Comparison Odyssey 7,7Q,7Q+

  Odyssey 7 Odyssey 7Q Odyssey 7Q+
Display
7.7" 1280x800 OLED 8-bit Capacitive Touch Screen
Connectivity
3G-SDI Inputs (dedicated) one two two
3G-SDI Outputs (dedicated) one two two
3G-SDI Inputs/Outputs (bi-directional) - two two
HDMI inputs one one one
HDMI outputs one one one
Timecode LTC I/O, SDI/HDMI embedded
Physical
Magnesium case; 7.9"x6.1"x1", 1.2 lbs
SSD slots one two two
6.5-34vdc, 8-15w, polarity protection, power switch
Monitor Functions
HD Waveform (Luma & RGB Parade) small or large
4K/UHD/2K Waveform (Luma & RGB Parade) small or large -
Histogram (Luma & RGB Parade) small or large
Vectorscope with magnification future future future
Zebra
False Color (five programmable steps)
Pixel Zoom with frame drag HD limited Up to 4K Up to 4K
Focus Assist (three styles w/selectable color & sensitivity)
LUTs (presets for popular camera LOG to REC709)
LUTs (programmable 3D-LUT library) - future future
Frame Guides
Image-Flip
REC709 or DCI-P3 Color Gamut
MultiStream Monitoring up to 4 HD signals w/live switching -
Recording Functions
Apple ProRes 422(HQ) 4K/30p, UHD/30p, 2K/60p -
Apple ProRes 422(HQ) up to 1080p30, 1080i60 and 720p60
Apple ProRes 422(HQ) up to 1080p/60 from SDI
2K/HD 12-bit/10-bit 444 RGB to 30p in Uncompressed DPX -
2K/HD 12-bit/10-bit 444 RGB to 60p in Uncompressed DPX - future future
2K/HD 12-bit/10-bit 444 RGB compressed video up to 60p - future future
HDMI HD recording in 1080 up to 30p/60i, 720 up to 60p
HDMI HD recording in 1080 up to 60p - -
HDMI UHD/4K recording up to 30p - -
Record trigger from touch screen, camera or timecode
Audio      
2-channel SDI/HDMI Embedded Audio, 48K, 24-bit Wave
8-channel SDI/HDMI Embedded Audio, 48K, 24-bit Wave - future future
2-channel Analog Audio input, 3.5mm stereo socket
2-channel Headphone output, 3.5mm stereo socket
Record Options (extra cost website downloads)
ARRI ALEXA:
16:9 RAW up to 60p -
4:3 RAW up to 48p - future future
Log-C monitoring LUT
Canon C500:
4K RAW up to 60p -
QHD up to 60p -
4K "half- RAW" up to 120p -
4K/QHD 422 compressed video up to 30p from 4K RAW - future future
C-Log monitoring LUT
Sony FS700:
4K RAW up to 60p -
4K RAW 120p burst -
2K RAW up to 240p -
"4K24K" 4K RAW to 4K Apple ProRes 422(HQ) to 30p -
"4K2HD" 4K RAW to HD Apple ProRes 422(HQ) to 60p -
"4K2HD" 4K RAW to HD compressed video 4:4:4 RGB to 60p - future future
"2K22K" 2K RAW to 2K compressed video 4:2:2 to 120p - future future
S-Log2 monitoring LUT
REC709 (800%) monitoring LUT -
MultiStream Recording:
Record up to 4 HD signals simultaneously in Apple ProRes 422(HQ) to 30p, plus XML for Edit Decision List - future future
Record up to 3 HD signals & live switch edit simultaneously in Apple ProRes 422(HQ) to 30p, plus XML file for Edit Decision List - future future