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1202-VLZ3, VLZ3 Compact Mixers

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Mackie 1202-VLZ3

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Model: 1202-VLZ3
12-Channel Compact Analog Mixer w/ 4 XDR2 preamps

Sure it’s cute, but the Mackie 1202-VLZ3 is a serious professional compact mixer, with features that belie its small footprint. The ideal compact mixer for home and project studios, the 1202-VLZ3 is equally at home on the road, on the stage, or in the recording studio. Here at Mackie, we can never leave “well enough” alone. After all, the VLZ Pros are the best-selling mixers of all time, so we knew it would be tough to improve on what many devoted owners already consider perfection… and yet we were driven to do it anyway.

While it keeps all the features and functionality of its predecessor, the Mackie 1202-VLZ3 offers even greater headroom versus the original. We could have stopped right then and there, but we’re obsessed with perfection. So we redesigned the Mix Bus, tweaked the EQs, and created a mixer with a highly intuitive, musical feel.


 

VASTLY SUPERIOR XDR2™ MIC PREAMPS
Our new XDR2 (Extended Dynamic Range) second-generation mic preamps are better than ever. These new pres offer incredibly low noise, with individual mic pre THD below 0.0007%, and overall mixer THD less than 0.0025%. With 60dB of available gain per channel, the 1202-VLZ3 can handle inputs ranging from a whisper to a scream, and can even handle hot line-level signals up to +22db, without any added coloration. You simply won’t find preamps this good on any other mixer in this price range.

EQUALIZATION
We invested tremendous resources optimizing the center frequencies of our 3-band Active EQs. By selecting 80Hz, 2.5kHz and 12kHz, for the Lows, Mids and Highs, respectively, we created an even more musical EQ than on previous VLZs. With up to 15dB boost/cut capability per band, VLZ3’s Active EQ provides more tone-sculpting latitude than any other mixer in its class.

PROFESSIONAL FEATURES
The Mackie 1202-VLZ3 is packed with premium features on every mic channel: 75Hz Low-Cut filters, two Aux Sends, inserts, phantom power, constant-loudness Pan controls and Pre Fader Solo. And since you can never have too many output options, we provided a Control Room/Phones source matrix, Master Aux section with EFX to Monitor, tape outputs, a high-volume headphone amplifier and balanced XLR and TRS outputs.

NEED EVEN MORE FLEXIBILITY?
Greg Mackie's mind was working overtime when he originally came up with this—instead of sending muted signals into the vacuum of space, why not do something useful with them? So, when you press the mute button on the 1202-VLZ3, the signal is indeed muted—but it also appears at the ALT 3-4 output jacks and ALT 3-4 stereo bus. This is an ideal way to create additional Aux Sends and mixes for cry rooms, green rooms, or assistive listening, etc. And with a press of a button, the ALT 3-4 mix can be assigned to the Main output—which means ALT 3-4 can act very much like a mixer within a mixer.

BUILT MACKIE TOUGH
All VLZ3 mixers are built tough-as-a-tank. Our legendary solid-steel chassis can take the kind of abuse that would turn our competitors’ flimsy boxes into twisted chunks of debris. Instead of cheap, unsealed potentiometers, we use co-molded pots, which offer substantial strain and impact relief. By design, our control knobs “ride” just above the surface of the chassis, so if something falls onto the mixer, the impact is transferred from the knobs to the chassis—not to the potentiometers or circuit board. Finally, we use thick, horizontally mounted fiberglass PC boards to eliminate the potential for damage and brace them with a shock-absorbing support structure. They’ve survived earthquakes, hurricanes and typhoons, so Mackie mixers can certainly handle whatever you throw at them.

VERSATILITY
You'll find Mackie mixers everywhere you go—from video post-production facilities, to major artist tour buses, to duty as field mixers for news departments of all the major networks. Drummers and keyboardists use them to send submixes to front of house and monitor consoles. VLZ3 compact mixers are the ideal choice for any situation requiring superior audio mixing, especially where space and/or budget constraints are an issue.

Leave it to the innovative minds at Mackie to produce the 1202-VLZ3, an even perfecter version of the best-sounding mixer in its class.

  • New ultra-low noise VLZ3 design with highest possible headroom

  • 4 studio-grade XDR2™ Extended Dynamic Range mic preamps with:
    - Ultra-wide 60dB gain range
    - 130dB dynamic range
    - +22dBu line input handling
    - Extended low frequency response
    - Distortion under 0.0007% (20Hz - 20kHz)
    - Phantom power for studio condenser mics

  • 12 high-headroom line inputs

  • Advanced DC pulse transformer RF rejection

  • 2 Aux send, level, pan and PFL solo on each channel

  • 2 stereo Aux returns + EFX to Monitor

  • 3-Band Active EQ (80Hz, 2.5kHz, 12kHz)

  • 18dB/oct. 75Hz Lo-Cut filter on Mic input channels

  • ALT 3/4 stereo bus for added versatility

  • Control Room/Phones source matrix

  • Rack-mountable design using optional rack ears

  • Sealed rotary controls to resist dust and grime

  • New Multi-Voltage power supply for worldwide use

  • Sleek, rugged steel chassis

  • Includes Tracktion 3™ Music Production Software for Mac or PC

General Specifications
Frequency Response: (Mic to any output @60 dB gain)
20 Hz to 60 kHz: +0dB/-1dB
20 Hz to 200 kHz: +0dB/-3dB
Total Harmonic Distortion (THD+N): (1 kHz @ 35 dB gain, 20 Hz to 20 kHz bandwidth)
Mic pre @ insert: <0.0007%
Noise Characteristics: (Mic in to Insert Send out, max gain)
150Ω termination: -129.5 dBu
(20 Hz to 20 kHz bandwidth, 1/4" Main Out, channels 1-4 Gain @ unity gain, channel EQs flat, all channels assigned to Main Mix, channels 1 and 3 panned left, 2 and 4 panned right)
Main Mix Knob down, channel Level knobs down: -100 dBu
Main Mix knob @ unity, channel level knobs down: -86.5 dBu
Main Mix knob @ unity, channel level knobs @ unity: -84.5 dBu

Signal-to-Noise Ratio, ref. +4 dBu: 90 dBu
Attenuation/Crosstalk: (1 kHz relative to 0 dBu, 20 Hz to 20 kHz bandwidth, Line In, 1/4" Main Out, Gain @unity)
Main Mix knob down: -75 dBu
Channel Alt/ Mute switch engaged: -85 dBu
Channel Level knob down: -87 dBu
Common Mode Rejection Ratio (CMRR): Mic In to Insert Send out, max gain @ 1kHz: better than -70 dB
Maximum Levels: Mic In: +22 dBu
Tape In: +16 dBu
All other inputs: +22 dBu
Main Mix XLR Out: +28 dBu
All outputs: +22 dBu
Impedance: Mic In: 2.5 kΩ
Channel Insert Return: 2.5 kΩ
All other Inputs: 10 kΩ or greater
Tape Out: 1.1 Ω
All other outputs: 120Ω
Physical Dimensions and Weight: Height: 11.2 in / 284 mm
Width: 11.9 in / 303 mm
Depth: 3.0 in / 75 mm
Weight: 6.5 lb / 3.0 kg
AC Power Requirements: Power Consumption: 25 watts
US, JP: 100-120 VAC, 50 - 60 Hz
Fuse rating: 500 mA slo blo, 5 x 20 mm
EU: 200 - 240 VAC, 50 - 60 Hz
Fuse rating: 250 mA slo blo, 5 x 20 mm

Operating Temperature: 0° - 40°C, 32° - 104°F
EQ: High Shelving: ± 15 dB @ 12 kHz
Mid Peaking: ± 15 dB @ 2.5 kHz
Low Shelving: ± 15 dB @ 80 Hz
Low Cut Filter: 18 dB/octave, -3 dB @ 75 Hz

     

 

 
 
   
   

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Mixers - Onyx 4-Bus | Onyx 24.4 | Onyx 32-4 | Onyx-i Series - Onyx 820i | Onyx 1220i | Onyx 1620i | Onyx 1640i |
VLZ3 Compact Mixers - 402-VLZ3 | 802-VLZ3 | 1202-VLZ3 | 1402-VLZ3 | 1642-VLZ3 | 1604-VLZ3 | 2404-VLZ3 | 3204-VLZ3 |
CFX.mkII Mixers - CFX12.mkII | CFX16.mkII | CFX20.mkII | On-Stage Mixers - ProFX8 | ProFX12 | ProFX16 | ProFx22 |
PPM Powered Mixers - PPM 608 | PPM1008 | PPM1012 |
Loudspeakers | PortablePowered - SRM150 | SRM350v2 | SRM450v2 | TH-12A |
TH-15A | SRM1801 | High-Def Powered - HD1221 | HD1521 | HD1531 | HD1501 | HD1801 | HDA | PortablePassive - C200 | C300z |

Studio Monitors
- Active Monitor - HR824mk2 | HR624mk2 | MR8mk2 | MR5mk2 | MR8 | MR5 | Monitor Control - Big Knob |
Digital Recording- Compact Mixers - Onyx 820i | Onyx 1220i | Onyx 1620i | Onyx 1640i | ProFX8 | ProFX12 | ProFX16 | ProFx22 |
Recording Interfaces - Onyx Blackjack | Onyx Blackbird | Software - Tracktion3 | Control Surfaces - MCU Pro & Extender Pro |

Amplifiers - Powered Mixers - PPM608 | PPM1008 | PPM012 | Software - Music Production Software - Tracktion 3 | C4 Commander |
d8b Plug-Ins - d8b v5 | Pro Audio Lab | DSR-1 | Final Mix | Saturated Fat | Real Time Analysis 31 | Delay Factor | Filter Machine | Time Pak |
Auto Tune | ADX100 | MDW2x2 | Accessories - Loudspeaker Bags - SRM450/C300z Bag | SRM350/C200 Bag | TH-15A Bag | TH-12A Bag |
Loudspeaker Covers - HD1221 Cover | HD1521 Cover | HD1531 Cover | SRM1801 Cover | HD1501 Cover | HD1801 Cover |
Loudspeaker Hardware - SPM200 | SRM350/C200 Bracket | PA-A1 | PA-A2 | FB221 | ACC-R280S | ACC-CK100 | HDA Rigging Kit L |
HDA Rigging Kit R | HDA Rigging Pin Kit | Mixer Bags - ProFX8 Bag | ProFX12 Bag | ProFX16 Bag | ProFX22 Bag | 402-VLZ Bag | 802-VLZ Bag |
1202-VLZ Bag | 1402-VLZ Bag | 1604 -VLZ Bag | PPM Bag | Onyx 820i Bag | Onyx 1220i Bag | Onyx 1620i Bag | Onyx 1640i Bag| CFX12.mkII Bag|
CFX16.mkII Bag | CFX20.mkII Bag | Mixer Covers - ProFX16 Cover | ProFX22 Cover | 1604-VLZ Cover | 2404-VLZ Cover | 3204-VLZ Cover |
Onyx 24.4 Cover | Onyx 32.4 Cover | CFX12.mkII Cover | CFX16.mkII Cover | CFX20.mkII Cover | Mixer Hardware - 1202-VLZ Rack Ears | 1402-VLZ |
1642-VLZ Rack Ears| 1604-VLZ Rotopod | Onyx 820i Rack Ears | Onyx 1220i Rack Ears | Onyx 1620i Rack Ears | Onyx 1640i Rotopod Kit |
ProFX16 Rack Ears | CFX12.mkII Rack Ears |


Discontinued Products -
d.2 | Onyx 1220 | Onyx 1620 | Onyx 1640 | Onyx FireWire Card | 1202-VLZ Pro | 1402-VLZ Pro | 1642-VLZ Pro | 1604-VLZ Pro |
MIXERS-Onyx 80 Series | MIXERS-SR Consoles | MIXERS-Onyx 80 Series | Onyx 2480 | Onyx 3280 | Onyx 4080 | Onyx 4880 |
Onyx 2480 | Onyx 3280 |
Onyx 4080 | Onyx 4880| MIXERS-SR C
onsoles |
SR24•4 VLZ PRO | SR32•4 VLZ PRO | Tracktion 2  | Spike  | Onyx 400F | Onyx 800R | MCU & Extender |
Mackie Control C4 | DFX•6 | DFX•12 |