | Onyx 1640i Bag| CFX12.mkII Bag|
CFX16.mkII Bag | CFX20.mkII Bag | Mixer Covers - ProFX16 Cover | ProFX22 Cover | 1604-VLZ Cover | 2404-VLZ Cover | 3204-VLZ Cover |
Onyx 24.4 Cover | Onyx 32.4 Cover | CFX12.mkII Cover | CFX16.mkII Cover | CFX20.mkII Cover | Mixer Hardware - 1202-VLZ Rack Ears | 1402-VLZ |
1642-VLZ Rack Ears| 1604-VLZ Rotopod | Onyx 820i Rack Ears | Onyx 1220i Rack Ears | Onyx 1620i Rack Ears | Onyx 1640i Rotopod Kit |
ProFX16 Rack Ears | CFX12.mkII Rack Ears |


Discontinued Products -
d.2 | Onyx 1220 | Onyx 1620 | Onyx 1640 | Onyx FireWire Card | 1202-VLZ Pro | 1402-VLZ Pro | 1642-VLZ Pro | 1604-VLZ Pro |
MIXERS-Onyx 80 Series | MIXERS-SR Consoles | MIXERS-Onyx 80 Series | Onyx 2480 | Onyx 3280 | Onyx 4080 | Onyx 4880 |
Onyx 2480 | Onyx 3280 |
Onyx 4080 | Onyx 4880| MIXERS-SR C
onsoles |
SR24•4 VLZ PRO | SR32•4 VLZ PRO | Tracktion 2  | Spike  | Onyx 400F | Onyx 800R | MCU & Extender |
Mackie Control C4 | DFX•6 | DFX•12 |