Introducing the
World’s Most Advanced Digital Film Camera!
Blackmagic URSA Mini Pro 12K is a
revolution in digital film with a 12,288 x 6480
12K Super 35 sensor and 14 stops of dynamic
range, built into the award winning URSA Mini
body. The combination of 80 megapixels per
frame, new color science and the flexibility of
Blackmagic RAW makes working with 12K a reality.
Oversampling from 12K gives you the best 8K
and 4K images with the subtle skin tones and
extraordinary detail of high end still cameras.
You can shoot at 60 fps in 12K, 110 fps in 8K
and up to 220 fps in 4K Super 16.
Blackmagic URSA Mini Pro 12K features an
interchangeable PL mount, as well as built in ND
filters, dual CFast and UHS‑II SD card
recorders, a SuperSpeed USB‑C expansion port and
more. DaVinci Resolve Studio is included for
creative control through post from editing to
color, VFX and more!
Digital
Film, Extreme Resolution Blackmagic
URSA Mini Pro 12K extreme resolution goes well
beyond traditional motion picture film! You get
the benefits of shooting with film including
incredible detail, wide dynamic range and rich,
deep color. Perfect for feature films, episodic
television and immersive, large format IMAX. The
incredible definition around objects makes it
ideal for working with green screen and VFX
including compositing live action and CGI.
Super sampling at 12K means you not only get
better color and resolution at 8K, but also a
smoothness that comes from making aliasing
invisible. This new generation of digital film
technology ushers in an analog style purity and
subtlety to deliver a better than film
experience.
Cinematic Super 35
12K Sensor The Blackmagic URSA Mini Pro 12K features a
revolutionary new sensor with a native
resolution of 12,288 x 6480, which is an
incredible 80 megapixels per frame! The Super 35
sensor has a superb 14 stops of dynamic range
and a native ISO of 800. The new 12K sensor has
equal amounts of red, green and blue pixels and
is optimized for images at multiple resolutions.
You can shoot 12K at 60 fps or use in-sensor
scaling to allow 8K or 4K RAW at up to 110 fps
without cropping or changing your field of view.
URSA Mini Pro’s interchangeable lens mount lets
you choose from the widest range of vintage and
modern cinema lenses, so you can capture every
ounce of character and detail from your favorite
optics.
Shoot in 12K, Edit on a
Laptop The Blackmagic URSA Mini Pro 12K sensor and
Blackmagic RAW were designed together to make 12
bit RAW workflows in 12K effortless. As an
incredibly efficient next generation codec
Blackmagic RAW lets you shoot 12K and edit on a
laptop, a capability that simply isn’t possible
with other codecs. The massive resolution of the
sensor means you can reframe shots in post for
delivery in 8K and 4K.
It’s like a multi
camera shoot with only one camera. And it’s
perfect for great looking vertical and square
video, too. The advanced design of the sensor
and Blackmagic RAW means that you can work in
any resolution in post production instantly,
without rendering, while retaining the full
sensor’s color accuracy.
Blackmagic RAW Fueled Image Capture
Only Blackmagic RAW
makes cinema quality 12‑bit, 80 megapixel images
at up to 60 frames a reality! Constant quality
Q0 and Q5 options and new Q1 and Q3 lock the
quality level, allowing compression to adapt,
matching the detail of the scene. Constant
bitrate encoding options 5:1, 8:1, 12:1 and the
new 18:1 are designed to give you the best
possible images with predictable and consistent
file size.
You can record RAW to two
cards simultaneously so you can shoot 12K or 8K
to either CFast or UHS‑II cards, even at high
frame rates! Blackmagic RAW stores camera
metadata, lens data, white balance, digital
slate information and custom LUTs to ensure
consistency of image on set and through post
production.
Optimized for Fast
Flexible Post Production Shooting
RAW in 12K preserves the deepest control of
detail, exposure and color during post.
Oversampling means you get extremely sharp 8K
without harsh edges. Best of all, Blackmagic RAW is designed to accelerate
12K for post production, making it as easy to
work with as standard HD or Ultra HD files.
It is highly optimized, multi‑threaded,
works across multiple CPU cores and is also GPU
accelerated to work with Apple Metal, CUDA and
OpenCL. So you can always work with your camera
RAW files without having to make proxies.
Blackmagic RAW 12K images provide unprecedented
resolution and quality for color, keying,
compositing, reframing, stabilization and
tracking in 4K or 8K.
Full
Resolution at Higher Frame Rates
Blackmagic URSA Mini Pro 12K is multiple cameras
in one, shooting standard resolutions and frame
rates in 4K, 8K and even insanely detailed 12K!
With a massive 80 megapixels per frame at 60 fps
in RAW you can capture perfect stills and motion
shots in a single camera at the same time! You
can shoot up to 60 fps in 12K 12,288 x 6480
17:9!
For higher frame rates, you can
shoot 110 fps at 8192 x 4320, 140 fps at 8192 x
3408 and even window the sensor to Super 16 to
capture 4K at an incredible 220 fps at 4096 x
2160 DCI! URSA Mini Pro 12K has flexible frame
rate and resolution options, and captures with
improved motion rendering which means that you
get smoother edges in 8K and 4K even at lower
frame rates.
High Band Width
Recording Blackmagic URSA Mini Pro
12K is the ultimate high bandwidth recorder with
3 options for recording 12K, which contains
almost 10 times the resolution of Ultra HD. You
get dual built in CFast and UHS‑II SD card
recorders, and a SuperSpeed USB‑C expansion port
for recording to fast SATA and NVMe drives.
With “Record RAW on 2 Cards” turned on, URSA
Mini Pro 12K can record simultaneously across
two cards up to an incredible 900MB/s to 2 CFast
cards, or an impressive 500MB/s to 2 UHS‑II SD
cards. The SuperSpeed USB‑C expansion port on
the rear can record to USB‑C flash storage up to
900MB/s as a third recording option so you won’t
be short of choices for capturing stunning 12K
up to 60 fps or 8K up to 110 fps!
Easy to Use Blackmagic OS
With advanced Blackmagic OS,
you get an intuitive and user friendly camera
operating system based on the latest technology.
Blackmagic OS is a true modern operating system
where all camera features run independently for
smoother control, plus the camera powers on
virtually instantly. URSA Mini Pro features the
same controls and menus as other Blackmagic
Design cameras so you can move between cameras
on set easily.
The interface uses simple
tap and swipe gestures to adjust settings, add
metadata and view recording status. You also get
full control over advanced camera features such
as on screen focus and exposure tools, 3D LUTs,
HDR, metadata entry, timecode, Blackmagic RAW
settings and more!
|
Camera Features |
Effective Sensor Size |
27.03mm x 14.25mm (Super35) |
Lens Mount |
PL mount included. Interchangeable with optional EF and F lens mounts. |
Lens Control |
12pin broadcast connector for compatible lenses and electronic control via EF mount pins on optional EF lens mount. |
Dynamic Range |
14 Stops |
Shooting Resolutions |
12,288 x 6480 (12K DCI)
11,520 x 6480 (12K 16:9)
12,288 x 5112 (12K 2.4:1)
7680 x 6408 (12K Anamorphic)
8192 x 4320 (8K DCI)
7680 x 4320 (8K 16:9)
8192 x 3408 (8K 2.4:1)
5120 x 4272 (8K Anamorphic)
6144 x 3240 (6K Super16)
4096 x 2160 (4K Super16)
4096 x 2160 (4K DCI)
3840 x 2160 (4K 16:9)
4096 x 1704 (4K 2.4:1)
2560 x 2136 (4K Anamorphic) |
Frame Rates |
Maximum sensor frame rate dependent on resolution selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. |
High Speed Frame Rates |
12K 17:9 full sensor up to 60 fps
8K DCI full sensor up to 110 fps
4K DCI full sensor up to 110 fps
8K 2.4:1 and 4K 2.4:1 up to 140 fps
6K Super 16 up to 120 fps
4K Super 16 up to 220 fps |
Built in ND Filters |
Four position ND filter wheel with clear, 2-stop, 4-stop and 6-stop IR ND filters. |
Focus |
Focus button turns on peaking, auto focus available using compatible lenses. |
Iris Control |
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode. |
Screen Dimensions |
4" |
Screen Type |
LCD capacitive touchscreen. |
Metadata Support |
Automatically populated lens data from i/Technology with compatible PL lenses and electronic EF lenses when using optional EF lens mount. Automatic recording of camera settings and slate data such as project, scene number, take and special notes. |
Controls |
Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys. |
Timecode Clock |
Highly accurate timecode clock. Less than 1 frame drift every 8 hours. |
Connections |
Total Video Inputs |
1 x 12G-SDI |
Total Video Outputs |
1 x 12G-SDI, 1 x 3G-SDI Monitoring. |
SDI Rates |
1.5G, 3G, 6G, 12G. |
Analog Audio Inputs |
2 x XLR analog switchable between mic, line and AES audio. Phantom power support. |
Analog Audio Outputs |
1 x 3.5mm headphone jack, supports iPhone microphone for talkback. |
Reference Inputs |
Tri-Sync/Black Burst/Timecode. |
Remote Control |
1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses. |
Computer Interface |
1 x USB Type-C 3.1 Gen 2 with power delivery for external drive recording.
1 x USB Type-C for software updates. |
Audio |
Microphone |
Integrated stereo microphone. |
Built in Speaker |
1 x mono speaker. |
Standards |
SD Video Standards |
None. |
HD Video Standards |
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60 |
Ultra HD Video Standards |
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60 |
SDI Compliance |
SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1 |
SDI Audio Sampling |
48 kHz and 24 bit |
Media |
Media |
2 x CFast 2.0 card slots, 2 x SD UHS-II card slots, 1 x USB-C 3.1 Gen 2 expansion port with power delivery for recording to external media. |
Media Format |
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems. |
Supported Codecs |
Codecs |
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Bitrate 18:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5. |
Control |
External Control |
Blackmagic SDI Camera Control Protocol, iPad control, Bluetooth control, 1 x 2.5mm LANC for lens and record control. |
Talkback and Tally |
Talkback |
SDI Channels 15/16 and iPhone headset |
Live Tally Indicator |
Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder |
Storage Features |
Storage Type |
2 x CFast 2.0
2 x SD UHS-II cards
1 x high speed USB-C expansion port for external media. |
Storage Rates |
Storage rates based on 24 frames per second.12K - 12,288 x 6480
Blackmagic RAW 5:1 - 578 MB/s
Blackmagic RAW 8:1 - 361 MB/s
Blackmagic RAW 12:1 - 241 MB/s
Blackmagic RAW 18:1 - 160 MB/s
Blackmagic RAW Q0 - 241 to 578 MB/s 1
Blackmagic RAW Q1 - 144 to 361 MB/s 2
Blackmagic RAW Q3 - 96 to 241 MB/s 3
Blackmagic RAW Q5 - 72 to 180 MB/s 48K - 8192 x 4320
Blackmagic RAW 5:1 - 258 MB/s
Blackmagic RAW 8:1 - 161 MB/s
Blackmagic RAW 12:1 - 107 MB/s
Blackmagic RAW 18:1 - 72 MB/s
Blackmagic RAW Q0 - 107 to 258 MB/s 1
Blackmagic RAW Q1 - 64 to 161 MB/s 2
Blackmagic RAW Q3 - 43 to 107 MB/s 3
Blackmagic RAW Q5 - 32 to 81 MB/s 46K - 6144 x 3240
Blackmagic RAW 5:1 - 145 MB/s
Blackmagic RAW 8:1 - 91 MB/s
Blackmagic RAW 12:1 - 61 MB/s
Blackmagic RAW 18:1 - 40 MB/s
Blackmagic RAW Q0 - 61 to 145 MB/s 1
Blackmagic RAW Q1 - 36 to 91 MB/s 2
Blackmagic RAW Q3 - 24 to 61 MB/s 3
Blackmagic RAW Q5 - 18 to 45 MB/s 44K - 4096 x 2160
Blackmagic RAW 5:1 - 65 MB/s
Blackmagic RAW 8:1 - 41 MB/s
Blackmagic RAW 12:1 - 27 MB/s
Blackmagic RAW 18:1 - 18 MB/s
Blackmagic RAW Q0 - 27 to 65 MB/s 1
Blackmagic RAW Q1 - 16 to 41 MB/s 2
Blackmagic RAW Q3 - 11 to 27 MB/s 3
Blackmagic RAW Q5 - 8 to 20 MB/s 41 Constant Quality setting Q0 storage rates quoted are indicative only, based on a 5:1 - 12:1 compression range.2 Constant Quality setting Q1 storage rates quoted are indicative only, based on a 8:1 - 20:1 compression range.3 Constant Quality setting Q3 storage rates quoted are indicative only, based on a 12:1 - 30:1 compression range.4 Constant Quality setting Q5 storage rates quoted are indicative only, based on a 16:1 - 40:1 compression range.Actual storage rates are entirely dependent on image subject matter. |
Recording Formats |
Blackmagic RAW Q0, Q1, Q3, Q5, 5:1, 8:1, 12:1 and 18:1 at 12,288 x 6480, 11,520 x 6480, 12,288 x 5112, 7680 x 6408, 8192 x 4320, 7680 x 4320, 8192 x 3408, 5120 x 4272, 6144 x 3240, 4096 x 2160, 3840 x 2160, 4096 x 1704 and 2560 x 2136 stored as 12 bit non-linear with film, extended video, video or custom 3D LUT embedded in metadata. |
Software |
Software Included |
URSA Mini Operating System
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Blackmagic RAW Speed Test |
Power Requirements |
Power Supply |
1 x External 12V power supply. 12 pin Molex connector for rear battery plate. |
External Power Input |
1 x 4 pin XLR port for external power or battery use.
1 x 12 pin Molex connector on rear battery plate.
Custom V-mount battery plate with D-tap +12V regulated output from camera. |
Power |
Rear camera mount compatible with industry standard V-mount or gold mount battery plates. |
Environmental Specifications |
Operating Temperature |
0° to 40°C (32° to 104°F) |
Storage Temperature |
-20° to 45°C (-4° to 113°F) |
Relative Humidity |
0% to 90% non-condensing |
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