SOUND DEVICES PIX-E5

Recording Field Monitor

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Sound Devices PIX E5 Recording Field Monitor

Sound Devices PIX-E5
Product Code: PIXE5
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The PIX-E monitors feature a compact, die-cast metal housing and an LCD display protected by Gorilla Glass 2, making them the ideal choice for cinematographers and videographers looking for a monitor that can stand up to the rigors of the most extreme and demanding production environments. PIX-E includes PIX-Assist™, an impressive suite of monitoring tools including TapZoom™ for unrivaled focusing speed, false colors and zebras to help set exposure, guide markers for framing, LUTs and a range of scopes including waveform monitor, histogram and vectorscope. These new on-camera monitors incorporate a ‘best-of-both-worlds’ user interface that combines easy-to-access real tactile buttons and intuitive touch screen. And with their ability to record the highest quality Apple ProRes edit-ready video, the PIX-E recording monitors are an affordable, must-have tool for any video production professional.

Sound Devices PIX-E5

LCD - Detail, Accuracy, Brightness.
Discerning cinematographers and videographers need high-resolution, color-accurate, sunlight-viewable monitoring with a wide angle of view.

The PIX-E Series monitors excel in all those aspects with their IPS, 500 nit, 1920x1080 (5-inch) and 1920x1200 (7-inch) LCD displays.
   

Sound Devices PIX-E5

PIX-Assist™ Monitoring Tools & Scopes
• Waveform Monitor
• Vectorscope
• Histogram
• TapZoom™
• Peaking
• Zebras
• False Color
• Frame Markers
• Four Way View
• LUTs
   

Sound Devices PIX-E5

TapZoom™
Its never been faster to zoom in and check focus!

TapZoom provides instant 2x or 4x zoom to where you tap on the touchscreen. Tap again to zoom out.

Once zoomed in, tap on the screen in the direction of a moving subject to keep it centered - the perfect tool for quickly checking focus when an actor lands short or overruns a mark
   

Sound Devices PIX-E5

Outstanding Recording Capabilities
The 4K-compatible PIX-E Series are the first on-camera monitors to offer the full range of Apple ProRes codecs including the highest quality Apple ProRes 4444 XQ*. This is a 12-bit codec designed to preserve the detail in wide dynamic range imagery captured by today's high performance digital image sensors.

PIX-E can record 4K up to 24 fps, UHD up to 30 fps and 1080p or 720p up to 60 fps.
   

Sound Devices PIX-E5

SpeedDrive™ Recording and File Delivery
The PIX-E records to the affordable, super fast SpeedDrive, an industry standard mSATA drive contained within a custom-designed enclosure. The SpeedDrive, which plugs directly into the PIX-E, doubles as a USB 3.0 thumb drive for very high speed offload to any computer without the need for a special cable or drive docking station.

Two SpeedDrive options are available, a 240 GB SpeedDrive and an Enclosure-Only version that allows the user to choose and easily fit any size of mSATA drive. mSATA drives are available in sizes ranging from 128 GB to 1 TB.
   

Sound Devices PIX-E5

Best-of-Both-Worlds User Interface
Some functions are better controlled via touchscreen and others by real buttons. PIX-E incorporates both types of control. The touchscreen is best used when interacting directly with a specific area of the displayed image such as zooming in to a point of interest with TapZoom.

Buttons allow the operator to locate a control without looking and instant tactile response leaves no doubt a function has been activated. Button control is well suited to commands such as 'Record' where failure to activate can be catastrophic.
   

Sound Devices PIX-E5

Mechanical Construction and Powering
With their compact, die-cast metal chassis, nutted connectors, and an LCD protected by scratch-resistant and optically-bonded Gorilla Glass 2, the PIX-E field recording monitors are designed to withstand the most extreme and demanding production environments.

The PIX-E monitors are powered by external DC (10-34V) or dual L-mount Sony batteries with powering seamlessly switching from one source to another should one become depleted or removed.
Display
LCD Size 5”
Resolution, ppi 1920x1080, 441ppi
Luminance (Brightness) 500 nit
IPS with Gorilla® Glass
Monitoring Tools | PIX-Assist™
TapZoom 1x, 2x, 4x
Peaking Filter, Guide Markers,
Vectorsope and Histogram
False Colors and Zebras 4-step. 12-step, Zebras 1, Zebras 2
Waveform Monitor Luma (White, Green)
RGB (Overlay, Parade)
LUTs To LCD and/or outputs
4-way View (Live, WFM, Vector, Histogram)
Recorder
Recording Media SpeedDrive (128 GB to 1 T)
Codec Apple ProRes Proxy to
Apple ProRes 4444 XQ
Max Resoution/Frame Rate 60 fps (HD); 30 fps (UHD); 24 fps (4K)
File Transfer to Computer via SpeedDrive USB 3.0 interface
Video
Inputs and Outputs 3G-SDI, HDMI
Audio
Max No. Tracks 8
Analog Inputs 2x unbalanced line, 3.5mm
2x balanced mic/line,
XLR (via optional PIX-LR)
Embedded Audio Inputs 8 SDI and 2 HDMI
Headphone Output
Remote Control & Timecode
Record Start/Stop Flags, Embedded TC SDI, HDMI
Powering, Weight, & Dimension  
Power Source EXT DC (10-34V),
(optional) 2x Sony L-mount batteries
Weight & Dimensions 1 lb 5.4”x3.4”x1.6”(wxhxd)
 
 
 

 



 


WD_ SoundDevices 110415
PORTABLE DIGITAL RECORDER
| 702 | 702T | 722 | 744T | 788T  | 788T-SSD | FIELD MIXER | 664 | 302 | 552 | MixPre-D |
PIX 220i | PIX 240i | PIX 260i | PIX E5 | PIX E5H | PIX E7 |
COMPUTER AUDIO
| USBPre 2 | MICROPHONE PREAMP | MM-1 | MP-1 | HEADPHONE AMP | HX-3 |
ELECTRONIC ACCESSORIES | CL-1 | CL-2 | CL-8 | CL-9 |
ACCESSORIES CARRYING CASE | CS-3 | CS-4 | CS-MAN | CS-5 | | CS-664 | CS-W |
POWER ACCESSORIES
| XL-NPH | XL-B2 XL-DC XL-H |  XL-1394 XL-WP3 | XL-WPH3 |


AUDIO CABLES & INTERCONNECTS | XL-1B | XL-4 | | XL-7 | XL-2 | XL-10 | XL-2F | XL-14 | XL-3 | XL-3R | XL-88 | XL-TA25 | XL-TA35 | XL-TA55 |
TIME CODE & DATA CABLES |  XL-LL | XL-LX | XL-LB2 | XL-BNC | XL-RJ | MECHANICAL UPGRADES | XL-CAM | XL-K3 | XL-LCD |
PRO AUDIO |
Sennheiser | Shure | Tascam | Audio Technica | LACOUSTICS |
Discontinued
USBPre |Mix Pre | 442
| 442N (Nordic) | PIX 220 | PIX 240 | CS-4W | XL-B1 | XL-TP | XL-WP | XL-WPH | XL-LB | XL-40 | XL-1 |
XL-1A | XL-1B | XL-K1 | XL-K1 | XL-K2 |

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LACOUSTICS
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| LACOUSTICS |
|
8XT | 12XT | 115XT HiQ | 108p | 112P | SB15P | ARCS | KIVA | KILO | dV-DOSC |dV-SUB | KUDO | V-DOSC | K1 | K1-SB | SB118 | SB28|
| GY-HM850 | GY-HM890 |  GY-HM600 | GY-HM650

Yamaha Professional Audio  Link  Link1  Link2  17032015
Mixers:
RIVAGE PM10 | Digital Mixers | CL1 | CL3 | CL5 | QL-1 | QL-5 | PM5D | PM5D-RH | M7CL-32 | M7CL-48 | M7CL-48ES | LS9-32 | LS9-16 | DM2000VCM | DM1000VCM | 02R96VCM |
01V96i | IMX644 |
Analog  Mixers | MGP32X | MGP24X | MGP16X | MGP12X | MG20XU | MG16XU | MG12XU | MG10XU | MG06X | MG20 | MG16 | MG12 | MG10 | MG06 | AG06 | AG03 | MG32/14FX |
MG24/14FX | MG206C-USB | MG166CX-USB | MG166C-USB | MG166CX | MG124CX | MG82CX | MG206C | MG166C | MG124C | MG102C |
Powered Mixers | EMX5016CF | EMX5014C |
EMX512SC | EMX312SC | EMX212S |

Processors: DME-64N | DME-24N | DME8i-C | DME8i-ES | DME8o-C | DME8o-ES | DME4io-C | DME4io-ES | MTX-3 | MTX5-D | SP2060 | SPX2000 | Q2031B |
Power Amps: TX6n | TX5n | TX4n | T5n | T4n | T3n | PC9501N | PC6501N | PC4801N | PC3301N | PC2001N | XP7000 | XP5000 | XP3500 | XP2500 | XP1000 | P7000S | P5000S | P3500S | P2500S |
MA2030 | PA2030 | XMV4280 | XMV4140 | XMV4280-D | XMV4140-D | XM4180 | XM4080 | IPA8200 | XH200 |

Speakers: CBR 10 | CBR 12 | CBR 15 | BR 10 | BR 12 | BR 12M | BR 15 | BR 15M | IF2205 | IF2108 | IF2208 | IF2112/64 | IF2112/95 | IF2112/99 | IF2112/AS | IF2112M/64 | IF2112M/95 | IF2112M/99 |
IF2115/64 |IF2115/95 | IF2115/99 | IF2115/AS | IF2115M/64 | IF2115M/95 | IF2115M/99 | IF3115/64 | IF3115/95 | IH2000/64 | IH2000/95 | IL1115 | IS1118 | IS1215 | IS1218 | S112V | S115V | S215V | SM10V | SM12V | SM15V | SW115V | SW118V | CW118V | SM218V  |
VS6 | VS4 | VXS5 / VXS5.W | VXS8  / VXS8W | VXS10S / VXS10SW | VXS10ST / VXS10STW | VXS5-VA / VXS5-VAW |VXS8-VA  / VXS8-VAW |
VXC4 / VXC4W | VXC6 / VXC6W | VXC8 / VXC8W |
VXC4-VA / VXC4-VAW | VXC6-VA / VXC6-VAW | VXC8-VA / VXC8-VAW | VXC5F / VXC5FW | VXC3F / VXC3FW | DSR215 | DSR118W | DSR115 |
DSR112 | DXR8 | DXR10 | DXR12 | DXR15 | DBR10 | DBR12 | DBR15 | DXS12 | DXS15 | MSR400 | MSR250 | MSR100 | MSR800W | MSP7 STUDIO | MSP5 STUDIO | SW10 STUDIO | HS 5 | HS 7 | HS 8 | HS 8S |
MSP 3 | MSP101II |
DAW Systems:
NCS500-FD | NCS500-CT | NUAGE I/O | NUAGE WORKSPACE | DANTE ACCELERATOR |
PA Systems: Stagepas 600i | Stagepas 400i |
Add-On-Effects: AE011 | AE021 | AE031 | AE041 | AE051 |
Interfaces: MY8-LAKE | DUGAN-MY16 | WSG-Y16 | MY4-AEC | MY8-ADDA96 | MY8-AD96 | MY8-AD24 | MY4-AD | MY8-DA96 | MY4-DA | MY16-AT | MY8-AT | MY16-AE | MY8-AE96 | MY8-AE96S |
MY8-AE | MY8-AEB | MY16-MD64 | MY8-SDI-D | MY8-SDI-ED | MY16-TD | MY8-TD | AVIOM16/o-Y1 | AVIOM6416Y2 | MY16-CII | MY16-ES64 | MY16-EX |
Recorders:
CD-S300RK | CD-C600RK | POCKETRAK PR7 | POCKETRAK C24 | POCKETRAK W24 |