|
|
Odyssey 7 |
Odyssey 7Q |
Odyssey 7Q+ |
|
Display |
|
7.7" 1280x800 OLED 8-bit Capacitive Touch
Screen |
✔ |
✔ |
✔ |
|
Connectivity |
|
3G-SDI Inputs (dedicated) |
one |
two |
two |
|
3G-SDI Outputs (dedicated) |
one |
two |
two |
|
3G-SDI Inputs/Outputs (bi-directional) |
- |
two |
two |
|
HDMI inputs |
one |
one |
one |
|
HDMI outputs |
one |
one |
one |
|
Timecode LTC I/O, SDI/HDMI embedded |
✔ |
✔ |
✔ |
|
Physical |
|
Magnesium case; 7.9"x6.1"x1", 1.2 lbs |
✔ |
✔ |
✔ |
|
SSD slots |
one |
two |
two |
|
6.5-34vdc, 8-15w, polarity protection, power
switch |
✔ |
✔ |
✔ |
|
Monitor Functions |
|
HD Waveform (Luma & RGB Parade) small or
large |
✔ |
✔ |
✔ |
|
4K/UHD/2K Waveform (Luma & RGB Parade) small
or large |
- |
✔ |
✔ |
|
Histogram (Luma & RGB Parade) small or large |
✔ |
✔ |
✔ |
|
Vectorscope with magnification |
future |
future |
future |
|
Zebra |
✔ |
✔ |
✔ |
|
False Color (five programmable steps) |
✔ |
✔ |
✔ |
|
Pixel Zoom with frame drag |
HD limited |
Up to 4K |
Up to 4K |
|
Focus Assist (three styles w/selectable
color & sensitivity) |
✔ |
✔ |
✔ |
|
LUTs (presets for popular camera LOG to
REC709) |
✔ |
✔ |
✔ |
|
LUTs (programmable 3D-LUT library) |
- |
future |
future |
|
Frame Guides |
✔ |
✔ |
✔ |
|
Image-Flip |
✔ |
✔ |
✔ |
|
REC709 or DCI-P3 Color Gamut |
✔ |
✔ |
✔ |
|
MultiStream Monitoring up to 4 HD signals
w/live switching |
- |
✔ |
✔ |
|
Recording Functions |
|
Apple ProRes 422(HQ) 4K/30p, UHD/30p, 2K/60p |
- |
✔ |
✔ |
|
Apple ProRes 422(HQ) up to 1080p30, 1080i60
and 720p60 |
✔ |
✔ |
✔ |
|
Apple ProRes 422(HQ) up to 1080p/60 from SDI |
✔ |
✔ |
✔ |
|
2K/HD 12-bit/10-bit 444 RGB to 30p in
Uncompressed DPX |
- |
✔ |
✔ |
|
2K/HD 12-bit/10-bit 444 RGB to 60p in
Uncompressed DPX |
- |
future |
future |
|
2K/HD 12-bit/10-bit 444 RGB compressed video
up to 60p |
- |
future |
future |
|
HDMI HD recording in 1080 up to 30p/60i, 720
up to 60p |
✔ |
✔ |
✔ |
|
HDMI HD recording in 1080 up to 60p |
- |
- |
✔ |
|
HDMI UHD/4K recording up to 30p |
- |
- |
✔ |
|
Record trigger from touch screen, camera or
timecode |
✔ |
✔ |
✔ |
|
Audio |
|
|
|
|
2-channel SDI/HDMI Embedded Audio, 48K,
24-bit Wave |
✔ |
✔ |
✔ |
|
8-channel SDI/HDMI Embedded Audio, 48K,
24-bit Wave |
- |
future |
future |
|
2-channel Analog Audio input, 3.5mm stereo
socket |
✔ |
✔ |
✔ |
|
2-channel Headphone output, 3.5mm stereo
socket |
✔ |
✔ |
✔ |
|
Record Options (extra cost website
downloads) |
|
ARRI ALEXA: |
|
16:9 RAW up to 60p |
- |
✔ |
✔ |
|
4:3 RAW up to 48p |
- |
future |
future |
|
Log-C monitoring LUT |
✔ |
✔ |
✔ |
|
Canon C500: |
|
4K RAW up to 60p |
- |
✔ |
✔ |
|
QHD up to 60p |
- |
✔ |
✔ |
|
4K "half- RAW" up to 120p |
- |
✔ |
✔ |
|
4K/QHD 422 compressed video up to 30p from
4K RAW |
- |
future |
future |
|
C-Log monitoring LUT |
✔ |
✔ |
✔ |
|
Sony FS700: |
|
4K RAW up to 60p |
- |
✔ |
✔ |
|
4K RAW 120p burst |
- |
✔ |
✔ |
|
2K RAW up to 240p |
- |
✔ |
✔ |
|
"4K24K" 4K RAW to 4K Apple ProRes 422(HQ) to
30p |
- |
✔ |
✔ |
|
"4K2HD" 4K RAW to HD Apple ProRes 422(HQ) to
60p |
- |
✔ |
✔ |
|
"4K2HD" 4K RAW to HD compressed video 4:4:4
RGB to 60p |
- |
future |
future |
|
"2K22K" 2K RAW to 2K compressed video 4:2:2
to 120p |
- |
future |
future |
|
S-Log2 monitoring LUT |
✔ |
✔ |
✔ |
|
REC709 (800%) monitoring LUT |
- |
✔ |
✔ |
|
MultiStream Recording: |
|
Record up to 4 HD signals simultaneously in
Apple ProRes 422(HQ) to 30p, plus XML for Edit Decision List |
- |
future |
future |
|
Record up to 3 HD signals & live switch edit
simultaneously in Apple ProRes 422(HQ) to 30p, plus XML file for Edit
Decision List |
- |
future |
future |