Mackie Professional Audio
C200, Portable Passive Loudpseakers

Homepage

 Clear Com Azden Sound Devices DPA Sennheiser SHURE Steinberg Tascam Yamaha  JBL  Mackie Data video Monitor E-Shop Email us Visit Us
< Home < Main Page < LoudSpeaker < Portable Passive < C200
 Products
  SPEAKERS
  Portable Powered
  SRM150
  SRM350v2
  SRM450v2
  TH-12A
  TH-15A
  SRM1801
  High-def Powered
  HD1221
  HD1521
  HD1531
  HD1501
  HD1801
  HDA
  Portable Passive
  C200
  C300z
  MIXERS
  4-Bus Sound Mixers
  ONYX-i Ser Mixers
  VLZ3 Compact Mixers
  CFX mkII Live Sound Mixers
  ON-Stage Mixers
  PPM Powered Mixers
  DIGI. RECORDING & MIXING
  Compact Mixers
  Recording Interfaces
  Control Surfaces
  Software
  STUDIO MONITORS
  Active Monitors
  Monitor Controls
  AMPLIFIERS
  Powered Mixers
  SOFTWARE
  Music Prod Software
  d8b Plugs-Ins
  ACCESSORIES
  Loudspeaker Bags
  Loudspeaker Covers
  Loudspeaker Hardware
  Mixer Bags
  Mixer Covers
  Mixer Hardware
 
Mackie C200

Model: C200
10" Two-Way Passive Loudspeaker

Looking for renowned Mackie sound quality in a portable, lightweight package? Want to instantly upgrade the sound of your existing powered mixer or amplifier without breaking the bank? Our C200 2-Way Portable Passive Loudspeakers put the superior clarity, wide dispersion, and legendary ergonomics of the SRM Series within reach of any serious musician, DJ, or small club. These compact-yet-loud speakers can be pole-mounted for use as a small full-range PA system, combined with subwoofers as needed, and even employed as high-quality passive floor monitors.


 

DESIGNED AND TUNED BY EAW
The new C Series Passive Loudspeakers represent Mackie's first lightweight passive speakers designed and tuned exclusively by the Eastern Acoustic Works (EAW) loudspeaker engineering team--the same folks responsible for designing loudspeaker systems for the Super Bowl, the Olympics and the Vatican. And although loudspeakers for these mega-systems cost exponentially more than the humble C200, some of the same concepts applied, namely: designing custom 10" LF drivers with a frequency range from 59 Hz – 3000 Hz and a 2" voice coil that can take a pounding. And a 1.4" High-Frequency titanium Driver and Horn providing a wide, controlled dispersion pattern and precise reproduction of the critical 1000 Hz – 20,000 Hz upper mid-range and high frequencies.

CROSSOVERS TUNED TO PERFECTION
Tuning a crossover (i.e. voicing a system), involves dozens of critical decisions that many manufacturers overlook. In the end, it is all about balancing the design so that you get the best subjective results from the speaker while maintaining a good technical implementation. The crossover in the C Series is a unique Low Impedance Compensated Crossover (LICC) design with an asymmetrical slope. With EQ and crossover points meticulously chosen so that beamwidth patterns match in both drivers, C Series loudspeakers offer natural sound at all volume levels. Read more.

ULTRA-WIDE DISPERSION
A loudspeaker's dispersion characteristic shouldn't be lame just because its compact in size. We know that venues like coffee houses and small theatre / rec rooms can be hard to cover. Owners usually have to make do with odd shaped rooms and fixtures placed wherever they fit.

The C200's high-frequency compression driver is mounted on an acoustically non-resonant exponential waveguide, providing a wide, controlled dispersion pattern and precise reproduction of the critical upper mid-range and high frequencies. The result is an unbelievably smooth off-axis response that allows everyone in the audience to experience the same high-resolution audio no matter where they are seated.

THINKING INSIDE THE BOX
Anyone with a factory can build a box and stick some speakers in it (and that's just what many do). But low-frequency transducers in square boxes can create resonances that reflect off the rear wall and pass through the woofer cone out of phase, and ready to mess up your sound. The C200 enclosure is an asymmetrical monocoque design with no parallel surfaces, causing mid and high frequency resonances to be reflected at angles into internal damping materials, instead of interfering with the woofer doing its thing.

BUILT FOR SERIOUS ABUSE
Designed for use with existing speakers and power amps (and optimized for use with the Mackie PPM Series), the C200 loudspeakers are passive versions of our industry-standard SRM350 portable active loudspeakers. These speakers' injection-molded composite chassis is built for the rigors of the road. And they shrug off impacts that would turn those cheap-o, fuzz covered wood box speakers into toothpicks.

MAKES A WONDERFUL FLOOR MONITOR TOO!
A good floor monitor plays loudly without generating feedback through vocal microphones. A poor floor monitor, on the other hand, will generate feedback just about the time you turn it up to a useable level. Floor monitor feedback is often caused by uneven frequency response and dispersion; some frequencies arrive at the microphone much louder than others. These "spikes" are what trigger feedback as the floor monitor volume is increased. The C200 has incredibly smooth, spike-free response and dispersion over a wide range of treble frequencies. So you can increase its volume without boosting those nasty, feedback-inducing spikes. Without extensive tuning, no passive speaker or specialized floor wedge in this class can even come close.

  • Portable Precision Passive loudspeaker with high-precision 1.4" HF titanium compression driver and 10" LF transducer

  • Wide, even dispersion pattern means everyone in the audience hears great sound

  • Asymmetrical cabinet design for best acoustical response

  • Integrated low-impedance compensated crossover and transducer protection

  • Tough, impact-resistant enclosure with sturdy handles, pole-mount, and integrated rigging points

  • 500W peak power handling at 8 ohms

  • Three setup configurations: pole mount, flyable and wedge

  • Passive version of the best-selling SRM350

General Specifications
Acoustic Performance: Frequency Response(-3 dB): 89 Hz - 20 kHz
Frequency Response(-10 dB):
59 Hz - 22 kHz
Max SPL Long-term: 118 dB @ 1m
Low-Frequency Crossover Type: 6 dB / Octave, time offset corrected
High-Frequency Crossover Type: 12 dB / Octave
Crossover Point: 1800 Hz
Audio: Input Type Connector Type: Speakon™-style NL 4-jack, 1/4" TS jack
Input Impedance: 8 Ω
Power Handling
RMS: 200 watts
Music: 350 watts
Peak: 500 watts
Operating Temperature Range: -10°C to 45°C, 14°F to 113°F
Low-Frequency Transducer: Diameter: 10 in / 250 mm
Voice Coil Diameter: 2 in / 51 mm
Magnet Material: Ferrite
High-Frequency Transducer: Diameter: 1.4 in / 36 mm
Horn Exit Diameter: 1 in / 24.5 mm
Diaphragm Material: Heat treated titanium
Horn Design: Type: Conical and Exponential
Mouth Size: 12 in / 305 mm (W) x 7 in / 178 mm (H)
Horizontal Coverage: 90° ( 1 kHz - 20 kHz)
Vertical Coverage: 80° ( 1 kHz - 20 kHz )
Safety Features: Driver Protection: Dynamic protection for compression driver
Construction Features: Basic Design: Asymmetrical Trapezoidal
Material: Polypropylene
Finish: Black, textured finish
Handles: One on right side, one on top
Grille: Perforated metal with weather-resistant coating
 Physical Properties: Height: 20.8 in/ 527 mm
Width: 13.1 in / 333 mm
Depth: 12.3 in / 311 mm
Weight: 26 lb / 11.8 kg
Mounting Methods: Floor mount, pole mount, or fly via optional bracker

     
   

WW_Mackie 190811  Link  Link1   Link2

Mixers - Onyx 4-Bus | Onyx 24.4 | Onyx 32-4 | Onyx-i Series - Onyx 820i | Onyx 1220i | Onyx 1620i | Onyx 1640i |
VLZ3 Compact Mixers - 402-VLZ3 | 802-VLZ3 | 1202-VLZ3 | 1402-VLZ3 | 1642-VLZ3 | 1604-VLZ3 | 2404-VLZ3 | 3204-VLZ3 |
CFX.mkII Mixers - CFX12.mkII | CFX16.mkII | CFX20.mkII | On-Stage Mixers - ProFX8 | ProFX12 | ProFX16 | ProFx22 |
PPM Powered Mixers - PPM 608 | PPM1008 | PPM1012 |
Loudspeakers | PortablePowered - SRM150 | SRM350v2 | SRM450v2 | TH-12A |
TH-15A | SRM1801 | High-Def Powered - HD1221 | HD1521 | HD1531 | HD1501 | HD1801 | HDA | PortablePassive - C200 | C300z |

Studio Monitors
- Active Monitor - HR824mk2 | HR624mk2 | MR8mk2 | MR5mk2 | MR8 | MR5 | Monitor Control - Big Knob |
Digital Recording- Compact Mixers - Onyx 820i | Onyx 1220i | Onyx 1620i | Onyx 1640i | ProFX8 | ProFX12 | ProFX16 | ProFx22 |
Recording Interfaces - Onyx Blackjack | Onyx Blackbird | Software - Tracktion3 | Control Surfaces - MCU Pro & Extender Pro |

Amplifiers - Powered Mixers - PPM608 | PPM1008 | PPM012 | Software - Music Production Software - Tracktion 3 | C4 Commander |
d8b Plug-Ins - d8b v5 | Pro Audio Lab | DSR-1 | Final Mix | Saturated Fat | Real Time Analysis 31 | Delay Factor | Filter Machine | Time Pak |
Auto Tune | ADX100 | MDW2x2 | Accessories - Loudspeaker Bags - SRM450/C300z Bag | SRM350/C200 Bag | TH-15A Bag | TH-12A Bag |
Loudspeaker Covers - HD1221 Cover | HD1521 Cover | HD1531 Cover | SRM1801 Cover | HD1501 Cover | HD1801 Cover |
Loudspeaker Hardware - SPM200 | SRM350/C200 Bracket | PA-A1 | PA-A2 | FB221 | ACC-R280S | ACC-CK100 | HDA Rigging Kit L |
HDA Rigging Kit R | HDA Rigging Pin Kit | Mixer Bags - ProFX8 Bag | ProFX12 Bag | ProFX16 Bag | ProFX22 Bag | 402-VLZ Bag | 802-VLZ Bag |
1202-VLZ Bag | 1402-VLZ Bag | 1604 -VLZ Bag | PPM Bag | Onyx 820i Bag | Onyx 1220i Bag | Onyx 1620i Bag | Onyx 1640i Bag| CFX12.mkII Bag|
CFX16.mkII Bag | CFX20.mkII Bag | Mixer Covers - ProFX16 Cover | ProFX22 Cover | 1604-VLZ Cover | 2404-VLZ Cover | 3204-VLZ Cover |
Onyx 24.4 Cover | Onyx 32.4 Cover | CFX12.mkII Cover | CFX16.mkII Cover | CFX20.mkII Cover | Mixer Hardware - 1202-VLZ Rack Ears | 1402-VLZ |
1642-VLZ Rack Ears| 1604-VLZ Rotopod | Onyx 820i Rack Ears | Onyx 1220i Rack Ears | Onyx 1620i Rack Ears | Onyx 1640i Rotopod Kit |
ProFX16 Rack Ears | CFX12.mkII Rack Ears |


Discontinued Products -
d.2 | Onyx 1220 | Onyx 1620 | Onyx 1640 | Onyx FireWire Card | 1202-VLZ Pro | 1402-VLZ Pro | 1642-VLZ Pro | 1604-VLZ Pro |
MIXERS-Onyx 80 Series | MIXERS-SR Consoles | MIXERS-Onyx 80 Series | Onyx 2480 | Onyx 3280 | Onyx 4080 | Onyx 4880 |
Onyx 2480 | Onyx 3280 |
Onyx 4080 | Onyx 4880| MIXERS-SR C
onsoles |
SR24•4 VLZ PRO | SR32•4 VLZ PRO | Tracktion 2  | Spike  | Onyx 400F | Onyx 800R | MCU & Extender |
Mackie Control C4 | DFX•6 | DFX•12 |