Sony PMW-F55 CineAlta 4K Camcorder

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Sony PMW-F55 Cine Alta 4K Camcorder
Product Code: PMWF55

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New memory: new firmware
Sony's recording media product line continues to expand with new releases in the SxS and XQD media product categories.

Available from Spring 2017 are SxS Pro+ models SBP-64E, SBP-128E and SBP-256E. Available now are SxS-1 models SBS-64G1C and SBS-128G1C, plus XQD Memory cards QD-G64E, QD-G128E, QD-G256E, QD-M64, QD-M128.

The following cameras and recorders need updated firmware to support the new media. If a product is not listed, there is no need for a firmware update.

PMW F55: Overview
Sony 4K sensor for gorgeous, super-sampled HD, 2K and 4K
The PMW-F55 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. You get superb dynamic range, the widest colour gamut, and pristine image quality, whether you shoot in HD, 2K or 4K.

Multiple recording formats includes HD/2K/4K on SxS memory and 16-bit RAW 2K/4K on AXSM™ media
Multiple recording formats include MPEG-2 HD422, MPEG4 SStP*, XAVC 2K*/HD, XAVC QFHD*/4K and 16-bit RAW 2K/4K**. You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to 240 fps RAW 2K and 60 fps in RAW 4K recording onto the AXS-R5.

*Expected as a future upgrade.
** Recording onto the optional AXS-R5 recorder.

Lightweight modular design to maximise versatility in 2D and 3D
The F55 is exceptionally small, light and modular, letting you build up the right configuration for each job - or each shot. As well as the choice of formats and internal and external recording options, you can attach a variety of viewfinders, including the revolutionary optional DVF-EL100 OLED viewfinder, PL-mount, FZ-mount and still lenses, including second-generation Sony PL-mount lenses, and extra long-life Olivine - Lithium Iron Phosphate - batteries. The chassis is only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. An optional shoulder rig provides for hand-held and shoulder-mounted shooting.

Shoot spectacular HD, 2K or 4K
Does a 4K camera make sense in an HD world? Perfect sense. With 8.9 megapixels (effective), Sony's new 4K image sensor enables a single camera to provide gorgeous, super-sampled HD and 2K while preparing you for the 4K future.

Shoot, Record, Master and Distribute in stunning 4K. You're ready for the more than 13,000 movie theaters with Sony Digital Cinema 4K projectors.
Shoot, Record and Master in 4K. Distribute in 2K/HD. Derive your delivery format while preserving the original as a future-proof archive. Your master is ready for future 4K release.
Shoot in 4K. Record, Master and Distribute in 2K/HD. Sony's 4K sensor gives you a gorgeous, super-sampled HD picture with visibly superior texture, color reproduction, detail and high-frequency contrast that ordinary HD cameras cannot touch.

4K/2K RAW recording option
The ultimate capture system would record every nuance of light and shadow from the image sensor, preserving every detail from every pixel for full exploitation in post-production. If you want the maximum flexibility that RAW delivers, Sony's optional AXS-R5 recorder is a remarkable new choice.

4K or derived 2K RAW. Capture RAW at your choice of resolutions: the camera's native 4K or beautiful, derived 2K. RAW recording preserves the greatest latitude for color correction and other post processes.
Incredible 16-bit precision. By design, Sony's 16-bit recording captures more tonal values than the human eye can differentiate. Sony RAW retains 16 times as many Red, Green and Blue gradations as 12-bit RAW and 64 times as many tones per channel as 10-bit recording. Sony 16-bit linear RAW is also the ideal point of entry into the 16-bit linear Academy Color Encoding System (ACES) workflow.


Sony AXS-CR1
Sony's USB 3.0 card reader, the AXS-CR1

Sony PMW-F55 4K Camcorder

The camera is highly modular, a major advantage
whenever size and weight are primary concerns



Comprehensive production platform. More than an individual product, the AXS-R5 is the starting point for an efficient workflow. The AXS-R5 records onto sleek, optional AXSM™ memory cards, which are compatible with an affordable optional USB 3.0 reader, the AXS-CR1. Once on a PC, the RAW files can be screened using Sony's free RAW Viewer software.

Simultaneous RAW + Onboard SxS recording. Instead of requiring you to patch together a science project, Sony provides a coordinated "off-line, on-line" workflow with simultaneous recording to internal SxS cards and the optional AXS-R5 RAW recorder. For seamless conforming in post, you get matching time code, start frame, stop frame, file names and other metadata. The camera supports the following RAW + Onboard combinations:
- 4K/2K RAW + XAVC 2K*/HD
- 4K/2K RAW + MPEG-2 HD422
- 2K RAW + XAVC 2K*

* Expected as future upgrade

The future is built in
The Sony F55 is uniquely designed to make economic sense today, with the features you'll need to continue generating value for years to come. Instead of locking you into a single recording system, the camera opens the door to unprecedented versatility. Consider the enormous flexibility of internal recording codecs and the choice of HD, 2K*, QFHD* and 4K resolutions. The camera's 16-bit Linear RAW 4K output enables Sony's optional AXS-R5 recorder to register every nuance of color, contrast and detail from the 4K image sensor-and even record a derived 2K RAW signal. Finally, Sony's planned firmware upgrades are scheduled to bring you even more frame rates, more operating features and more recording options in the months and years to come.

Revolutionary electronic global shutter
The traditional CMOS image sensor uses a "rolling" shutter that can result in images with unwanted distortions like motion skew and flash banding. That can be annoying, especially when shooting visual effects or 3D. Anything but typical, the F55 sensor incorporates electronic global shutter. Rolling shutter distortions aren't minimized, they're completely eliminated.

Vast exposure latitude
Cinematographers paint their images with light and shadow. So the ability to render tones from deepest shadows to brightest highlights is a crucial test of any digital camera. The F55 excels, with an impressive 14 stops of exposure latitude, extraordinary low-light sensitivity and extremely low noise in the blacks. The result? Graceful rendering of scene contrast, even in searing sunlight.

Ultra wide color gamut
Sony believes that your camera should not limit your color palette. That's why the F55 incorporates the same advanced color filter array technology as used in Sony's flagship F65, which is equipped with the industry's only 8K sensor.* You get a color gamut that's not only wider than other digital cameras. It's even wider than motion picture print film.

Viewfinders as revolutionary as the camera
It's ironic that with focus so critical, most operators are stuck with viewfinders and on-camera monitors that offer middling contrast and resolution. Sony changes all that with the F55. A new digital interface has given rise to a brilliant new series of viewfinders.


Sony PMW-F55 4K Camcorder

Amazing OLED:optional DVF-EL100. Don't let the small size fool you. This 0.7-inch* viewfinder has the incredible clarity of 1280 x 720 High Definition. And resolution is just the beginning. Thanks to OLED technology, you get superb brightness, contrast and response.
Higher resolution, higher contrast: optional DVF-L350. Take a major step forward in operating with the incredible image of this 3.5-inch* LCD viewfinder. Compared to previous Sony viewfinders, this one has higher resolution (960 x 540) plus ten times the contrast. And the eyepiece flips up for direct monitoring.
Full HD:
optional DVF-L700. This compact 7-inch* LCD viewfinder enables high resolution when shooting in 2K and 4K, not to mention pixel-for-pixel 1920 x 1080 representation of your HD images


Optional shoulder rig
Sony consulted closely with cinematographers on the ergonomics of handheld and shoulder-mounted shooting. One result was the optional Sony shoulder rig, which provides comfortable handheld operation hour after hour. The rig is sturdy, lightweight and features industry-standard rosettes on both sides for quick and easy attachment of third-party hand grips and other accessories.

Modularity and versatility

The F55 is exceptionally small, light and modular, letting you build up the right configuration for each job-or each shot. For example, you can add the optional AXS-R5 RAW recorder whenever you need it. Or go with internal 4K recording whenever size and weight are the highest priority. The time code/genlock connections and XLR audio inputs are built into two modules you can add or remove as needed. Small size is particularly welcome in stereoscopic 3D shooting. The chassis is only slightly wider than a typical PL mount prime lens, perfect for both mirror rigs and side-by-side configurations.

Choice of recording formats
When it comes to production, one recording mode emphatically does not fit all. That's why the F55 gives you not one, but four useful recording formats. All four are recorded internally, onto Sony's established, affordable SxS media.


 System  Color Bit Depth Bit at 30 fps  Benefits
MPEG-2 HD 4:2:2 8 bits 50 Mbps The de facto standard for television production. The 50 Mbps 4:2:2 codec is robust with superb pictures and compact files. The workflow is well established with computationally efficient multi-stream processing and widespread third-party support.
4:2:2 10 bits 100 Mbps The next generation of H.264/AVC Intra-frame coding, the XAVC format establishes a cost-efficient system for High Frame Rate HD and 4K/60p production. The algorithm supports the high data rates you'll need beyond HD with superb efficiency and beautiful 10-bit pictures. The XAVC format also delivers the superior efficiency of multi-pass encoding, more refined bit allocation based on human visual characteristics and superior multi-generation performance.**
SR Codec* 4:2:2, 4:4:4 10 bits 220, 440 Mbps As established by the HDCAM-SR system, the SR Codec (MPEG4 SStP) is already a de facto standard for Hollywood production, post production and program exchange. The F55 will soon* incorporate the same codec that resides on SR tape. Recorded natively as a file, the SR Codec is currently supported by a robust workflow.
XAVC 4K(QFHD*) 4:2:2 10 bits 300 Mbps 4K can be a data challenge, leading to large files and hight storage costs. Sony tames the gusher throught this brilliant implementation of H.264/AVC Intra-frame encoding. You get a unique combination of exquisite 4K image quality together with reasonably compact files.

* Expected as a future upgrade
** Compared to previous professional AVC Intra-frame only encoding.

High speed shooting at up to 240 fps in 2K
From stunts and explosions to the fall of a single raindrop, high-speed shooting is a powerful storytelling tool.

■ 60 fps out of the box (XAVC HD at launch; XAVC 4K, QFHD and 2K with a planned upgrade)
■ 180 fps with a planned upgrade (XAVC 2K/HD). Unique to this process, there is no line skipping or sensor windowing. So there's no crop factor, no loss in angle of view.
■ 240 fps 2K RAW, with the optional AXS-R5 outboard recorder and a planned upgrade, achieves the highest frame rates most productions will need, while retaining exceptional, 16-bit image quality. This not only exceeds 12-bit RAW with 16 times as many Red, Green and Blue gradations. By design, it exceeds the capabilities of human vision!

Sony PMW F55Sony PMWF-55

High-speed SxS PRO+ media cards
The F55 is a next-generation camera, featuring high-data-rate on-board recording of XAVC 4K today and 180 fps XAVC 2K/HD with a free planned upgrade. This requires next-generation SxS recording media-Sony's 64 and 128 GB* SxS PRO+ memory cards-and a next-generation USB card reader, the SBAC-US20.

Real world workflows
Sony understands a fundamental truth: working cameras require practical workflows. That's why the F55 is part of a larger production platform that includes affordable media cards, affordable card readers,  free RAW Viewer software and compatibility with popular NLEs and finishing tools.

Sony PMW-F55 4K Camcorder


Incredible flexibility:
PL-mount, FZ-mount and still lenses
Some Super 35 digital motion picture cameras are dedicated to PL-mount cine lenses. Other cameras tap the growing trend of shooting with affordable still lenses. The F55 was designed from the ground up to accommodate both.

PL-Mount Lenses.Take advantage of acclaimed cine optics from Angénieux®, Canon®, Carl Zeiss®, Cooke®, FUJIFILM®, Leica® and more.
Still Lenses.Slip off the supplied PL-mount adaptor to reveal the native FZ mount with 18 mm flange focal distance. It's perfect for accepting commercially available adaptors for still lenses, including Canon® EF, Canon FD, Nikon® DX, Nikon G, Leica® M and even 2/3-inch broadcast B4 lenses.
FZ-Mount Lenses
. There's also Sony's game-changing FZ-mount auto focus servo zoom: the SCL-Z18X140.


Sony PMW-F55
Enjoy the convenience of auto focus, auto iris, image stabilization and servo zoom in Super 35 cinematography with Sony's SCL-Z18X140 14x zoom.

Sony PMW-F55


Sony Cine Alta PL-mount prime lenses: A new generation
With the F55, Sony introduces our second generation of cost-effective PL mount prime lenses, featuring a dramatic improvement in build quality. Thanks to refined glass, all are certified for 4K capture, while minimizing geometric distortion, vignetting and breathing. A 9-blade iris delivers beautiful bokehs. The focus rings rotate 240°. The series includes focal lengths of 20, 25, 35, 50, 85 and 135 mm. For easy lens changes, all have the same T2.0 aperture, the same external diameter, matte box diameter, and gear locations for follow focus and aperture. All are the same size except for the 135 mm.

More than just a pretty interface
Carefully designed with significant input from cinematographers, the F55 provides an incredibly rich range of controls. And the interface is nicely intuitive. Instead of diving through menus, you get direct, one-touch access to key shooting parameters including frame rate, shutter speed, color temperature, ISO sensitivity and gamma. Assignable buttons mean that favorite adjustments are always at your fingertips

Real-time 4K output and other vital connections
The camera offers powerful connections, including real-time 4K output, up to 60p, to a compatible monitor. It's made possible by four 3G-SDI outputs. There's also HDMI®, USB, DC in connection, a removable XLR audio module and a removable time code/genlock module. The XLR inputs accept balanced analog signals, provide 48-Volt phantom power and will accept four channels of AES/EBU digital audio with an expected firmware upgrade.

Long-life Olivine Battery
The F55 takes advantage of Sony's innovative BP-FL75 battery pack, which uses Olivine-Lithium Iron Phosphate-instead of conventional Lithium Ion cathodes. The result is a substantial increase in charge-discharge cycles, compared to previous Sony batteries.

The Olivine battery works with Sony's BC-L90 quick charger



Mass Approx. 2.2 kg (Camera only)
Dimensions (W x H x D) * 151 x 189 x 210 mm (without protrusions)
Power Requirements DC 12 V (11 V to 17.0 V)
Power Consumption Approx. 25 W (While Recording XAVC 4K 60p, EVF Off, LCD monitor Off, 4K SDI On)
Operating Temperature 0°C to 40°C
Storage Temperature -20°C to +60°C
Battery Operating Time Approx. 150 min with (BP-FL75), Approx. 210 min with (BP-GL95A)
Recording Format (Video) MPEG-2 Long GOP/HD 422 mode: CBR, 50 Mbps max/MPEG-2 422P@HL
Recording Format (Audio) Linear PCM (2 ch, 24-bit, 48-kHz)
Recording Frame Rate (XAVC 4K) 4096 x 2160, 23.98p/25p/29.97p/50p/59.94p
Recording Frame Rate (QFHD) 3840 x 2160, 23.98p/25p/29.97p/50p/59.94p
Recording Frame Rate (XAVC 2K) 2048 x 1920, 23.98p/24p/25p/29.97p/50p/59.94p
Recording Frame Rate (XAVC HD) 1920x1080, 23.98p/25p/29.97p/50p/59.94p
Recording Frame Rate (MPEG4 SStp) 1920 x 1080, 23.98p/24p/25p/29.97p
Recording Frame Rate (MPEG2 HD) 1920x1080, 50i/59.94i/23.98p/25p/29.97p; 1280 x 720, 50p/59.94p

Camera Section

Imaging Device (Type) Super 35mm equivalent Single-chip CMOS with Global Shutter
Imaging Device (Pixel Count) 11.6M (total), 8.9M (effective)
Built-in Filters Clear, 0.9 (1/8ND), 1.8 (1/64ND)
Sensitivity (2000 lx, 89.9% Reflectance) Video Gamma: T11@24p (3200K light source)
ISO Sensitivity S-Log2 Gamma: ISO 1250 (D55 Light source)
Lens Mount PL mount (with supplied lens mount adapter)
Flange Focal Length FZ mount (without supplied lens mount adapter)
Latitude 14-stop
S/N Ratio 57dB (Video Gamma, 24p, Noise Suppression OFF)
Shutter Speed 1/24s to 1/6,000s
Shutter Angle 4.2°to 360°(electrical shutter)
Slow Shutter (SLS) 2, 3, 4, 5, 6, 7, and 8-frame accumulation
Slow & Quick Motion Function (XAVC 4K/QFHD) 1-60p (NTSC), 1-50p (PAL)
Slow & Quick Motion Function (XAVC HD/2K) 1-180p (NTSC), 23.98p/29.97p w/ Option; 1-150p (PAL), 25p w/ Option
Slow & Quick Motion Function (XAVC HD) 1-60p (NTSC), 1-50p (PAL)
White Balance Preset (3200K, 4300K, 5500K), Memory, ATW
Gain  -3, 0, 3, 6, 9, 12, 18 dB, AGC
Gamma Curve Standard (x6) HG1, HG2, HG3, HG4, HG7 and HG8; S-Log2 Gamma


Audio Input CH-1/CH-2: XLR-type 3-pin (female) (x2), Line/Mic/Mic +48V/AES/EBU selectable
Composite Output AV multi connector, NTSC or PAL
Video Output HD-Y or HD Sync (tri-level) V1.0, Analog Composit (VUP)
Audio Output Phono jack (CH-1, CH-2)
HD-SDI Output (HD mode) SDI 1/2/3/4 Line Output (character on/off), HD-SDI/3G-SDI switchable
DC Output 4-pin (x1), 11 V to 17 V DC (MAX 2.0A) w/ battery adapter
HD-SDI Output (4K mode) SDI 1/2/3/4 Line Output (character on/off), HD-SDI/3G-SDI switchable
Timecode Input/Output  TC IN/OUT (x1) switchable


Supplied Accessories
Lens mount adapter x1
- Battery adapter x1
-Audio input connector x1
- Screws for the audio input connector x4
- Tape measure hook x1
- USB wireless LAN module IFU-WLM3 x1
- Operating Instructions (CD-ROM) x1

AG-DVX200 | AJ-PX270 | AJ-PX230 | NEX-FS700RH | PXW-Z150 | PMW-300 | HC-X1000 | PXW-X160 | PXW-X180 | Samurai Blade | Ninja Blade | HXR-NX3 | HXR-NX5R | Shogun 4K | Odyssey 7Q+ | Contact

Optional Accessories

Recommended Microphone

Panasonic AG-AF101
Sennheiser ME66+K6

ME 66 Short gun Microphone Head + K6 Powering Module for Batter/Phantom Powering

ME 66 Short gun Microphone Head


Uncompressed HD  Video Monitor / Recorder-Optional Accessories

Convergent Design Odyssey 7
Convergent Design Odyssey 7

Odyssey 7 is a professional 7.7” OLED monitor with high-end monitor features, including Waveform, Zebras, Histogram, Vectorscope, Focus Assist, False Color, Timecode Display and Audio Level Meters, and 1:1 Pixel mode

Convergent Design Odyssey 7

Optional Accessories
For Sony PMW-F5 and PMW-F55
Sony SCL-PK3/M Sony SCL-PK3/F Sony SCL-PK6/M Sony SCL-PK6/F Sony SCL-P11X15
CineAlta 4K PL mount lens pack x3 (metric)
Pack of 20mm, 25mm and 135mm lenses with metric calibrations
CineAlta 4K PL mount lens pack x3 (feet)
Pack of 20mm, 25mm and 135mm lenses with calibrations in feet and inches
CineAlta 4K PL mount lens pack x6 (metric)
Pack of 20mm, 25mm, 35mm, 50mm, 85mm and 135mm lenses with metric calibrations
CineAlta 4K PL mount lens pack x6 (feet)
Pack of 20mm, 25mm, 35mm, 50mm, 85mm and 135mm lenses with calibrations in feet and inches
Wide angle zoom lens for PMW-F series
Buy Sell Sales Sony SCL-PK3/M Buy Sell Sales Sony SCL-PK3/F Buy Sell Sales Sony SCL-PK6/M Buy Sell Sales Sony SCL-PK6/F Buy Sell Sales Sony SCL-P11X15
Sony CBK-DCB01 Sony BC-L90 Sony BP-FL75 Sony DVF-EL100 Sony DVF-L350
Remote control unit for PMW-F55, PMW-F5, PMW-F3, PMW-320, PMW-350, PMW-500, PMW-EX3* High speed battery charger for BP-FL75 and V-Mount batteries Olivine long-lasting battery for F-series cameras. Perfect integration with PMW-F55 and PMW-F5 cameras OLED 0.7-inch colour HD digital viewfinder for CineAlta cameras LCD 3.5-inch colour HD digital viewfinder for CineAlta cameras
Buy Sell Sales Sony CBK-DCB01 Buy Sell Sales Sony BC-L90 Buy Sell Sales Sony BP-FL75 Buy Sell Sales Sony DVF-EL100 Buy Sell Sales Sony DVF-L350
DVF-L700 AXS-R5 AXSA512S24 AXSA1TS24 AXS-512S24
Sony DVF-L700 Sony AXS-R5 CineAlta 4K PL mount lens CineAlta 4K PL mount lens Sony AXS-512S24
LCD 7-inch colour full HD digital viewfinder  for CineAlta cameras 2K/4K external 16bit RAW recorder for PMW-F5 and PMW-F55 using AXS memory card. A-Series 512GB AXS Memory card for
AXS-R5 RAW recording system.
*Includes adapter for use with
AXS-R5 and AXS-CR1
A-Series, 1TB capacity, AXS Memory card for use with AXS-R5 RAW recording system.
*Includes adapter for use with
AXS-R5 and AXS-CR1
AXS Memory card, 512 GB capacity and 2.4 Gbps guaranteed write speed
Buy Sell Sales Sony DVF-L700 Buy Sell Sales Sony AXS-R5 Buy Sell Sales Sony AXSA512S24 Buy Sell Sales Sony AXSA1TS24 Buy Sell Sales Sony AXS-512S24
Sony AXS-CR1        
Compact card reader for AXS media        
Buy Sell Sales Sony AXS-CR1        
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Sony XDS-PD2000 XDCAM Deck with two SxS memory slots
Sony PDW-F1600 XDCAM HD422 Professional Disc Recorder
Sony PDW-U2 XDCAM Professional Disc Drive Unit
Sony PDW-HR1 Professional Disc Field Station

Memory Cards and Adaptors
Sony SBP128B SxS PRO+ 128GB Memory Card
Sony SBP64A SxS PRO 64GB Memory Card
Sony SBP64B SxS PRO+ 64GB Memory Card
Sony SBS32G1A SxS-1 32GB Memory Card
Sony SBS64G1A SxS-1 64GB Memory Card
Sony MEAD-SD02 Adaptor for SDHC/SDXC Card

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Sony HXR-MC1500 HD Tape-less Memory Camcorder
Sony HXR-FMU128 Flash Memory Unit
Sony HXR-IFR5 AXS-R5 interface unit for NEX-FS700
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Sony HXR-NX100 NXCAM Camcorder
Sony HXR-NX80 NXCAM Camcorder

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Sony HDC-2500 HD Multi-Format Camera
Sony HDC-2550 HD Multi-Format Camera
Sony HDC-3300 HD Super Motion Color Camera
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Sony HXC-100 Multi Format Camera System
Sony HSC-300 Multi Format Camera System
Sony HXC-D70H Camera Head Body
Sony HXC-D70K Camera Head with 3.5" VF/MIC/16x Lens
Sony HXC-D70L Camera Head with CBKVF01/Lens

PTZ Cameras
Sony BRC-H900 HD 3CMOSs P/T/Z Color Video Camera
Sony BRC300 NTSC 1/4.7 3CCDs P/T/Z Color Video Camera
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Sony AWS-750 Anycast Touch Portable Live Content Producer
Sony MCS-8M Compact HD/SD Switcher
Sony RM-280 Editing Controller
Sony NXL-IP55 Live Multi-camera System

Sony LMD-A170 17-inch Production Video LCD Monitor
Sony LMD-A220 22-inch Production Video LCD Monitor
Sony LMD-A240 24-inch Production Video LCD Monitor
Sony LMD-4251TD 42-inch High Grade 3D LCD Monitor
Sony LMD-2451TD 24-inch High Grade 3D LCD Monitor
Sony LMD-2041W 20-inch Widescreen High Grade LCD Monitor
Sony LMD-1751W 17-inch WXGA (1280 x 768) High Grade LUMA Monitor
Sony LMD-2341W 23-inch Wide Screen High Grade LCD Monitor
Sony LMD-1541W 15-inch Wide Screen High Grade LCD Monitor
Sony LMD-941 LCD Monitor
Sony LMD-2110W LCD Monitor
Sony LMD-1530W LCD Monitor
Sony LMD-1510W 15.6-inch Widescreen Entry-level LCD Monitor
Sony BVM-E250A 24.5" OLED Reference Monitor with Wide Viewing Angle
Sony BVM-E250 24.5-inch Full-HD Reference OLED Monitor
Sony BVM-E170A 16.5" OLED Reference Monitor with Wide Viewing Angle
Sony BVM-E170 16.5-inch Full-HD Reference OLED Monitor
Sony PVM-X300 30inch LCD Professional Monitor
Sony PVM-1741A 16.5" OLED Professional Picture Monitor
Sony PVM-2541A 25" OLED Professional Picture Monitor
Sony PVM-741 OLED Monitor
Sony PVM-A170 17-inch TRIMASTER EL OLED Monitor
Sony PVM-A250 25-inch TRIMASTER EL OLED Monitor
Sony SU-561 Mounting Stand
Sony BKM-120D Video Monitor Accessories
Sony BKM-129X Video Monitor Accessories
Sony BKM-220D SDI 4:2:2 Input Adaptor
Sony SBKM-227W NTSC/PAL Input Adaptor
Sony BKM-229X Analog Component Adaptor
Sony BKM-243HS HD SDI&SDI Input Adaptor
Sony BKM-244CC HD/SD-SDI Closed Caption Adaptor
Sony BKM-250TG 3G/HD/SD-SDI Closed Caption Adaptor
Sony MB-529 Mounting Bracket
Sony MB-530 Mounting Bracket
Sony MB-531 Mounting Bracket
Sony MB-532 Mounting Bracket
Sony MB-533 Mounting Bracket
Sony LMD-2041W 20-inch LCD Monitor
Sony LMD-1530W 15-inch WXGA Entry Level HD Monitor with HDMI

Sony Pro Audio
Sony MZM200 Professional Pro Audio
Sony PCMD1 - Portable Linear PCM Recorder
Recorder Accessories
Sony POC20AP Optical Cable
Sony wired Microphone ECM957PRO
Sony Audio Cary case PCPCMD50G
Sony Headphones
Professional Studio headphone MDR-7502
Sony Professional Studio Headphone MDR-7506

Sony Professional audio Mixers
Sony DMXP01 - Portable Digital Mixer
Sony DMXR100 - Digital Audio Mixer
Sony OXFORD - Digital Audio Mixing Console
Sony SRP-X100 - Rack Mount Audio Mixer
Sony SRP-X500P - Digital Powered Mixer
Sony SRP-X700P - Digital Powered Mixer

Microphones - Wired
Sony C38B - Condenser Microphone
Sony C800GPAC - Studio Tube Condenser Microphone
Sony ECM166BC - Electret Condenser Lavalier Microphone
Sony ECM166BMP - Electret Condenser Lavalier Microphone
Sony ECM322BC - Electret Condenser Headset Microphone
Sony ECM322BMP - Electret Condenser Headset Microphone
Sony ECM44B - Electret Condenser Lavalier Microphone
Sony wired Mic ECM-44BC
Sony wired Mic ECM-44BMP
Sony Shot gun Microphone ECM-44BPT
Sony wire Microphone ECM-530
Sony wire Microphone ECM-55B
Sony wire Microphone ECM-66B
Sony wire Microphone ECM-66BC
Sony Shot gun Microphone ECM-673
Sony Shot gun Microphone ECM-674
Sony Shot gun Microphone ECM-678
Sony Stereo Shotgun Microphone ECM-680S
Sony Lavalier Microphone ECM-77B
Sony Lavalier Microphone ECM-77BC/9X
Sony Lavalier Microphone ECM-77BMP
Sony Lavalier Microphone ECM-77BPT
Sony Lavalier Microphone ECM-88B
Sony Lavalier Microphone ECM-88BC
Sony Lavalier Microphone ECM-88BPT
Sony Lavalier Microphone ECM-88FPT
Sony Wireless Microphone UWP-D11
Sony Handheld wireless microphone UWP-D12
Sony wireless Mic with Plug on transmitter UWP-D16
Sony DWZ-B30GB DWZ Series Digital Wireless Guitar Set
Sony DWZ-M50 Digital Wireless Vocal Set
Sony CUE672 - Mic Capsule Unit for WRT-847B
Sony CUF117 - Mic Capsule Unit for WRT-847B
Sony CUF780 - Mic Capsule Unit for WRT-847B
Sony CUG780 - Mic Capsule Unit
Sony DWRS01D/3032 - Dual Channel Digital Wireless Receiver
Sony DWR-S01D/4244 - Dual Channel Digital Wireless Receiver
Sony DWT-B01/4250 - Digital Wireless Transmitter
Sony URX-M2/4244 - UWP Series Plug-in Tuner Module
Sony URX-P2/3032 - UWP Series Portable Tuner
Sony URXP2/4244 - UWP Series Portable Tuner
Sony UTX-B2V/3032 - UWP Series Bodypack Transmitter
Sony UTX-B2X/3032 - UWP Series Bodypack Transmitter
Sony UTX-H2/3032 - UWP Series Handheld Microphone
Sony UTX-H2/4244 - UWP Series Handheld Microphone
Sony UTX-P1/3032 - UWP Series Plug-on Transmitter
Sony UWP-X7/4244 - Lav Mic, Bodypack TX and RX Module Wireless System
Sony UWPX-8/ 4244 - Handheld Mic TX and RX Module Wireless System
Sony WRR-855B 30/32 - Portable Plug-In Diversity Tuner
Sony WRR-862B 42/44 - Dual Channel Portable Tuner
Sony WRR-861B42/44 - Portable Diversity Tuner
Sony WRR-862B 30/32 - Dual Channel Portable Tuner
Sony WRR-862B 42/44 - Dual Channel Portable Tuner
Sony WRT-8B 30/32 - Body Pack Transmitter
Sony WRT-8P/4244 - Plug-On Transmitter
Sony WRU-8N30/32 - Diversity Tuner Module

Optional Accessories
Sony Projector Lamps
Sony VPL-EX100 Projector
Sony VPL-EX120 Projector
Sony VPL-EX145 Projector
Sony VPL-EX175 Projector
Sony VPL-FX35 Projector
Sony VPL-FX30 Projector
Sony VPL-FX500L Projector
Sony VPL-EX70 Projector
Sony VPL-EX7 Projector
Sony VPL-ES7 Projector
Sony DVW-2000 Digital Betacam
Sony DVW-2000P Digital Betacam
Sony DVW-M2000 Digital Betacam
Sony DVW-M2000P Digital Betacam