Panasonic AG-DVX200 4/3-type Fixed Lens 4K Camcorder Builds for Highly-Acclaimed HD Cameras.
- Following the footsteps of AG-DVX100, the next new AG-DVX200 debuts as the world’s first*1 4/3-type large
format, 4K/60p*2 camcorder to feature an integrated zoom lens.
- The AG-DVX200 captures stunning imagery by virtue of LEICA DICOMAR 4K 13x zoom lens combined with an advanced large format 4K imager and the blending of aesthetics like
shallow focus, attractive Bokeh, and an amazing 12 stop dynamic range made possible by the VariCam style V-Log L processing.
-AG-DVX200 Newly designed lens-integrated body provides excellent mobility and extra flexibility is supported by
the compartment with hatch-type cover which protects the battery and terminals from dust and impacts.
-The crimson red coloring and stylish carbon-black textured body represents philosophy and advanced
features of the new AG-DVX200 which produce emotional and highly detailed 4K images
*1: For a lens-integrated 4K/60p camcorder with a 4/3-type sensor. (As of March 2015, according to a Panasonic survey.)
*2: UHD (3840×2160) resolution, when 60p mode is selected
Target of New Camcorder
Combination of both DSLR and Camcorder
DSLR
Positive
・Picture Quality
・Depth of Field
・Shoot the Still picture, too
・Low Light Capability
・Interchangeable Lens
・Manual Control
▲Negative
・Difficult to master (focus, zoom)
・Limited recoding time
(media slot, Battery, Time limit 29m59sec
Camcorder
Positive
・Better for video shooting
・Simple to Use
・Capability of shooting live events
・Auto Focus
・Lens performance (fast lens w/ long zoom)
・Run and Gun
・Low light capability
▲Negative
・Lack of manual controls
Lens Construction
17 elements in 11 Group, 5 aspherical lens
How to Fix Output on the LCD This is not a Malfunction
In order to prevent the burn of the DVX200’s OLED viewfinder, it lights only when the eye sensor has reacted.And its LCD panel is turned off during the viewfinder is turned on. |
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*USER SW 9-12 are displayed on the LCD panel
Note |
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Various Recording mode
Recording Size | Frame Rate | Bitrate | Compression | Sound | Format |
4096x2160 | 24.00p | 100 Mbps | LongGOP | LPCM | MP4 / MOV |
3840x2160 | 59.94p / 50.00p | 150 Mbps | |||
29.97p / 25.00p / 23.98p | 100 Mbps | ||||
1920x1080 | 59.94p / 50.00p | 200 Mbps | ALL-Intra | LPCM | MP4 / MOV |
29.97p / 25.00p / 23.98p | |||||
59.94p / 50.00p | 100 / 50 Mbps | LongGOP | |||
29.97p / 25.00p / 23.98p | 50 Mbps | ||||
59.94i / 50.00i | |||||
1920x1080 | 59.94p / 50.00p | 28 Mbps | LongGOP | AC3 | AVCHD |
59.94i / 50.00i | 24 / 17 Mbps | ||||
23.98p | 24 Mbps | ||||
1440x1080 | 59.94i / 50.00i | 5 Mbps | |||
1280x720 | 59.94p / 50.00p | 9 Mbps | |||
720x480 | 59.94i (16:9 / 4:3) | 9M | |||
720x576 | 50.00i (16:9 / 4:3) | 9M |
We are pleased to share with you the latest edition of our Broadcast Bulletin, for your reading pleasure. Excerpts from the attached file are key marketing-related
activities we have conducted recently such as the highly successful Broadcast Asia Show and regional Varicam & GH4 Cinematographer's Workshops. These activities have generated a sizeable amount of leads and business potentials for
us as compared to last year. We want to thank you sincerely for your strong contribution and support in making these events a real success.