Panasonic AJ-HPX3100G

Panasonic AJ-HPX3100G

2/3" 2.2 megapixel P2 HD Camcorder

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 Panasonic AJ-HPX3100G 2/3" 2.2 megapixel P2 HD Camcorder

Panasonic AJ-HPX3100G
Product Code: AJHPX3100G
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Optional Accessories
Sony Headphone
Sony MDR-7506


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The AJ-HPX3100 is Panasonic's most compact, lightweight 2/3" P2 HD shoulder-mount camcorder ever. Featuring three 2/3" high density 2.2 million pixel CCDs, the HPX3100 acquires full-raster 1920 x 1080 resolution imaging with 4:2:2 10-bit sampling using the advanced AVC-Intra codec. Offering a new compact size (similar to the AG-HPX370) for added mobility, the two P2 slot camcorder records in multiple worldwide formats, in HD in AVC-Intra and in DVCPRO HD at 1080 in 24p, 25p, 30p, 50i and 60i, and in SD (480i/586i) in DVCPRO50, DVCPRO and DV. AVC-Intra, the industry's most advanced compression technology, is a professional intra-frame video codec with bit rates of 50 and 100Mbps, utilizing the High-10 and High-422 profiles of H.264 respectively. AVC-Intra provides high-quality 10-bit intra-frame encoding in two modes: AVC-Intra 100 for full-raster mastering video quality, and AVC-Intra 50 Mbps for DVCPRO HD quality at half the bit rate, thereby doubling the record time on a P2 card.

Designed for scripted programming, documentary, nature, cinema and commercial production, the master-quality HPX3100 offers new features including 24-bit audio in AVC-Intra 100/50, wireless metadata input capability via wireless LAN, and a high-quality proxy recording (option). The HPX3100 is equipped with six advanced gamma settings, including Film-Rec 600% mode (made popular by the VariCam), film-like shutter controls, and intuitive film camera-like operation. It also features a built-in reverse scan that allows unique setups such as mounting the camera upside down or usage of an ultra prime lens or an anamorphic lens adapter to create a 2.35:1 aspect image.

• A newly designed body with low center of gravity offers unobstructed views on both sides and weighs approx. 3.9 kg (8.6 lb) without accessories.
• Power consumption is approx. 34 W for the camera recorder only, about 23% lower than a conventional model.*6
• The 2.2 megapixel 2/3-type 3CCD provides high-resolution full-pixel (1920 x 1080) HD images.
• A high sensitivity of F11/F12*1, and an excellent S/N ratio of 59 dB.*2
• The AVC-Intra 100 codec records high-quality images using 10 bit/4:2:2 sampling.
• Supports high-quality 24 bit audio recording*3
• The one-clip recording function records multiple cuts in a single clip.
• New options enable high-quality proxy video*4 and wireless LAN capability.*5
• Optional color or black-and-white type viewfinder.
• Supports optional camera studio systems.
• Compatible with the new microP2 card.*6


New Design for an Enhanced Level of Mobility
The innovative new form of the AJ-HPX3100 brings greater mobility, comfort and operating ease to the familiar shoulder-held shooting style. The body is small and weighs just 3.9 kg (8.6 lb) without accessories. A large shoulder pad and low center of gravity combine to ensure outstanding stability on the shoulder. The low-profile design also provides an unobstructed view to the camera operator's right. All operation switches, volume controls and P2 card slots are set on the left side of the camera. Their logical horizontal arrangement makes it easy to insert and remove cards quickly.

2.2-Megapixel 3CCD Offering Both High Resolution and High Sensitivity
The camera section features a 3CCD system with a high-density 2.2 megapixel 2/3 type 3CCD to offer full-pixel HD (1920 x 1080)
resolution and high F11 or F12* sensitivity. The switchable interlace/progressive system adapts to 1080/23.98p (or 29.97p, 25p) native video recording.
*F11 sensitivity is attainable in the 1080/59.94i mode, and F12 sensitivity is attainable in the
1080/50i mode.

Panasonic AJ-HPX3100G

14 bit DSP Circuit Achieves High Image Quality with S/N Ratio of 59 dB
The high-performance DSP circuit provides rich gradation and superb color reproduction based on 14 bit A/D conversion. With an S/N ratio of 59 dB (when the DNR is turned ON), it also offers low noise. The circuit features highprecision picture quality adjustment functions such as a skin tone detail function and a 12 axis independent color correction function. The new DSP circuit achieves less consumption than previous models.

Panasonic AJ-HPX3100G

Chromatic Aberration Compensation (CAC)
This exclusive technology works between the lens and camera, allowing for a highly sophisticated algorithm to be deployed that automatically compensates the registration error that is caused mainly by lens chromatic aberration, and minimizes the neighboring blur.
•Simulation Showing the CAC (Chromatic Aberration Compensation) Effect

Panasonic AJ-HPX3100G
High-Sensitivity Digital Super Gain
The digital super gain (frame cumulative mode) lets the AJ-HPX3100G record with a high S/N ratio*1 and less of the noise that commonly comes with higher gain. The gain and digital super gain can be flexibly combined to achieve highly sensitive recording of up to a +76 dB*2 gain increase and 0.005 lx minimum illumination, to suit various shooting conditions.
*1: Due to the use of image accumulation, the number of recorded frames per second
decreases. This results in a frame-by-frame playback effect.
*2: With super gain set at +42 dB and digital super gain (cumulative mode) at +34 dB.
DRS (Dynamic Range Stretch) Function
DRS recognizes the average brightness of highlight and shadow areas and then automatically adjusts the aperture and uses knee control to suppress blocking in the shadow areas. In scenes with mixed dark and light areas, DRS automatically provides a wider dynamic range with minimal blown highlights and blocked shadows. Two new color saving modes (Mode 1: Natural color, Mode 2: Vivid color) for high-brightness effects and a depth (3 steps for compression level) setting function have been added to improve adjustment.
Panasonic AJ-HPX3100G
Maximum 4x Digital Zoom
Digital zoom electronically increases the magnification rate of the lens by 2x, 3x or 4x. HD images retain their superior resolution even with zooming, and - unlike when a lens extender is used - brightness is not reduced.
* The digital processing effect is perceptible in the image when x3 or x4 zoom is used.
Seven Gamma Modes Including VariCam Film-Rec
The DSP circuit in the AJ-HPX3100 has seven selectable gamma modes. These include Film-Rec and Video-Rec gamma for movie production, which are the same modes incorporated in the VariCam.
AJ-HPX3100 Gamma Modes
SD: For SDTV (higher gain in dark areas)
FILMLIKE 1: For film-like TV production. This reproduces gradation in highlight areas more clearly.
FILMLIKE 2: Smoother characteristics than FILMLIKE 1
FILMLIKE 3: Smoother characteristics than even FILMLIKE 2
FILM-REC: For film-style image captures, provides low contrast and a wide dynamic range
VIDEO-REC: For cinema production that is also suitable for video display

Panasonic AJ-HPX3100G

Scan Reverse Function for Film Lens Use
The AJ-HPX3100 scan reverse function cancels the image inversion that occurs when Angenieux or Canon HD lens adaptors are used.

Scene Files and Lens Files
• Scene Files: Store specific camera settings. Four files with settings can be stored in the camera unit, and eight files can be stored on an SD/SDHC memory card. The files can be copied between the
camera's memory and the SD/SDHC memory card.
• Lens Files: Store settings for interchangeable lenses. Eight files can be stored in the camera unit, and 64 (8 x 8) files can be saved on an SD/SDHC Memory Card.

Focus Assist Function
This function simplifies focusing by displaying, in graph form, the frequency distribution of the incoming signal in the viewfinder and LCD monitor.

Panasonic AJ-HPX3100G

AWB with Wide Adjustment Range and Advanced Functions
The auto white balance (AWB) function offers a wide color temperature adjustment range of up to 15000 K. The two-value memory/1-value preset enables quick switching. The color temperature can be adjusted with the jog dial after the white balance is set. A subject-following ATW (auto tracking white) function is also provided.

Optional Color and Black-and-White Viewfinders
The HD color viewfinder (AJ-CVF100G, sold separately) employs 1.0-type 1,500,000-dot-equivalent (960 x 540 x 3 [RGB]) transmission-type LCOS (Liquid Crystal On Silicon) to achieve high resolution, high brightness and high response. It helps to reduce the possibility of white balance adjustment errors and other errors in recording. A 2.0-type black-and-white HD viewfinder (AJ-HVF21KG, sold separately) can also be used.

Versatile Shooting Assist Functions
• Electronic Shutter with Half-Speed: The AJ-HPX3100 features six shutter fixed speeds of up to 1/2000 sec., plus "half-speed" (180 degree) slow and synchro-scan capability.
• Two optical filters, ND and CC, have four positions each. The 3200K, 4300K, 5600K and 6300K positions of the CC filter help to express deeper colors.
• Mode Check: Displays a list of the camera settings on the viewfinder and LCD monitor.
• Zebra: Select any two levels from among 0% to 109%, in 1% steps.
• Y-GET: Measures brightness at the screen center and displays precise numerical data.
• A 3 point locking viewfinder mount allows precise adjustment.
• The large Audio volumes (4ch) feature a push lock function.
• The Audio Input level adjustment (front) can be switched ON/OFF and allocated to desired channels.
P2 Recorder Section
AVC-Intra Codec for High-Quality Image and Sound Recording. P2 HD for Superb Reliability.
Comes Equipped with an AVC-Intra Codec

AVC-Intra is a new codec that further advances HD production. It complies with the MPEG-4 AVC/H.264 international standard based on advanced image compression technology, and offers both superb image quality and highly efficient compression. It uses an intra-frame compression system to bring important advantages to professional editing. A single-chip codec LSI is another way the P2 cam has reduced power consumption.
•High-Image-Quality AVC-Intra 100: With the same bit rate as DVCPRO HD, this mode supports full 10-bit 4:2:2 recordings with 1920 x 1080 pixels. It brings new mobility to high-end video production.
•Low-Bit-Rate AVC-Intra 50: This mode delivers video quality very similar to DVCPRO HD, yet is able to do so at bit rates usually associated with standard definition (e.g. DVCPRO 50). The lower bit
rate doubles the recording time per P2 card over DVCPRO HD and lowers storage requirements. It supports 10-bit 4:2:0 recordings with 1440 x 1080 pixels.

Panasonic AJ-HPX3100G

High-Quality 24-Bit 4-Channel Audio Recording
The AVC-Intra mode supports 24-bit digital audio recording* (16-bit for DVCPRO HD, DVCPRO and DV). The AJ-HPX3100 offers 4-channel audio in all recording modes. Each channel input can be selected from FRONT (mic), REAR (line) and WL (wireless). The level volume also supports 4 channels.

The P2 Card: Reliable, Reusable and with Extended Recording Time
P2 cards feature a large capacity of up to 64 GB*1, a compact size, and light weight. In addition to the semiconductor memory's inherent resistance to impact, vibration and temperature change, the P2 card also offers outstanding reliability. Unlike tapes and discs, it has no rotating or physically contacting parts. It's built to withstand repeated recording and initialization over many years of use. The P2 card connector is specifically designed to stand up to the repeated insertion and removal involved in professional use.
*1: Total card capacity includes space for data management such as system data; therefore, the actual usable area is less than the capacity indicated on the card.

Panasonic AJ-HPX3100G

Immediate Startup and Better Data Protection
When you press the Record button in standby mode, the P2 cam instantly finds a blank area on the P2 card and begins recording. This speedy response shortens downtime when replacing batteries, and greatly cuts down on battery power consumption by letting you turn the power off during standby. P2 cards can even be exchanged with the power off. It can begin recording immediately even when you're using it to preview video. In normal use, there is no chance of accidentally overwriting a recording. Recordings will not be erased unless you intentionally delete a file or initialize the card.

HD Multi-Format Capability, Including Native 1080p
The AVC-Intra 100 and 50 codecs let you record in a choice of HD video formats: 1080 23.98p/25p/29.97p, as well as 1080 50i/59.94i. These world-wide HD formats provide extra flexibility in all of your production needs.

DVCPRO HD Codec and SD Video Recording
The AJ-HPX3100 supports the conventional DVCPRO HD codec and also offers DVCPRO 50/DVCPRO/DV capability for SD recording. This lets it flexibly adapt to various applications and system environments.

Clip Thumbnail Function
The P2 cam automatically generates a thumbnail image for each clip. You can view thumbnails on the built-in color LCD monitor. Any of the clips can be accessed instantly. The new shift button and scroll bar allow easy selection of clips. A playback can be paused, fast-forwarded, and reversed just like a tape, and an unwanted clip can be deleted by selecting and deleting the corresponding thumbnail image. You can also specify a number of clips for seamless playback* or on-air broadcasting from fields.
* Seamless playback is not possible between clips recorded in different formats.
One-Clip Rec Mode
The One-Clip Rec mode is handy for recording a variety of events. Whereas normal Rec mode produces a clip for each Rec start/stop cut, One-Clip Rec mode records up to 99 consecutive cuts as a single clip, which greatly improves the nonlinear editing work that follows. A text memo is automatically attached when recording begins, making it easy to find desired cuts within the clip.
Panasonic AJ-HPX3100G
Supports Metadata Such as GPS Information
When the GPS Unit (AJ-GPS910G, sold separately) is mounted, the AJ-HPX3100 can record position information (latitude, longitude, altitude) as UMID information metadata. It also enables the recording of information pre-registered via an SD card, such as the camera operator's name, reporter's name and program name, as clip metadata. This data can be used to manage clips and to provide easy searching and sorting.

Direct Upload to a PC*1 or Nonlinear Editor
The AJ-HPX3100 records the A/V data for each recording as a file on the P2 card, which eliminates the need for digitizing. The files can be used directly in a nonlinear editing system or, they can be transferred over a network or simply onto a hard disk drive. The P2 card transfers data at a high speed up to 1.2 Gbps allowing faster, easier operation. The P2 card is convenient too - you can plug it directly into the card slot on certain laptops

Panasonic AJ-HPX3100G

System Interface
System Functions Engineered for Broadcasting Operation. Options Designed for Added Ease
Camera Studio System

This system supports low-cost studio integration. Two BNC cables allow the transmission of high-quality HD digital images, return images, tally signals, mic signals, and genlock signals over a cablelength of 100 meters maximum. A special cable can be used to supply power to the camera.* For use with the AJ-HPX3100, the AG-EC4G Extension Remote Control Unit, which enables full control over image adjustments and recording, teams with the lightweight, compact, and highly mobile AG-CA300G Camera Adaptor.
*Power can be supplied only when the AG-BS300 Base Station is driven by an AC power source. A separate power cord is also required between the AG-BS300 Base Station and the AG-CA300G Camera Adaptor.

Panasonic AJ-HPX3100G
Remote Control-Ready
The AG-EC4G Extension Remote Control Unit or AJ-RC10G Remote Control Unit* offer both studio use and direct connection to the AJ-HPX3100. This lets you adjust the images and control the camera operation while viewing the monitor.
*The remote control unit can control only functions supported by the AJ-HPX3100. It cannot control unsupported keys or dials.

Panasonic AJ-HPX3100G

Standard HD/SD SDI Input Terminals
The AJ-HPX3100 supports line recording of video and audio signals through the SDI input terminal; thus, it can be used as a portable recorder. It supports 1080/59.94i, 1080/50i, 480/59.94i and 576/50i input signals.
*The input signal must be in the same format as the recording format of the camera recorder.

Genlock Terminal for Return Video Signal Input
Return video signal (analog HD-Y signal) input to the GENLOCK IN terminal or HD/SD video signal (HD/SD SDI signal) input to the SDI IN terminal can be viewed on the viewfinder.
*The input signal must be in the same format as the recording format of the camera recorder.
HD/SD SDI Output Terminals and Down-Converter
Two video line output terminals (BNC) are provided as standard equipment and flexibly support monitoring and line recording. The built-in down-converter outputs high-quality SD video signals for broadcasting use. The aspect mode can also be selected.
Can also output signals with embedded audio. Backup recording operation can be interlinked with the Rec Start/Stop controls of an HD-SDI input-equipped Panasonic recorder, such as the AG-HPG20, etc. The AJ-HPX3100 can also output downconverted SD-SDI from an HD source.
MON OUT:Can output HD SDI/SD SDI/Composite. HD signals can be down converted.
Panasonic AJ-HPX3100G
USB 2.0 Interface
The AJ-HPX3100 incorporates the Host and Device USB 2.0 as standard connectors. In Device mode, a P2 card slot can be used as an external PC device, making it easy to upload data to a nonlinear editing system or network server. In Host mode, an external hard disk drive can be connected, making it easy to copy data from the P2 card
to HDD or vice versa. The thumbnails of stored video in HDD also can be viewed.
TC IN, TC OUT Terminals
The AJ-HPX3100 has a built-in SMPTE time code generator/reader. TC IN and OUT terminals make time code throughput possible. This permits an external time-code lock.

XLR Audio Input Terminals with Automatic Switching Function
The 2-channel XLR audio input terminals on the rear panel are compatible with a +48 V phantom power supply. The new automatic front/rear switching function automatically selects the rear input signal when input is connected to the rear terminal.

High-Resolution Proxy Video Supported (New Option)
When equipped with the newly developed video encoder (AJ-YDX30, sold separately, scheduled for release in January 2011), the AJ-HPX3100 can record proxy data, which supports a file format with higher resolution and better sound quality than previous formats, in a P2 card or SD/SDHC memory card. Furthermore, it enables the evaluation of video quality during off-line editing to improve work efficiency.
Supports Wireless LAN (New Option)
The AJ-HPX3100 connects wirelessly to a LAN when the wireless module AJ-WM30 (sold separately, under development) is plugged into the internal slot*. This enables the use of a PC/Mac or mobile device for inputting and editing metadata. A standard WEB browser can be used to access the camera recorder. Certain applications are also supported.
* The main unit may need to be updated in some cases. Dedicated software key (sold separately) is required.

Panasonic AJ-HPX3100G

Other System Functions and Options
• UniSlot® wireless receiver compatible (2 channels).
* UniSlot® is a trademark of Ikegami Tsusinki Co., Ltd.
• Anton light connector provided on the top panel (at the lower front side of the handle).
• Equipped with earphone terminals (stereo mini-jack) and speaker.
• Multiple battery support, including Anton Bauer or IDX batteries*.
* The V-mount battery plate is required for IDX batteries.

Compatibility with Nonlinear Editing Systems
In developing P2 products, Panasonic has been working in collaboration with a number of strategic P2 Partners. There are many nonlinear editing products in the market that already support P2. P2 native editing makes it possible for you to maintain high-quality video and a flexible editing workflow.*
Power Supply: DC12V (11V to 17V)
Power Consumption: 34W (main unit only)
Operating Temperature: 0°C to 40°C (32 °F to 104 °F)
Operating Humidity: 10 % to 85 % (relative humidity)
Keeping Temperature: -20 °C to 60 °C (-4 °F to 140 °F)
Operating Time: Approx. 150 min., when using DIONIC90 battery
Weight: Approx. 3.9 kg/8.6 lbs (main unit only)
Dimensions (W x H x D): 140 mm x 270.5 mm x 335.8 mm (5-9/16" x 10-11/16" x 13-1/4") excluding handle and option cover
CCD Elements: CCD Elements: CCD x 3 (2/3-type interline transfer type, RGB, 2,200,000 pixel)
Picture Elements: Total: 2010 (H) x 1120 (V)
Lens Mount: 2/3-bayonet type
Optical Color Separation: Prism system
CCl Filters: A: 3200K, B: 4300K, C: 5600K, D: 6300K
ND Filters: 1: CLEAR, 2: 1/4ND, 3: 1/16ND, 4: 1/64ND
Quantizing: 14 bits
Horizontal Drive Frequncy: 59.94 Hz: 74.1758 MHz, 50 Hz: 74.25 MHz
Sampling Frequncy: 59.94 Hz: 74.1758 MHz, 50 Hz: 74.25 MHz
Digital Signal Process: 59.94 Hz: 74.1758 MHz, 50 Hz: 74.25 MHz
Programmable Gain: -6 dB, -3 dB, 0 dB, 3 dB,
6 dB, 9 dB, 12 dB, 15 dB, 18 dB, 21 dB, 24 dB,
27 dB, 30 dB selectable
Digital Super Gain: 6 dB, 10 dB, 12 dB, 15 dB,
20 dB, 24 dB, 28 dB, 34 dB selectable
Super Gain: 30 dB, 36 dB, 42 dB selectable
Shutter Speed: 1/60 (50 Hz) sec., 1/100 (59.94 Hz) sec.,1/120 sec.,
1/250 sec.,1/500 sec., 1/1000 sec., 1/2000 sec., HALF
180.0 deg, 172.8 deg, 144.0 deg, 120.0 deg,
90.0 deg, 45.0 deg
Shutter Speed - Syncro Scan: 1/61.7 sec. to 1/7200 sec. (1080/59.94i, 480/59.94i)
1/30.9 sec. to 1/3600 sec. (1080/29.97p,480/29.97p)
1/24.7 sec. to 1/2880 sec. (1080/23.98p,480/23.98p)
1/51.4 sec. to 1/6000 sec. (1080/50i,576/50i)
1/25.7 sec. to 1/3000 sec. (1080/25p,576/25p)
Sensitivity: 1080/59.94i: F11, 1080/50i: F12 (2000 lx, 89.9 % reflect)
Memory Card Recorder Section: Recording Video Signal:
1080/59.94i, 1080/29.97p over 59.94i,
1080/23.98p over 59.94i, 1080/23.98pA over 59.94i,
1080/29.97pN, 1080/23.98pN,
1080/50i, 1080/25p over 50i, 1080/25pN,
480/59.94i, 480/29.97p over 59.94i,
480/23.98p over 59.94i, 480/23.98pA over 59.94i,
576/50i, 576/25p over 50i
Recording Audio Signal:
AVC-Intra 100/50: 48 kHz, 16 bit/24 bit switchable, 4ch
DVCPRO HD/DVCPRO 50: 48 kHz, 16 bit, 4ch
DVCPRO/DV: 48 kHz, 16 bit, 2ch/4ch switchable
Recording Playback Time*:
64GB P2card:
AVC-Intra 100:
P2card x 1: Approx. 64 min.
P2card x 2: Approx. 128 min.
AVC-Intra 50:
P2card x 1: Approx. 128 min.
P2card x 2: Approx. 256 min.
P2card x 1: Approx. 64 min.
P2card x 2: Approx. 128 min.
P2card x 1: Approx. 128 min.
P2card x 2: Approx. 256 min.
P2card x 1: Approx. 256 min.
P2card x 2: Approx. 512 min.
32GB P2card:
AVC-Intra 100
P2card x 1: Approx. 32 min.
P2card x 2: Approx. 64 min.
AVC-Intra 50
P2card x 1: Approx. 64 min.
P2card x 2: Approx. 128 min.
P2card x 1: Approx. 32 min.
P2card x 2: Approx. 64 min.
P2card x 1: Approx. 64 min.
P2card x 2: Approx. 128 min.
P2card x 1: Approx. 128 min.
P2card x 2: Approx. 256 min.
16GB P2card:
AVC-Intra 100
P2card x 1: Approx. 16 min.
P2card x 2: Approx. 32 min.
AVC-Intra 50
P2card x 1: Approx. 32 min.
P2card x 2: Approx. 64 min.
P2card x 1: Approx. 16 min.
P2card x 2: Approx. 32 min.
P2card x 1: Approx. 32 min.
P2card x 2: Approx. 64 min.
P2card x 1: Approx. 64 min.
P2card x 2: Approx. 128 min.
Minimum Luminance: 0.005 lx (F1.4, S.GAIN 42 dB + DS.GAIN 34 dB)
Video S/N: DNR ON: 59 dB, DNR OFF: 54 dB (standard)
Registration: Less than 0.03 % (whole zone, without lens distortion)
Horizontal Resolution: 1,000 TV lines (at center standard)
Digital Video: Sampling Frequncy:
AVC-Intra 100/AVC-Intra 50/DVCPRO HD:
Y: 74.1758 MHz, PB/PR: 37.0879 MHz (59.94 Hz)
Y: 74.2500 MHz, PB/PR: 37.1250 MHz (50 Hz)
DVCPRO50: Y: 13.5 MHz, PB/PR: 6.75 MHz
DVCPRO: Y: 13.5 MHz, PB/PR: 3.375 MHz
AVC-Intra 100/AVC-Intra 50: 10 bit
Video Compression:
AVC-Intra100/AVC-Intra50: MPEG-4 AVC/H.264 Intra Profile
DVCPRO HD: DV base compression (SMPTE 370M)
DVCPRO 50/DVCPRO: DV base compression (SMPTE 314M)
DV: DV compression (IEC 61834-2)
Digital Audio: Frequncy Response: 20 Hz to 20 kHz ±1.0 dB (reference level)
Dynamic Range:
More than 85 dB (1 kHz, AWTD, 16 bit)
More than 93 dB (1 kHz, AWTD, 24 bit)
Distortion: Within
0.1 % (1 kHz, reference level, 16 bit)
0.05 % (1 kHz, reference level, 24 bit)
Headroom : 18/20 dB selectable
GENLOCK IN: BNC x 1, 1.0V [p-p], 75Ω (switchable to VIDEO IN or Return Video on menu)
HD SDI: 0.8 V [p-p], 75Ω, SMPTE292M/299M standards
SD SDI: 0.8 V [p-p], 75Ω, SMPTE259M-C/272M-A/
ITUR. BT656-4 standards
MON OUT:: Composite: 1.0V [p-p], 75Ω
Audio IN: -60 dBu (-60dBu/-50 dBu selectable on menu)
SDI IN:: ITUR. BT656-4 standards
MIC IN: XLR 5 pin x 1, Phantom +48 V
(ON/OFF selectable on menu)
-40 dBu (-50dBu/-40 dBu selectable on menu)
Wireless In: 25 pin D-SUB, -40 dBu
Audio Out: CH1/CH2: XLR 5 pin x 1, balanced, low-impedance
4 dBu (-3 dBu/0 dBu/4 dBu selectable on menu)
DC In: XLR 4 pin x 1, DC 12 V (DC 11 V17 V)
PHONES OUT: Stereo mini jack x 2 (3.5mm diameter)
DC Out: 4 pin, DC 12 V (DC 11 V17 V), max 1.5 A.
Speaker: 28mm round shape x 1
TC In: BNC×1, 0.5 V [p-p] to 8 V [p-p], 10 kΩ
Right Connector: Output current: max. 4.5 A (to 50 W)
TC Out: BNC×1, low impedance, 2.0 V [p-p] ±0.5 V [p-p]
Lens: 12 pin
EVF: 20 pin
Included Accessories:
Remote: 10 pin for AJ-RC10G, AG-EC4G
USB: 2.0: HOST: 4-pin Type-A, DEVICE: 4-pin Type-B
GPS: 6 pin for AJ-GPS910G
Monitor: 81.28 mm (3.2 inches) LCD monitor, approx. 921,000 dots (16:9)
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Optional Accessories

Optional Accessory

Recommended Microphone

Sennheiser ME66+K6

ME 66 Short gun Microphone Head + K6 Powering Module for Batter/Phantom Powering

With Complete Accessories
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