Neumann TLM 107

Neumann TLM 107

Switchable Studio Microphone

Neumann O410

Home > Neumann > Current Microphones > TLM 107

 Neumann TLM 107 Switchable Studio Microphone

Neumann TLM 107
Product Code: TLM107
Buy Sell Sales Neumann TLM 107

 

Classic proportions combined with attractive styling and fresh ideas the TLM 107 perfectly embodies the Neumann philosophy: Innovation based on tradition. Far from evoking vintage or retro nostalgia, the standard-setting TLM 107 represents an impressive, modern studio microphone. Its extensive performance spectrum and high-precision reproduction, very close to the original, make the TLM 107 universally applicable, opening up the widest freedom in mixing and post-production.

Neumann Engineering
The newly developed sound transducer, which was designed especially for this microphone, is impressive with its outstanding impulse fidelity. The great consistency of the five polar patterns, omnidirectional, cardioid and figure-8, with the intermediate patterns wide-angle cardioid and hypercardioid, is also unusual for a large-diaphragm capsule. The TLM 107 provides optimal sound not only for the cardioid setting; it also ensures maximum precision over the entire frequency range for all of the other directional characteristics. The sound always remains balanced, with an almost linear reproduction up to 8 kHz, and a slight boost in the highest frequencies that lends presence and freshness to the voice. Here particular attention has been paid to the natural reproduction of speech sounds, especially the critical s sound. The grille is acoustically optimized for low sensitivity to pop sounds. In addition, the sound transducer is edge-terminated, with both diaphragms at ground voltage. Specifically, this ensures considerably reduced sensitivity to dust and humidity.

No-Compromise Sound Design
Transformerless circuitry permits a high degree of linearity and a large dynamic range. The self-noise of only 10 dB-A is practically inaudible, while at the same time, the TLM 107 features high level handling. The maximum sound pressure level of 141 dB SPL can be increased to 153 dB SPL via pre-attenuation (Pad). This enables the TLM 107 to transmit the sound of even the loudest instruments without distortion. The Low Cut settings of Linear, 40 Hz, and 100 Hz are precisely adapted to practical recording situations. Without side effects, the 40 Hz setting cuts interference noise below the range of fundamental tones (where 41 Hz is the frequency of the double bass open E string), while the 100 Hz setting is optimized for speech and vocals (where 100 Hz corresponds to the lowest notes of a baritone).

Innovative Operating Concept
For the first time, all of the microphone switch functions are controlled intuitively via a navigation switch. A visual highlight is the illuminated pattern display in the chrome ring, while the Pad and Low Cut status is displayed by LEDs to the left and right of the switch. In order not to distract singers, the switch and display are located on the back of the microphone. After ten seconds, the displays are turned off automatically.

Delivery Package
The TLM 107 is available in the colors matte nickel and black. A stand mount (SG 2) is included.
Best Of Show Arard
Studio Microphone TLM 107 in Wooden Box
Studio Microphone TLM 107: Detail View
Studio Microphone TLM 107: Rear View
 
Multipattern large diaphragm microphone with 5 polar patterns (omni, wide cardioid, cardioid, hypercardioid, figure-eight)
Navigation switch with LED illuminated display for polar pattern, PAD and low cut
Sound characteristics: transparent, natural reproduction of human voice, outstanding transient response
Balanced sound in all 5 polar pattern settings
Acoustical operating principle Pressure gradient transducer
Directional pattern Omni, wide angle cardioid, cardioid, hypercardioid, figure-8
Frequency range 20 Hz ... 20 kHz
Sensitivity at 1 kHz into 1 kohms 11 mV/Pa
Rated impedance 50 ohms
Rated load impedance 1000 ohms
Equivalent noise level, CCIR1) 22 dB
Equivalent noise level, A-weighted1) 10 dB-A
Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL) 72 dB
Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL) 84 dB
Maximum SPL for THD < 0.5%2) 141 dB
Maximum SPL for THD < 0.5%2) with pre-attenuation -6 dB 147 dB
Maximum SPL for THD < 0.5%2) with pre-attenuation -12 dB 153 dB
Maximum output voltage 10 dBu
Supply voltage (P48, IEC 61938) 48 V 4 V
Current consumption (P48, IEC 61938) 3.2 mA
Matching connectors XLR3F
Weight 445 g
Diameter 64 mm
Length 145 mm
 

 

 
Products
Studio Monitor Systems
Current Microphones
BCM 104 KM D
BCM 705 KMR 81 i
D-01 KMR 81 D
KK104S / KK105S KMR 82 i
KK 204 /
KK 205
KMS104 / KMS105
KM 120 KMS 104 D / KMS 105 D
KM 130 KU 100
KM 131 M 147 Tube
KM 140 M 149 Tube
KM 143 M 150 Tube
KM 145 TLM 102
KM 150 TLM 103
KM 183 TLM 103 D
KM 184 TLM 107
KM 185 TLM 170R
KM 183A TLM 193
KM 184A TLM 49
KM 185A TLM 67
KM 133D U 87 Ai
KM 183D U 89 i
KM 184D USM 69 i
KM 185D U 47 fet
KM A  
Current Accessories

Neumann 18112014
Studio Monitor Systems - KH 420 | O 410 | KH 310D | KH 310A | KH 120D | KH 120A | M 52 | KH 870 | KH 810 |
Current Microphones - BCM 104 | BCM 705 | D-01 | KK104S / KK105S | KK 204 / KK 205 | KM 120 | KM 130 | KM 131 | KM 140 | KM 143 | KM 145 | KM 150 | KM 183 |
KM 184 | KM 185 | KM 183A | KM 184A | KM 185A | KM 133D | KM 183D | KM 184D | KM 185D | KM A | KM D | KMR 81 i | KMR 81 D | KMR 82 i | KMS104 / KMS105 |
KMS 104 D / KMS 105 D | KU 100 | M 147 Tube | M 149 Tube | M 150 Tube | TLM 102 | TLM 103 | TLM 103 D | TLM 107 | TLM 170R | TLM 193 | TLM 49 | TLM 67 |
U 87 Ai | U 89 i | USM 69 i | U 47 fet |
Current Accessories - AC 20 | AC 21 | AC 22 | AC 23 | AC 25 | AC 26 | AC 27 | AC 28 | AC 29 | AC 30 | AK 20 | AK 30 | AK 31 | AK 40 | AK 43 | AK 45 | AK 50 |
BCK | BS 48 i | BS 48 i-2 | Conn Kit AES/EBU | Conn Kit S/PDIF | USB - RS 485 | DMI-2 Portable | DMI 8 | DS 100-1 | DS 120 | EA 1 (mt) | EA 170 (mt) | EA 2 (mt) |
EA 2124 A (mt) | EA 4 (bk) | EA 87 (mt) | EA 89 A (mt) | IC 3 (mt) | IC 4 (mt) | IC 5 (mt) | IC 6 (mt) | IC 7 | K 11 | K 3 x 0.08 | K 3 x 0.2 | K 5 x 0.14 | K 7 X 0.14 |
KA 100 | KK 120 (nx) | KK 131 (nx) | KK 133 (nx) | KK 143 (nx) | KK 145 (nx) | KK 183 (nx) | KK 184 (nx) | KK 185 (nx) | KM 100 | KM A (nx) | KM D (nx) | KT 5 | KT 8 |
KVF 118 KA | KVF 158 KA | KVFF 148 KA | KVG 1120 nx | KVG 130 nx | KVG 160 nx | LC 2 | LC 3 KA | LC 4 | M 210/1 | M 212 c | M 214/1 | M 252 | MCA-ES | MF 2 |
MF 3 | MF 4 | MF 5 | MF-AK | MNV 100 | MNV 21 mt | MNV 87 mt | MTX 191 A | MZEF 8060/8120 | MZGE 8000 | MZGE 8002 | N 149 A | N 248 | PA 100 | PS 15 | PS 20 a |
SBK 130 A | SG 100 | SG 100-1 | SG 105 | SG 109 | SG 110 nx | SG 2 | SG 21 bk | SG 287 | SG 289 | SG 5 | SG-AK | SGE 100 | SMK 100 A | SR 100 | STH 100 | STH 120 |
STV 4/20/40/60 | TF 221 C | WKD-AK | WKE 191 Set | WKE 81 Set | WKE 82 Set | WNS 100 | WNS 110 | WNS 120 | WS 100 | WS 2 | WS 47 | WS 69 | WS 81 | WS 82 | WS 87 |
WS 89 | WSB | Z 26 mt |