| Sony SRW-5800 HDCAM SR 3G Studio
Recorder |
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Product Code : SRW5800
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The SRW-5800 is
a new generation of HDCAM-SR Deck inheriting the high-quality image
recording capability of the series. Featuring double-data-rate
recording & network connection to DI domains, the SRW-5800 is
optimal for sports, concerts, documentaries, movies & 3D
production.
• Double-speed Recording for 1080/60P and 50P Mode and HQ
Modes
• Twice-speed Material Transfer
• Switchable 4:4:4/4:2:2 recording (option)
3......................• High quality MPEG-4 studio profile
compression
• High quality audio recording: 12 channels, 24-bit audio at
48kHz in the HDCAM-SR format
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HDCAM-SR Format -
For Exceptionally High Picture Quality Recording
The
SRW-5800 recorder adopts the HDCAM-SR format, which records 1920 x
1080 resolution high-definition signals using the MPEG-4 Studio
Profile compression scheme with a very mild compression ratio of
2.7:1 (4:2:2)/4:1 (4:4:4) and 10-bit colour depth. It enables both
full-bandwidth 4:4:4 RGB and high-quality 4:2:2 Y/Cb/Cr recording,
delivering optimal picture performance to suit many different
production requirements.
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HQ
Mode
The SRW-5800 recorder can also record at a high data rate of 880
Mb/s, for 4:2:2/1080/60P and 50P mode, and 4:4:4 High Quality (HQ)
mode.
The 4:2:2/1080/60P and 50P recording mode is highly compatible with
computer graphics, games and other progressive-based programmes. It
also offers exceptional picture performance when converting
material originated in 1080/60P or 50P format to 720P format, due
to its original high resolution of 1920 x 1080 (Requires
HKSR-5001/20 option board). Another benefit of using the
4:2:2/1080/60P and 50P recording mode is that it enables image
creation with perfect slow-motion effects. The F35 recording mode
of RGB 444 50P recording is also supported for playback at speeds
below 30P.
HQ mode also allows 4:4:4 RGB recording with a milder compression
ratio of 2:1. This can achieve higher picture quality compared with
recording at 440 Mb/s, depending on the picture, and is ideal when
the highest possible image quality is the top priority.
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Double Speed
Transfer
The SRW-5800 allows all material whether 422 or RGB 444 to be
transferred to and from servers and nonlinear editing systems at
twice the normal speed using a standard Dual-link HD-SDI or single
3G interface. Double speed recording is now supported.
RGB 444 x2 playback and recording using Dual 3G links is also
supported.
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3D
support
Both 422 and RGB 444 recording (RGB using Dual 3G interface) is
supported, recording onto one tape for extreme security, perfect
L/R synchronisation and 12 channels of audio.
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96KHz audio sampling
support
At SQ mode (440 Mbps) 6 channels of 96 KHZ are supported, while at
HQ mode (880 Mbps) 12 channels are supported. This is particularly
useful for BluRay Mastering.
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2K
mode
The 5800/2 can now support 3 different 2K modes with real time
record and playback. Firstly 2048 x 1080 RGB 10 bit, then the DCI
standard of 2048 x 1080 12 bit XYZ (Digital Cinema standard) and
lastly full open gate 2048 x 1556 recording and playback
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Network
capability
By using the HKSR-5804 network card, you can transfer over GbE
uncompressed DPX, TIFF and Cineon files, from 1280 x 720 file size
up to full 4K resolution 4096 x 2160. In addition the built in
format converter allows you to view any size file on a regular HD
monitor for viewing or QC purposes. As you can both export (to
tape) and import (to disk) you can also use this feature to check
what is on the tape even though it is uncompressed data - a unique
feature. In addition, at the same time you can apply full to head
(or vice versa) conversion (that is from 0 to 1023 full range to 64
to 960 video range but some HDSDI limitations apply), and also
apply a LUT that you can import. The interface is a browser window
working with all major operating systems.
The next part is the MXF import only function (tape to disk), where
the native SStP data (that is SR compressed data) is transferred
over GbE. At SQ mode (440 Mbps) it is almost real time, but you
only need 1/4 of the storage space in RGB or 1/2.7 for 422. A
viewing application is available for PC's that can do real time
software decoding, so it can be used for viewing or QC check of the
MXF data on your server.
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Internal Format
Conversion
The SRW-5800 is equipped with a powerful internal format converter
that enables many different types of conversion such as 3-2
pull-down, up-conversion, down-conversion, cross-conversion,
colour-space conversion, and P-to-i conversion. This powerful
built-in converter makes the SRW-5800 very versatile in
post-production.
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Easy Management of
Setup/System Menus
The SRW-5800 offers a highly effective way to manage its System
Menu. Up to eight groups of parameters in the System Menu and Setup
Menu can be individually saved as bank memory onto the internal
memory of the VTR. They can also be saved onto Memory Stick media,
enabling them to be copied onto other SRW-5800 VTRs for quick and
consistent setup of multiple VTRs.
Furthermore, equipped with an Ethernet interface, the SRW-5800
allows operators to remotely view the setup parameters saved in the
VTR's memory bank, and to select a bank they want to use through a
PC.
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SRW-5800/2 Format
Support
In addition to the numerous formats supported by the SRW-5800
Series, the SRW-5800/2 introduced support for the following formats
without any extra boards - RGB SQ, 2 x Record and Playback @ 422, 2
x Record and Playback @ RGB SQ and 1080 50P/60P.
In addition, if the HKSR-5803HQ board is installed in a SRW-5800/2,
the following additional new formats are supported; 3D @ 422, 3D @
RGB SQ, RGB HQ, 2K mode and 12bit operation.
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Other
Features
Long recording time: up to 155 minutes on BCT-124SRL cassette
HDCAM and DigiBeta playback with option card HKSR-5802
Frame-accurate insert/assemble editing
Digital jog sound
Confidence playback
Large 6.4-inch type* colour LCD that displays both playback
pictures and various information such as timecode, audio level
meters, and operational menus
Audio output channel exchange
Dual-sync feature for pull-down operation
Off-speed playback capability
Selectable picture modes: SQUEEZE, LETTER BOX, and EDGE CROP
* Viewable area measured diagonally
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| General |
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Power requirements |
100 V to 240 V AC (±10%, 50/60
Hz) |
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Power consumption |
380 W (with all option boards installed) |
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Operating temperature |
5°C to 40°C (41°F to
104°F) |
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Storage temperature |
-20°C to +60°C (-4°F to
+140°F) |
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Humidity |
25% to 80% (relative humidity) |
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Mass |
30 kg (66 lb 2 oz) |
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Dimensions (W x H x D) (excluding
protrusions) |
427 x 218 x 544 mm (16 7/8 x 8 5/8 x 21 1/2
inches) |
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Tape speed |
HDCAM-SR: 94.1 mm/s (24 Hz)
HDCAM: 77.4 mm/s (24 Hz)
Digital BETACAM: 96.7 mm/s |
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Recording/Playback time
(HDCAM-SR) |
Recording & Playback: 155 min with BCT-124SRL cassette
(24 Hz)*
* 1/2 when double-data-rate recording/playback (880
Mbps) |
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Recording/Playback time
(HDCAM) |
Playback: 155 min with BCT-124HDL cassette (24
Hz) |
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Recording/Playback time (Digital
BETACAM) |
Playback: 124 min with BCT-D124L cassette |
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Fast forward/rewind time |
Approx. 4 min with BCT-124SRL cassette |
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Search speed range (Shuttle
mode) |
HDCAM-SR: -50 times to +50 times normal speed (24 Hz)
HDCAM: -60 times to +60 times normal speed (24 Hz)
Digital BETACAM: -50 times to +50 times normal
speed |
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Search speed range (Jog
mode) |
HDCAM-SR: -2 times to +2 times normal speed
HDCAM: -2 times to +2 times normal speed
Digital BETACAM: -3 times to +3 times normal speed |
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Search speed range (Variable
mode) |
HDCAM-SR: -0.5 times to +1 times normal speed
HDCAM: -1 time to +2 times normal speed
Digital BETACAM: -1 time to +3 times normal speed |
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Noiseless picture
playback |
HDCAM-SR: -0.5 times to +1 times normal speed (Non
Tracking Range)
HDCAM: -1 time to +2 times normal speed (Dynamic Tracking
Range)
Digital BETACAM: -1 time to +3 times normal speed (Dynamic Tracking
Range) |
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Servo lock time |
1.0 sec or less (from standby on) |
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Load/unload time |
7 sec or less |
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Inputs/Outputs |
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HD-SDI input |
A: BNC (x2) (including loop
through), SMPTE 292M/SMPTE 372M/SMPTE 424M/BTA S-004/ITU-R.BT
709
B: BNC (x2) (including loop through), SMPTE 292M/SMPTE 372M/SMPTE
424M*/BTA S-004/ITU-R.BT 709
*Planned to be available in the first half of 2011. |
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Reference input |
1: BNC (x2) (including
loop-through), HD Tri-level sync (0.6 Vp-p/75 ohms/negative) or SD
blackburst/composite sync (NTSC: 0.286 Vp-p, PAL: 0.3 Vp-p/75
ohms/negative)
2: (With option: HKSR-5001), BNC (x2) (including loop-through), HD
Tri-level sync (0.6 Vp-p/75 ohms/negative) or SD
blackburst/composite sync (NTSC: 0.286 Vp-p, PAL: 0.3 Vp-p/75
ohms/negative) |
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Digital audio input (AES/EBU) |
BNC (x6), 12 ch (2 ch each, 1/2 ch,
3/4 ch, 5/6 ch, 7/8 ch, 9/10 ch, 11/12 ch),
AES-3id-1995 |
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Time code input |
XLR-type 3-pin (female) (x1), 0.5
Vp-p to 18 Vp-p/10 k/ohms/balanced |
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AUX input |
(Option: HKSR-5804 and
HKSR-5803HQ):
A: BNC (x1), SMPTE 292M/SMPTE 372M/ARIB S004B
B: BNC (x1), SMPTE 292M/SMPTE 372M/ARIB S004B |
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HD-SDI output |
A: BNC (x3)
1 & 2: SMPTE 292M/SMPTE 372M/SMPTE 424M/BTA S004/ITU-R.BT
709
3: character on/off, SMPTE 292M/SMPTE 372M/SMPTE 424M/BTA
S004/ITU-R.BT 709
B: BNC (x3),
1 & 2: SMPTE 292M/SMPTE 372M/SMPTE 424M*2/BTA S004/ITU-R.BT
709
3: character on/off, SMPTE 292M/SMPTE 372M/SMPTE 424M*/BTA
S004/ITU-R.BT 709
*Planned to be available in the first half of 2011. |
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Format converter output |
(Option: HKSR-5001):
A: BNC (x2), character on/off, SMPTE 292M/SMPTE 372M/SMPTE 424M/BTA
S-004/ITU-R.BT 709
B: BNC (x2), character on/off, SMPTE 292M/SMPTE 372M/BTA
S-004/ITU-R.BT 709 |
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SD-SDI output |
BNC (x3)
1 & 2: SMPTE 259M
3: character on/off, SMPTE 259M |
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Analogue composite output |
BNC (x1), 1.0 Vp-p/75 ohms/negative
SMPTE 170M, character on/off or 0.286 Vp-p/75 ohms/negative
blackburst |
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Reference output |
1125 Sync: BNC (x2), Tri Level sync
0.6 Vp-p/75 ohms/negative |
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Digital audio output (AES/EBU) |
BNC (x6), 12 ch (2 ch each, 1/2 ch,
3/4 ch, 5/6 ch, 7/8 ch, 9/10 ch, 11/12 ch),
AES-3id-1995 |
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Analogue audio output (Cue) |
XLR-type 3-pin (male) (x1), +4 dBm,
600 ohms, Lo-Z, balanced, HDCAM/Digital BETACAM playback
only |
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Analogue audio monitor |
XLR-type 3-pin (x2), L/R, +4 dBm,
600 ohms, Lo-Z, balanced |
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Time code output |
XLR-type 3-pin (male) (x1), 2.2
Vp-p, Lo-Z, balanced |
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Headphone output |
JM-60 stereo phone jack (x1),
-infinity to 12 dBu, 8 ohms, unbalanced |
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AUX output |
(Option: HKSR-5804 and
HKSR-5803HQ):
A: BNC (x1), SMPTE 292M/SMPTE 372M/ARIB S004B/SMPTE 424M
B: BNC (x1), SMPTE 292M/SMPTE 372M/ARIB S004 |
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Remote (9P) input |
D-sub 9-pin (female) (x1),
RS-422A |
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Remote (9P) input/output |
D-sub 9-pin (female) (x1),
RS-422A |
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Video control |
D-sub 9-pin (female) (x1), EIA
RS-423 |
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Parallel remote |
D-sub 50-pin (female)
(x1) |
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Ethernet |
RJ-45 (x1), 10BASE-T: IEEE 802.3
(Option: HKSR-5804): RJ-45 (x1), 1000BASE-T: IEEE
802.3ab |
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Video
Performance |
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Sampling frequency |
Y: 74.25 MHz, Cb/Cr: 37.125 MHz,
G/B/R: 74.25 MHz |
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Quantization |
10 bits/sample |
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Compression |
MPEG-4 SStP Simple Studio Profile |
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Channel coding |
S-NRZ |
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Error correction |
Reed-Solomon code |
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Error concealment |
Adaptive
three-dimensional |
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Digital Audio
Performance |
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Sampling frequency |
48 kHz: up to 12 channel
96 kHz: up to 6 channel (440 Mbps) , up to 12 channel (880
Mbps) |
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Quantization |
24 bits |
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Wow & flutter |
Below measurable
level |
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Headroom |
20/18/16/15/12/9 dB
selectable |
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Analogue Audio Output
Performance |
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Quantization |
24 bits |
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Frequency response |
20 Hz to 20 kHz, +0.5 dB/-1.0 dB (0
dB at 1 kHz) |
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Dynamic range |
More than 100 dB |
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Distortion |
Less than 0.05% (at 1
kHz) |
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Crosstalk |
Less than -80 dB (at 1
kHz) |
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