| Weight |
| Without batteries, media & stand |
5.6kg / 12.3lb |
| With stand |
6.2kg / 13.7lb |
| Dimensions (W x H x D mm) |
504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand)
504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand) |
| Construction |
Aluminium alloy chassis with built in armor protection |
| Mounting Points |
1/4-20 screw; 4 x top, 4 x bottom, 2 x side
3/8-16 screw; 2 x top, 2 x bottom, 1 x side
VESA mount rear |
| Power |
| Operating power |
75W |
| Compatible batteries |
V-Lock / Anton Bauer via XLR terminal
(optional mounting plates available) |
| Input voltage (battery) |
14.4V nominal |
| Battery time (based on 7.4V) |
Depends on Watt Hours speci cation of battery used |
| DC In |
1 x DC in (6.2 - 16.8V) |
Continuous power
* Patent pending |
Primary-secondary battery system.
Change batteries without losing power
Loop batteries continuously |
| Touchscreen |
| Size |
19” |
| Resolution |
1920 x 1200 |
| PPI |
120 |
| Aspect ratio |
16:9 native |
| Color Gamut |
REC709 HDTV |
| Look up table (LUT) support |
3D LUT (.cube format) |
| Anamorphic de-squeeze |
2x, 1.5x, 1.33x, Panasonic 8:3 |
| Technology |
SuperAtom IPS panel (capacitive touch),
calibration to Rec.709 with optional calibration unit |
| HDR |
| AtomHDR |
Yes |
| Supported Log formats |
Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm |
| Supported Gamuts |
Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut |
| Bit depth |
10-bit (8+2 FRC) |
| Brightness |
1200nit (+/- 10%) |
HDR input (PQ/HLG)
HDR output (PQ/HLG) |
Yes / Yes
Yes / Yes |
| Video Input/Loop Out |
| HDMI |
1 x HDMI (2.0) |
| SDI |
Quad link 4 x 3G SDI* or up to 12G single link SDI |
| Signal |
Uncompressed true 10-bit or 8-bit 422
(camera dependent) |
| Video Output (Play Out) |
| HDMI |
1 x HDMI (2.0) |
| SDI |
1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G |
| Signal |
Uncompressed true 10-bit or 8-bit 422
(playback file dependent) |
| Supported Loop Out Formats |
| HDMI to HDMI |
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120
2160p 24/25/30/50/60 |
| SDI to SDI |
720p 50/60, 1080i 50/60
1080pSF 24/25/30
1080p 24/25/30/50/60/100/120
2160p 24/25/30/50/60 |
| Video Signal Conversion |
| HDMI to SDI |
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60 |
| SDI to HDMI |
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60 |
| Supported Codecs & Frame Rates (Record & Playback) |
| Raw Record |
Sony FS5/FS7^^/FS700 CDNG
4K DCI; 24/25/30p
4K UHD;
2K; 24/25/30/50/60/100/120p
1080;
Canon C300MKII/C500 CDNG
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080;
Panasonic VaricamLT / Varicam35* CDNG
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080;
Arri Alexa Mini .ARI*
2880x1620; 24/25/30/50/60p
2880x2160; 24/25/30/50/60p |
| Raw to ProRes / DNxHR |
Sony FS5/FS7/FS700
ProRes (HQ, 422, LT)
DNxHR (HQX, HQ, SQ, LB)
4K DCI; 24/25/30/50/60p
4K UHD;
2K; 24/25/30/50/60/100/120/200/240p
1080;
Canon C300MKII/C500
ProRes (HQ, 422, LT)
DNxHR (HQX, HQ, SQ, LB)
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080;
Panasonic VaricamLT / Varicam35*
ProRes (HQ, 422, LT)
DNxHR (HQX, HQ, SQ, LB)
4K DCI; 24/25/30/50*/60p*
4K UHD; 24/25/30/50*/60p*
2K; not supported in camera
1080; not supported in camera |
Video to ProRes / DNxHR
(DNx utilizes a .MOV wrapper) |
Codecs
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB
Frame rates
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K; N/A
1080p; 24/25/30/50/60/100^/120^/200/240p
1080i; 50/60i
720p; 50/60p |
| Onboard Processing |
| Pulldown removal |
24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown) |
| 4K UHD downscale for HD monitoring |
Yes - Loop-out and playback (Not available in RAW) |
| Audio In/Out (48kHz PCM Audio) |
| HDMI |
2 or 8ch 24-bit, camera dependent |
| SDI |
12ch 48kHz 24-bit |
| Audio |
2ch balanced XLR analog in/out (direct XLR connection)
Dynamic range >90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic |
| Headphone Out |
3.5mm |
| Built-in Speakers |
Yes |
| Remote Start/Stop |
| HDMI |
Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard |
| SDI |
SDI trigger camera selectable |
| Other |
LANC control - Slave |
| Playback |
| Playlist / Genlock / LTC |
Yes / Yes / Yes |
| CDNG (Recorded content) |
No support |
| ProRes (Recorded content) |
All recorded files can playback. Playback in slow motion >= 100fps |
| DNxHR / DNxHD (recorded content) |
All recorded files can playback. Playback in slow motion >= 100fps |
| Recording |
| Pre-roll record |
Yes (HD 8s, 4K 2s) |
| Custom timelapse |
Yes |
| Meta data tagging |
Yes (10 tags available) |
| Supported media |
2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives |
| Master caddy case |
Master Caddy II (included)
75mm x 105mm x 12mm |
| Master caddy dock |
2.5” SATA to USB 2.0/3.0 |
| Supported applications |
Supported Applications FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015 |
| XML support |
FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools |
| Accessories included |
Sumo unit, Master Caddy II x 1, AC power supply |
| Optional extras |
Sunhood, VESA battery adapter plate, Atomos HDMI
cable, X-Rite i1DisplayPro calibration |
| Warranty |
1 year. Extended to 3 years on product registration |
All specifications correct when published, subject to E&OE.
24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution
* Available in future firmware updates
*** No HDMI spec for 2K DCI
^ From supported HDMI sources such as gaming consoles and graphics cards.
^^ Optional unit (XDCA-FS7) needed for Raw output. |