Physical Specifications |
Dimensions (W x H x D mm) |
151 x 91.5 x 31mm (Ninja only) |
Weight |
360g / 12.7oz |
Mount points |
1 x Anti rotation 1/4" / 3/8 top and bottom |
Environmental |
Ambient operating temperature |
Up to 40° Celsius |
Construction and Control |
Body |
Aluminium with ABS plastic |
Cooling |
Actively controlled fan and heat sink |
Tally light |
Rear and front |
Multi-function button |
Power / lock Screen |
AtomXpansion slot |
Yes |
Power |
Input voltage |
6.2V to 16.8V |
Operating power |
5.8-7.2v |
Compatible batteries |
NPF L series |
Battery Run time (Record) |
5200mAh - up to 2hrs (monitor & record 4K 60p)<br/>7800mAh - up to 3hrs (monitor & record 4K 60p) |
Continuous power |
Via Optional AtomX SYNC Module |
DC in connector |
Via DC Jack on Battery eliminator |
Dtap |
via battery eliminator and optional DTap to DC cable |
Display |
Touchscreen |
SuperAtom IPS panel (capacitive touch) |
Size |
5.2" |
Resolution |
1920 x 1080 |
PPI |
1920 x 1080 |
Bit depth |
10Bit (8+2 FRC) |
Backlight Type |
Edge lit |
Brightness (cdm2 / nits) |
1000 |
Aspect ratio |
16:9 |
Color Gamut |
Rec.709 |
Calibration support |
Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail) |
Color Pipeline |
Gamma |
Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log |
Gamut |
BT2020, DCI P3, PDCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 JVC LS300 Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut" |
3D LUT Display |
.Cube Format |
3D LUT Down Stream |
Loop out |
3DLUT 50/50 |
Yes |
Monitoring Modes |
Native / HLG / PQ / 3D LUT |
HDR output Conversion |
Log / HDR to HLG / PQ / Dolby Vision |
Video Input |
HDMI |
1 x HDMI (2.0) 4k p60 |
HDMI RAW |
ProRes RAW up to 6k |
SDI |
2 x 12G SDI Backwards compatible Auto detection via included AtomX SDI module |
SDI RAW |
ProRes RAW up to 6k |
Bit Depth |
8/10Bit Video / RAW up to 16Bit |
Video Chroma Subsampling |
4:2:2 |
Metadata |
HDMI |
RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut |
SDI |
File Name from Arri, RED |
Video Output |
HDMI |
1 x HDMI (2.0) 4k p60 |
SDI loop out |
1 x 12G SDI Backwards compatible Autodetection via included AtomX SDI module - level A and B selectable |
SDI Play out |
2 x 12G SDI Backwards compatible Autodetection AtomX SDI module - level A and B selectable |
Video Chroma Subsampling |
4:2:2 |
Bit Depth |
10-bit video |
Web Streaming |
USB UVC |
Optional via Connect 4k |
Video Signal Conversion |
HDMI to SDI |
Yes - Video and RAW |
SDI to HDMI |
Yes - Video and RAW |
Audio In/Out |
Audio Quality |
24/48kHz |
Audio Codec |
PCM |
HDMI |
8ch 24Bit, input dependent |
SDI |
12ch 24-bit, input dependent |
Analogue Audio in |
3.5mm 2ch. |
Headphone out |
3.5mm 2ch. |
Timecode / Sync |
Embedded |
HDMI and SDI |
Time of day |
Yes, Time and Date |
LTC |
via 3.5mm audio Jack input (Requires post processing) |
Wireless SYNC |
via 3.5mm audio Jack input (Requires post processing) |
Resolution and Frame Rates (Record, Monitor & Playback) |
6k |
RAW Only up to 30p via HDMI and SDI (Camera dependent 5.9k HDMI and 5.7k SDI) |
4k DCI |
23.98/24/25/29.9/30/50/59.94/60p |
4k UHD |
23.98/24/25/29.9/30/50/59.94/60p |
2K DCI 2046 x 1080 |
2k DCI: 23.98/24/25/29.9/30/50/59.94/60p / Sony FX9 RAW up to 180p |
Anamorphic |
3.5k: RAW up to 60p (from supported cameras only) |
FHD 1920 x 1080 Progressive |
23.98/24/25/29.9/30/50/59.94/60/100/120p |
FHD 1920 x 1080 PsF |
Converted to P and looped out PsF |
FHD 1920 x 1080 Interlaced |
23.98/24/25/29.9/30/50/59.94/60i |
1280 x 720p |
50/59.94/60p |
Recording CODEC |
Apple ProRes RAW |
ProRes RAW, HQ |
Apple ProRes |
LT, 422, 422HQ |
Avid DNxHD |
DNxHD 220x,220,145,36 |
Avid DNxHR |
LB, SQ, HQ, HQX. |
Playback |
Playlist |
Yes, Create customer play lists from full or sub clips |
Loop |
Yes, with user customisable in / out markers |
Apple ProRes Raw |
Yes, recorded clips |
Apple ProRes |
Yes, with Linear PCM audio |
Avid DNx |
Yes, with Linear PCM audio |
Recording functions |
Pre-roll record |
Yes (HD 8s, 4K 2s) - Not available in RAW |
Timelapse |
Yes |
Multi Input / Switching |
SDI A/B toggle |
Yes, Up support up to 12G SDI per input |
Supported media |
Master Caddy I |
Not compatible |
SSDmini |
Native Size and Fit |
CFast II |
via Supported cards via optional SSDmini CFAST II Adaptor |
File Naming |
Unit Name - Scene/Shot/Take, Arri & RED via SDI |
File System |
ExFAT |
On screen tools |
MultiScope Analysis View |
Yes, 3 size / Position |
Histogram |
Yes, 3 size / Position |
RGB parade |
Yes, 3 size / Position |
Vector scope |
Yes, 2 size / Position |
1 x Zoom |
Yes. 1:1 Pixel mapping for 4k |
2 x Zoom |
Yes |
Focus peaking |
Colour selected / threshold setting / colour / Mono / edges only |
False colour |
Yes, with Scale |
Zebra |
Yes, Adjustable |
Isolate color channel |
Blue Only |
Cine Frame Guides |
2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
Social Frame guides |
9:16, 1:1, 191:1, 4:5 |
Safe areas |
Action and Graphic |
Grid markers |
9 grid |
Anamorphic desqueeze |
1.25x 1.33x , 1.5x ,1.8x ,2x |
Display Flip |
Vertical Only |
Onboard Signal Processing |
Pulldown Removal |
24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
4K UHD Downscale for HD |
Loop out - 4K UHD to FHD |
DCI Crop |
Loop out - 17:9 to 16:9 Crop |
Remote control |
HDMI |
Auto HDMI Trigger, Supported Protocols - Canon, Sony, Atomos Open Standard |
SDI |
SDI trigger camera selectable |
Serial 2.5mm Jack |
LANC control and calibration via optional USB to serial cable |
Bluetooth LE |
via optional AtomX SYNC module |
Wireless RF |
via optional AtomX SYNC module |
External Device Control |
Serial 2.5mm Jack |
Camera control for supported cameras via Optional USB to Serial Cable |
Bluetooth LE |
Via optional AtomX SYNC module to compatible devices |
Wireless RF |
Via optional AtomX SYNC module to compatible devices |
Supported Applications |
XML |
Cut tag EDL in FCPX XML |
Apple ProRes RAW |
Apple FCPX, Adobe Premier, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light. |
Video Codecs |
All Applications with support for ProRes and Avid DNX in .MOV wrapper |