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								| Introducing the 
								World’s Most Advanced Digital Film Camera!Blackmagic URSA Mini Pro 12K is a 
								revolution in digital film with a 12,288 x 6480 
								12K Super 35 sensor and 14 stops of dynamic 
								range, built into the award winning URSA Mini 
								body. The combination of 80 megapixels per 
								frame, new color science and the flexibility of 
								Blackmagic RAW makes working with 12K a reality.
 
 Oversampling from 12K gives you the best 8K 
								and 4K images with the subtle skin tones and 
								extraordinary detail of high end still cameras. 
								You can shoot at 60 fps in 12K, 110 fps in 8K 
								and up to 220 fps in 4K Super 16.
 
 Blackmagic URSA Mini Pro 12K features an 
								interchangeable PL mount, as well as built in ND 
								filters, dual CFast and UHS‑II SD card 
								recorders, a SuperSpeed USB‑C expansion port and 
								more. DaVinci Resolve Studio is included for 
								creative control through post from editing to 
								color, VFX and more!
 
 Digital 
								Film, Extreme Resolution
 Blackmagic 
								URSA Mini Pro 12K extreme resolution goes well 
								beyond traditional motion picture film! You get 
								the benefits of shooting with film including 
								incredible detail, wide dynamic range and rich, 
								deep color. Perfect for feature films, episodic 
								television and immersive, large format IMAX. The 
								incredible definition around objects makes it 
								ideal for working with green screen and VFX 
								including compositing live action and CGI.
 
 Super sampling at 12K means you not only get 
								better color and resolution at 8K, but also a 
								smoothness that comes from making aliasing 
								invisible. This new generation of digital film 
								technology ushers in an analog style purity and 
								subtlety to deliver a better than film 
								experience.
 
 Cinematic Super 35 
								12K Sensor
 The Blackmagic URSA Mini Pro 12K features a 
								revolutionary new sensor with a native 
								resolution of 12,288 x 6480, which is an 
								incredible 80 megapixels per frame! The Super 35 
								sensor has a superb 14 stops of dynamic range 
								and a native ISO of 800. The new 12K sensor has 
								equal amounts of red, green and blue pixels and 
								is optimized for images at multiple resolutions.
 
 You can shoot 12K at 60 fps or use in-sensor 
								scaling to allow 8K or 4K RAW at up to 110 fps 
								without cropping or changing your field of view. 
								URSA Mini Pro’s interchangeable lens mount lets 
								you choose from the widest range of vintage and 
								modern cinema lenses, so you can capture every 
								ounce of character and detail from your favorite 
								optics.
 
 Shoot in 12K, Edit on a 
								Laptop
 The Blackmagic URSA Mini Pro 12K sensor and 
								Blackmagic RAW were designed together to make 12 
								bit RAW workflows in 12K effortless. As an 
								incredibly efficient next generation codec 
								Blackmagic RAW lets you shoot 12K and edit on a 
								laptop, a capability that simply isn’t possible 
								with other codecs. The massive resolution of the 
								sensor means you can reframe shots in post for 
								delivery in 8K and 4K.
 
 It’s like a multi 
								camera shoot with only one camera. And it’s 
								perfect for great looking vertical and square 
								video, too. The advanced design of the sensor 
								and Blackmagic RAW means that you can work in 
								any resolution in post production instantly, 
								without rendering, while retaining the full 
								sensor’s color accuracy.
 
 Blackmagic RAW Fueled Image Capture
 Only Blackmagic RAW 
								makes cinema quality 12‑bit, 80 megapixel images 
								at up to 60 frames a reality! Constant quality 
								Q0 and Q5 options and new Q1 and Q3 lock the 
								quality level, allowing compression to adapt, 
								matching the detail of the scene. Constant 
								bitrate encoding options 5:1, 8:1, 12:1 and the 
								new 18:1 are designed to give you the best 
								possible images with predictable and consistent 
								file size.
 
 You can record RAW to two 
								cards simultaneously so you can shoot 12K or 8K 
								to either CFast or UHS‑II cards, even at high 
								frame rates! Blackmagic RAW stores camera 
								metadata, lens data, white balance, digital 
								slate information and custom LUTs to ensure 
								consistency of image on set and through post 
								production.
 
 Optimized for Fast 
								Flexible Post Production
 Shooting 
								RAW in 12K preserves the deepest control of 
								detail, exposure and color during post. 
								Oversampling means you get extremely sharp 8K 
								without harsh edges. Best of all, Blackmagic RAW is designed to accelerate 
								12K for post production, making it as easy to 
								work with as standard HD or Ultra HD files.
 
 It is highly optimized, multi‑threaded, 
								works across multiple CPU cores and is also GPU 
								accelerated to work with Apple Metal, CUDA and 
								OpenCL. So you can always work with your camera 
								RAW files without having to make proxies. 
								Blackmagic RAW 12K images provide unprecedented 
								resolution and quality for color, keying, 
								compositing, reframing, stabilization and 
								tracking in 4K or 8K.
 
 Full 
								Resolution at Higher Frame Rates
 Blackmagic URSA Mini Pro 12K is multiple cameras 
								in one, shooting standard resolutions and frame 
								rates in 4K, 8K and even insanely detailed 12K! 
								With a massive 80 megapixels per frame at 60 fps 
								in RAW you can capture perfect stills and motion 
								shots in a single camera at the same time! You 
								can shoot up to 60 fps in 12K 12,288 x 6480 
								17:9!
 
 For higher frame rates, you can 
								shoot 110 fps at 8192 x 4320, 140 fps at 8192 x 
								3408 and even window the sensor to Super 16 to 
								capture 4K at an incredible 220 fps at 4096 x 
								2160 DCI! URSA Mini Pro 12K has flexible frame 
								rate and resolution options, and captures with 
								improved motion rendering which means that you 
								get smoother edges in 8K and 4K even at lower 
								frame rates.
 
 High Band Width 
								Recording
 Blackmagic URSA Mini Pro 
								12K is the ultimate high bandwidth recorder with 
								3 options for recording 12K, which contains 
								almost 10 times the resolution of Ultra HD. You 
								get dual built in CFast and UHS‑II SD card 
								recorders, and a SuperSpeed USB‑C expansion port 
								for recording to fast SATA and NVMe drives.
 
 With “Record RAW on 2 Cards” turned on, URSA 
								Mini Pro 12K can record simultaneously across 
								two cards up to an incredible 900MB/s to 2 CFast 
								cards, or an impressive 500MB/s to 2 UHS‑II SD 
								cards. The SuperSpeed USB‑C expansion port on 
								the rear can record to USB‑C flash storage up to 
								900MB/s as a third recording option so you won’t 
								be short of choices for capturing stunning 12K 
								up to 60 fps or 8K up to 110 fps!
 
 Easy to Use Blackmagic OS
 With advanced Blackmagic OS, 
								you get an intuitive and user friendly camera 
								operating system based on the latest technology. 
								Blackmagic OS is a true modern operating system 
								where all camera features run independently for 
								smoother control, plus the camera powers on 
								virtually instantly. URSA Mini Pro features the 
								same controls and menus as other Blackmagic 
								Design cameras so you can move between cameras 
								on set easily.
 
 The interface uses simple 
								tap and swipe gestures to adjust settings, add 
								metadata and view recording status. You also get 
								full control over advanced camera features such 
								as on screen focus and exposure tools, 3D LUTs, 
								HDR, metadata entry, timecode, Blackmagic RAW 
								settings and more!
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									| 
| Camera Features |  
| Effective Sensor Size | 27.03mm x 14.25mm (Super35) |  
| Lens Mount | PL mount included. Interchangeable with optional EF and F lens mounts. |  
| Lens Control | 12pin broadcast connector for compatible lenses and electronic control via EF mount pins on optional EF lens mount. |  
| Dynamic Range | 14 Stops |  
| Shooting Resolutions | 12,288 x 6480 (12K DCI)
11,520 x 6480 (12K 16:9)
12,288 x 5112 (12K 2.4:1)
7680 x 6408 (12K Anamorphic)
8192 x 4320 (8K DCI)
7680 x 4320 (8K 16:9)
8192 x 3408 (8K 2.4:1)
5120 x 4272 (8K Anamorphic)
6144 x 3240 (6K Super16)
4096 x 2160 (4K Super16)
4096 x 2160 (4K DCI)
3840 x 2160 (4K 16:9)
4096 x 1704 (4K 2.4:1)
2560 x 2136 (4K Anamorphic) |  
| Frame Rates | Maximum sensor frame rate dependent on resolution selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. |  
| High Speed Frame Rates | 12K 17:9 full sensor up to 60 fps
8K DCI full sensor up to 110 fps
4K DCI full sensor up to 110 fps
8K 2.4:1 and 4K 2.4:1 up to 140 fps
6K Super 16 up to 120 fps
4K Super 16 up to 220 fps |  
| Built in ND Filters | Four position ND filter wheel with clear, 2-stop, 4-stop and 6-stop IR ND filters. |  
| Focus | Focus button turns on peaking, auto focus available using compatible lenses. |  
| Iris Control | Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode. |  
| Screen Dimensions | 4" |  
| Screen Type | LCD capacitive touchscreen. |  
| Metadata Support | Automatically populated lens data from i/Technology with compatible PL lenses and electronic EF lenses when using optional EF lens mount. Automatic recording of camera settings and slate data such as project, scene number, take and special notes. |  
| Controls | Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys. |  
| Timecode Clock | Highly accurate timecode clock. Less than 1 frame drift every 8 hours. |  
| Connections |  
| Total Video Inputs | 1 x 12G-SDI |  
| Total Video Outputs | 1 x 12G-SDI, 1 x 3G-SDI Monitoring. |  
| SDI Rates | 1.5G, 3G, 6G, 12G. |  
| Analog Audio Inputs | 2 x XLR analog switchable between mic, line and AES audio. Phantom power support. |  
| Analog Audio Outputs | 1 x 3.5mm headphone jack, supports iPhone microphone for talkback. |  
| Reference Inputs | Tri-Sync/Black Burst/Timecode. |  
| Remote Control | 1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses. |  
| Computer Interface | 1 x USB Type-C 3.1 Gen 2 with power delivery for external drive recording.
1 x USB Type-C for software updates. |  
| Audio |  
| Microphone | Integrated stereo microphone. |  
| Built in Speaker | 1 x mono speaker. |  
| Standards |  
| SD Video Standards | None. |  
| HD Video Standards | 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60 |  
| Ultra HD Video Standards | 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60 |  
| SDI Compliance | SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1 |  
| SDI Audio Sampling | 48 kHz and 24 bit |  
| Media |  
| Media | 2 x CFast 2.0 card slots, 2 x SD UHS-II card slots, 1 x USB-C 3.1 Gen 2 expansion port with power delivery for recording to external media. |  
| Media Format | Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems. |  
| Supported Codecs |  
| Codecs | Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Bitrate 18:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5. |  
| Control |  
| External Control | Blackmagic SDI Camera Control Protocol, iPad control, Bluetooth control, 1 x 2.5mm LANC for lens and record control. |  
| Talkback and Tally |  
| Talkback | SDI Channels 15/16 and iPhone headset |  
| Live Tally Indicator | Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder |  
| Storage Features |  
| Storage Type | 2 x CFast 2.0
2 x SD UHS-II cards
1 x high speed USB-C expansion port for external media. |  
| Storage Rates | Storage rates based on 24 frames per second.12K - 12,288 x 6480
Blackmagic RAW 5:1 - 578 MB/s
Blackmagic RAW 8:1 - 361 MB/s
Blackmagic RAW 12:1 - 241 MB/s
Blackmagic RAW 18:1 - 160 MB/s
Blackmagic RAW Q0 - 241 to 578 MB/s 1
Blackmagic RAW Q1 - 144 to 361 MB/s 2
Blackmagic RAW Q3 - 96 to 241 MB/s 3
Blackmagic RAW Q5 - 72 to 180 MB/s 48K - 8192 x 4320
Blackmagic RAW 5:1 - 258 MB/s
Blackmagic RAW 8:1 - 161 MB/s
Blackmagic RAW 12:1 - 107 MB/s
Blackmagic RAW 18:1 - 72 MB/s
Blackmagic RAW Q0 - 107 to 258 MB/s 1
Blackmagic RAW Q1 - 64 to 161 MB/s 2
Blackmagic RAW Q3 - 43 to 107 MB/s 3
Blackmagic RAW Q5 - 32 to 81 MB/s 46K - 6144 x 3240
Blackmagic RAW 5:1 - 145 MB/s
Blackmagic RAW 8:1 - 91 MB/s
Blackmagic RAW 12:1 - 61 MB/s
Blackmagic RAW 18:1 - 40 MB/s
Blackmagic RAW Q0 - 61 to 145 MB/s 1
Blackmagic RAW Q1 - 36 to 91 MB/s 2
Blackmagic RAW Q3 - 24 to 61 MB/s 3
Blackmagic RAW Q5 - 18 to 45 MB/s 44K - 4096 x 2160
Blackmagic RAW 5:1 - 65 MB/s
Blackmagic RAW 8:1 - 41 MB/s
Blackmagic RAW 12:1 - 27 MB/s
Blackmagic RAW 18:1 - 18 MB/s
Blackmagic RAW Q0 - 27 to 65 MB/s 1
Blackmagic RAW Q1 - 16 to 41 MB/s 2
Blackmagic RAW Q3 - 11 to 27 MB/s 3
Blackmagic RAW Q5 - 8 to 20 MB/s 41 Constant Quality setting Q0 storage rates quoted are indicative only, based on a 5:1 - 12:1 compression range.2 Constant Quality setting Q1 storage rates quoted are indicative only, based on a 8:1 - 20:1 compression range.3 Constant Quality setting Q3 storage rates quoted are indicative only, based on a 12:1 - 30:1 compression range.4 Constant Quality setting Q5 storage rates quoted are indicative only, based on a 16:1 - 40:1 compression range.Actual storage rates are entirely dependent on image subject matter. |  
| Recording Formats | Blackmagic RAW Q0, Q1, Q3, Q5, 5:1, 8:1, 12:1 and 18:1 at 12,288 x 6480, 11,520 x 6480, 12,288 x 5112, 7680 x 6408, 8192 x 4320, 7680 x 4320, 8192 x 3408, 5120 x 4272, 6144 x 3240, 4096 x 2160, 3840 x 2160, 4096 x 1704 and 2560 x 2136 stored as 12 bit non-linear with film, extended video, video or custom 3D LUT embedded in metadata. |  
| Software |  
| Software Included | URSA Mini Operating System
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Blackmagic RAW Speed Test |  
| Power Requirements |  
| Power Supply | 1 x External 12V power supply. 12 pin Molex connector for rear battery plate. |  
| External Power Input | 1 x 4 pin XLR port for external power or battery use.
1 x 12 pin Molex connector on rear battery plate.
Custom V-mount battery plate with D-tap +12V regulated output from camera. |  
| Power | Rear camera mount compatible with industry standard V-mount or gold mount battery plates. |  
| Environmental Specifications |  
| Operating Temperature | 0° to 40°C (32° to 104°F) |  
| Storage Temperature | -20° to 45°C (-4° to 113°F) |  
| Relative Humidity | 0% to 90% non-condensing |  |  |